Fstoppers Original Articles

The Fstoppers community is brimming with creative vision and talent. Every day, we comb through your work, looking for images to feature as the Photo of the Day or simply to admire your creativity and technical prowess. In 2023, we're featuring a new photographer every month, whose portfolio represents both stellar photographic achievement and a high level of involvement within the Fstoppers community.

It’s safe to say we’ve all heard the phrase “love what you do and you’ll never work a day in your life.” There is also the antithesis to that, where if you love what you do, you’ll work 24/7. Well, I turned my passion for photography into my career, but the ultimate question is: does it feel like work, and do I regret my decision?

I notice many guides online for various light modifiers available. What I don’t see as much is a proper comparison of nearly every modifier available. Having sorted through my kit a few days ago, I realized I have numerous modifiers. In this article, we will compare modifiers so that next time you’re selecting one, you understand their functions.

I’ve been a pro photographer for a few years, and while I was going pro, I tried just about every form of photography you can think of, except for one… until now.

Probably, most of us have at some point encountered a behind-the-scenes photo where there is a parabolic reflector with the name Briese written on the side in yellow letters. Yet, very few photographers have actually worked with it or know what makes it so special. Recently, I got a chance to try out Briese reflectors and generators in Hamburg. Read on to find out why I fell in love from the first sight.

Is swapping a camera system a valid and worthwhile move? I did it for very good reasons, and it's something you might consider if you analyze what you use and why you bought it.

The game has changed a lot in 2024. Being a successful photographer is no longer about technical ability but a lot more about aesthetics and vision. In this article, I will tell you the five things you need to stop doing to be a successful photographer in 2024.

I made a TikTok after months of being nagged by my friends and colleagues. There's a ton of behind-the-scenes content that I am slowly uploading there. Sometimes, at about 3 in the morning when I finish my work and get slightly depressed, I go on TikTok and scroll through videos tagged #photography. While this won’t be an article targeting TikTok photographers, or an article shaming people for following trends, it will be an article discussing what trends there are now, and what’s possibly dangerous with them.

Did artificial intelligence technology take over photography? No, it hasn’t, and it probably never will. But here is how AI might have been helping you behind the scenes all along.

Artificial intelligence, or AI, is perhaps the biggest buzzword in the world of photography and tech for 2023, and it continues to be a widely discussed topic in 2024. This stems from the fact that the industry has had mixed reactions about the emergence of AI tools for photography and raised the question of whether this kind of technology puts photographers' jobs at risk. However, much of...

It’s not that I hate Godox or that I am paid by a different lighting brand to hate Godox every month. It is simply that when it comes to producing professional work, their lights are just not fit for the job. Here is why I will not use Godox for professional work.

As a landscape photographer who is addicted to the big vista, I have often wondered just how hard or easy it would be to force myself to only use one lens, and that lens being the 70-200mm. The versatility of this lens is fantastic, and many of you will know this already. However, the best thing about having my 70-200mm is that it's always in my bag and ready to be deployed whenever I need it, but what if I were only to have this lens?

Within the genre of landscape photography, there is often debate about how much editing is too much. When does the photograph go from natural to manipulated? Does it even matter? How much editing is too much for your photos?

Whenever someone asks me what camera they should buy, I am shown a ton of triple-digit-D versions. Unfortunately, entry-level cameras are nowhere near as good as full-frame equivalents. Full frame doesn’t have to be expensive. Here’s a cheap full frame camera you can buy in 2024.

Wake up, get out of your funk, and do something new. Those are words that I say to myself quite often, and if we are all being honest, we all say them to ourselves often too, and if not, then we should. Why, you may ask? Because if you don’t, then you will either continue to be stuck in a rut or you will be, unknowingly, damaging our potential for growth and overall satisfaction.

The Apple Vision Pro is all over the news lately. It's an expensive $3,500 wear-on-your-head device that offers augmented reality, virtual reality, and what Apple calls "Spatial Computing." (That's just the base price. Adding memory and prescription lenses adds to your ticket.)

There is a war going on in the lighting community: To dome or not to dome? Does the recessed front make a difference? Are the flat-front lights not usable anymore? Well, having had the privilege of owning a number of lighting variants, I did rigorous testing to settle the debate once and for all.

