At the heart of photography as a medium is a fundamental problem: every photograph is a lie. This slippery instability is often what makes it effective as a tool for communication, but it can also create problems for some of the world’s most respected photographers, including Steve McCurry and, more recently, fine art photographer Tom Hunter.

The morning of a shoot has arrived and you are running around frantically loading gear trying to make sure that you haven’t forgotten a lens, power cable, or battery that will be the key to making the shoot a success. In the haste of focusing on gear, it can be too easy to forget to load a few simple tools that can come to your rescue and make sure everyone is as happy as possible throughout the shoot.

When manufacturers give specifications of lenses, there is a lot of detail that is meaningless to many consumers of their products. When we writers review them, we tend to give the same information. Here’s a method I think would be much more helpful to most photographers.

We are constantly pressured into buying the latest cameras. As the bottom has fallen out of the camera market, maybe it’s time that camera manufacturers had a rethink about what they offer us. Nevertheless, there are good reasons for and against both upgrading and changing your system.

For the last 2 years I've made my living shooting architecture with DSLRs, mostly short videos of California's fanciest multifamily apartment communities. When my client Synergy Corporate Housing asked me to continue that mission with all of their international properties in 10 major cities across 8 European countries, the first thing I thought when I saw the 32-day itinerary was, "bring a Hasselblad."

It happens at basically every wedding I shoot. I walk into the room to start taking images of the bride getting ready, and the bride offers me a mimosa. After I leave to take images of the guys getting ready, I walk in and the groom offers me a beer. Then, the ceremony is about to start, and a groomsman offers me a shot out of the flask he has in his jacket. Lastly, we are at the reception and both sets of parents and the entire wedding party are offering drinks. I have to assume that most wedding photographers are faced with at least one of these events at every job. So, the question is: do you accept?

There is always talk about what apps you need to get in order to take cool photos, but the fact is you already have a camera. Quite honestly there is no camera or editing app that will greatly affect your business in my opinion, and that is what's truly important. So what apps does it take to really help streamline your business? I'll tell you what has worked wonders for me, and what I believe will do the same for you.

Modern cameras and lenses offer remarkably good image quality — levels that were only dreamed of even just a decade ago. And with those increased capabilities have come increased standards and expectations. But at this point, how much image quality do we really need? This interesting video poses the question and examines a scenario where getting the shot might take precedence.

Pentax is one of those loved brand names that inspires confidence and loyalty among its followers, a result of its engineering excellence and value for money. Yet, it has been largely absent from the camera market in recent years. Has it slipped into a commercial coma, and will life support be switched off shortly?

Some cameras are built for power, others for portability. Micro Four Thirds cameras aim to balance both, offering a lightweight system without sacrificing performance. But with full frame cameras becoming more affordable and APS-C sensors improving, is Micro Four Thirds still worth it?

Many street photographers might claim that the Leica M series is the best street photography camera. While they are not wrong, necessarily, I think the Ricoh GR Digital IV offers more flexibility and value.

I just quit my full time job of six years as a video producer at a local college. A decent salary, good benefits, and the security that came with it… all gone. I'm now focusing on my dream project called Ascending India (our film trailer is what’s featured) and I might go broke trying to make it. Read on and I’ll tell you why I couldn’t be more excited, and why you might want to consider trying to make your dream project happen too.

In light of the barrage of recent allegations against top industry photographers, Jessica Kobeissi is utilizing her platform on YouTube to shed light on what she describes as “the dark side of modeling,” sharing stories she’d heard from females she’s worked with.

“It’s like a Mercedes-Benz. You drive it off the lot, it loses half its value," says artist Peter Lik, describing his own work. This brutal article from the New York Times examines the extraordinary amounts of money that people continue to spend on Lik's work and how he has created his own speculative — and lucrative — economy.

We have to deal with annoying Internet trolls on a daily basis. They usually try to start an argument by posting a ridiculous comment on Fstoppers, Facebook, or YouTube. They used to really bother me, but at this point, I've become pretty impervious to negative comments, but sometimes, these trolls take things too far, especially when they think they are anonymous.

The death of the DSLR has been predicted for years. With each new mirrorless camera model brought to market someone on the internet is playing TAPS for the DSLR camera format. But what is meant by DSLRs are dead?

The last decade has seen a gradual increase in the number of new manual focus lenses manufactured and sold. Who are these lenses for and why would anyone buy them over a lens with autofocus?

A few weeks ago, an online mob doxed a street photographer for taking candid images at a county fair. The incident raises questions about where we draw the line when it comes to invading someone’s privacy in a public space.

The mirrorless tsunami is well under way. We have a wealth of full-frame options with new mounts, smaller flange distances, vastly improved EVFs, and smaller bodies. Given the dent that this is already putting in DSLR sales, what’s the next step? Sony already has a well-established range of crop-sensor mirrorless bodies, but will Canon and Nikon follow suit?

Photographer Jason Lanier is on a mission to end discrimination against the small business photographer. As seen in the video above, he and his group were confronted multiple times while attempting to do a shoot. In the first location they are asked to leave the premise altogether. In the second they were asked to "make it look less commercial" by getting rid of a strobe. In both instances they weren't interfering with any event around them nor were they disturbing the public and only had a single portable strobe setup. Lanier notes a growing trend to neglect and discriminate against the small business photographer.

Nikon has just released its 2020 financial results alongside its medium-term management plan. How does the manufacturer see its future in the wake of last year's financial results?

There is quite a lot of excitement about the new Canon cameras. Of course, the much-anticipated Canon flagship is bound to attract attention, as well as the much-improved Canon R5 Mark II, which builds on the legacy of the famous R5. Yet, I am not buying any of these cameras. Here’s why.

The Canon 50mm f/1.8 lens, or commonly referred to as the nifty fifty, is a great lens that comes in with an amazing price tag of only $125 as I write this. For many, especially those on a budget, this is one of the first and most often recommended lens to pick up for any photographer of any genre.

Pentax launched a new "brand vision" recently in preparation for its upcoming product release, going as far as to develop an extensive webpage and supporting video to promote its DSLR cameras. Here are 10 reasons why their camera strategy is in disarray.

Fujifilm’s introduction of the X-Pro3 has continued their trend of quirky design choices, but has also raised the question of whether bucking the trend is actually making for a better experience for photographers.

One of the reasons I love art is that is it the most effective way not only to entertain us, but to help us reflect on life itself. A well-placed verse or a well-timed press of the shutter can connect the world in ways that a thousand politicians simply can’t.

Tempers flared, rights were infringed, and violence ensued. Videographer Shawn Thomas exchanged heated words with NYPD Officer Efrain Rojas resulting in a unwarranted beatdown and arrest. The 10 minute clip depicts how quickly the controversy escalated over a simple camera phone, which apparently cost Thomas a bloodied lip from the police officer.

As a young, rebellious teenager in love with music and films, I discovered my love of photography when I was handed an old Olympus film camera and I have since fallen deeply in love with the art of photography. Years went by as I experimented with different ways of shooting and discovering new ideas I wanted to pursue in this medium until I finished school and needed to think seriously about what I wanted to do in life. The choice was easy: either become a musician or a photographer.