Busy week of production, so, this week, I’d like to just offer a short story about how, sometimes, a successful shoot is about more than just the final product.

As professional photographers, we carry around a bunch of stuff. I can easily rock up to a shoot with way too much kit for the job. My daily carry-around equipment is quite different, though. Let's talk about some of the must-carry items.

There are a lot of great tools available for editing, and my favorite techniques tend to have large impacts for little effort. Lightroom's masking tool does this better than anything else I've ever used. This guide will teach you everything you could possibly want to know about Lightroom masking regardless of your skill level.

January had been a difficult month for me. I was shooting a lot less, and as a result, I had a ton of time to think about my career and my direction. I ended up in a fairly bad place with my mental health. Like almost every other artist, I ended up hating much of what I do. Here's why it sucks being a photographer, and what you can do about it.

Why are photographers obsessed with shallow depth of field? And why I think it can ruin your photography as it almost did with mine. Read on about how it started to affect my photography and what I did about it.

Becoming a skilled photographer is a journey that requires dedication, practice, and a willingness to learn and grow. Whether you're just starting out or looking to take your photography to the next level, there are several key steps you can take to develop your skills and expand your creative horizons. Let’s explore some of the most effective strategies for growing as a photographer, which have helped my own personal journey.

Does the thought of photographing people for the first time frighten you? It did for me a few years ago. As an introverted photographer who also suffers from depression and anxiety, I was petrified to make the step into portrait photography, but I was able to push through it and now I love it!

I do my very best to help out photographers who are starting out. There are some negative tendencies in just about any photographer's career; I had them myself. The only difference between me and you is that you will now find out what's wrong, while I had to figure it out by trial and error.

Buying equipment is as exciting as ever, if you ask me. While my tastes are probably slightly different than yours, in the sense that I buy '90s flash gear and DSLRs, I have been doing this for around five years and have come up with a few tips on how to save money when buying gear.

There is a lot of bad advice online on how to make money as a photographer. Truth be told, I followed much of it and made a big fat zero. This is not because such advice is wrong, but rather because it is out of touch with what the market is in 2024. In this article, I will shed light on one of the worst ways to make money with your work.

Doing a photoshoot with slime was my Nickelodeon-inspired childhood dream come true. We used 20 gallons of blue slime in this shoot, and it created some wild photos.

Having used flash for most of the work I've shot, it’s fair to say that I made a number of mistakes when starting out with a flash kit. Everything that could go wrong did, but I learned a number of techniques along the way. In this article, we will dive into some of the most common mistakes I see photographers make when using flash.

Shooting interiors for real estate shouldn’t be that challenging if your goal is simply to photograph the entire space. However, if the goal is to come up with visually impactful images, then it’s very likely that you’ll have to solve some problems while shooting.

There is a growing tendency in photography to produce commercially viable portfolios. I can't say that this is a bad tendency, as it nurtures image-makers who are more profitable. However, there are a few negatives to this. One of them is that everyone's portfolio looks the same.

If you happened to see the recent press release and subsequent articles, you may be under the impression that Canon has become the number one brand of mirrorless cameras. And this data is probably correct. But after their release, Sony was asked about it and decided to share their end of the same data, which also says they are number one in mirrorless. So what's the deal?

One of the biggest tendencies I see among photographers is the pursuit of the latest and greatest kit. I, however, did the very opposite and invested in some truly ancient equipment. Not because I intended to write an article about it, but because there is a valid reason behind my choice. Let's delve into it.

Whether you're just starting out or have been honing your craft for years, the practice of photography is a continuous journey filled with discovery, growth, and boundless opportunities for self-expression. You are stepping into a world where creativity knows no bounds, and each time you press the shutter, you capture a moment frozen in time. This you already know, but has there ever been a time that you looked back to see where you started, and then suddenly realized how far you have actually come with your photography and appreciated the journey so far?

Social media has undeniably dominated a major part of our lifestyle and played an even more irreplaceable role for us to express our opinions on the net. This social media domination has somewhat become both a blessing and a curse for photographers where most of their work is held hostage under the power of the scrolling algorithm. While some photographers may have taken the opportunity to market and broadcast their work to the world, it is still pretty challenging to maintain the utmost creativity and artistic integrity under the influence of the constantly evolving algorithm.

Composition in landscape photography is an essential aspect of the craft. Many rules talk about leading lines, the rule of thirds, visual weight, and more. These rules are good guidelines, but the art of simplification is at the root of good compositions.

When Fujifilm released the X-T5 on November 25, 2022, I was one of the first in the queue as I wanted to experience a high-megapixel APS-C sensor. This was simply not GAS, as I had only months earlier purchased an X-T4, which was comfortably doing everything I needed. However, 40 megapixels for landscapes in such a compact and stylish design, I simply needed to see what it could do and more to the point, could do what I needed for my photography. Fast-forward 429 days later, has it been able to do everything?

It's 2024 and you're still shooting with a full-frame DSLR? Me too. Here is why I feel no pressure to switch from my DSLR camera body to a mirrorless system any time soon.

If I told you that you could watch Lindsay Adler create, grab a passing high five from Peter Hurley, test run the newest lenses, sit in on a spicy AI debate, and drink Kentucky bourbon in the evenings with your friends, would you tell me to snap out of my odd photographer fantasy dream? If you would, I would tell you that what I just described was my recent visit to Imaging USA. Whether your own dream would include the Nikon booth, chatting with photo legend Joe McNally, landscape tips with Annalise Kaylor, or software updates with Julieanne Kost, you could find it at this year’s conference. There are many sessions I wish I could have attended, but until I crack the code on cloning, here are the key points from the lectures I did manage to participate in.

It's a trip of a lifetime, after all. You'll to want to make sure you have the right gear with you when the bears start sparring or the leopard seals give chase to an unsuspecting penguin chick out for its first swim. I asked two experts in the field to provide their recommendations: Marius Coetzee, with Oryx Photo Tours, which operates in both northern and southern polar regions and Paul Zizka who runs his own photography workshops as well as working with OFFBEAT, running photo tours in the northern polar regions. I also guide with GAdventures, exploring Antarctica, and Frontiers North Adventures, leading adventures in Canada's sub-Arctic.

Whether we admit it or not, we are living in the best era for photographers as the constant technological improvement undeniably uplifts the entire ecosystem, making the entire image-making process easier. Everything from capturing the moment to medium output can now be made within seconds. And with convenience comes the expectation to scratch an itch you never knew existed. One of them will be surrounding the myth of resolution. Specifically, having more resolution will somehow magically improve the quality of your images.

In scenarios where you don’t get a second chance at capturing that photo, such as a proposal or a first kiss moment, you need trustworthy and high-quality equipment. In this article, we discuss the best equipment and tools for wedding photographers.

Every new camera incorporates some form of stabilization system. While much of photography doesn’t necessarily require image stabilization, on some occasions, it may have become a necessity, especially with today's high-resolution cameras.

As photographers, we are aware that, in general, people are not naturally comfortable being photographed. In this article, I want to show you a fundamental technique that I use to achieve energetic, real, and authentic couple portraits.

Do you feel stagnant in your work? As someone who has transitioned to shooting professionally, I have found that growth within my own work has continually become more difficult. Doing this exercise helps me every time; it doesn't matter your skill level, and it applies to all genres of photography.

There are many reasons why a photograph can go wrong. But to be a photographic flop takes a special skill that most failures don’t even know they have. If you don’t want to be a second-rate photographer, here is how to avoid it.

Have you ever wondered what goes through the mind of a professional photographer when searching for unique compositions? In this article, I break down my entire thought process of how I find, compose, and build an image from start to finish.

If you’ve been on YouTube at all in the past couple of weeks, the algorithm has more than likely served you up multiple videos of powerful influencers announcing that they are “quitting” the platform. While each person has their own reasons, I think there are a few common threads that we can all learn from.

Some time ago, I wrote an article about soft proofing in Lightroom and Photoshop. It's an essential step in any professional printing workflow. Today, I show the additional steps required to create perfect prints.

It's easy to get inspired when all your momentum is going in the same direction. But what do you do when you're feeling stalled?

There are parameters within which a camera is supposed to work, and one extreme I had not tried with mine was the severe cold. So, I headed to Northern Finland, where I would experience temperatures I had never felt before. Here is what happened to my camera.