Transferring images from the camera to the customer is a complex process that — depending upon your genre — will require a greater or lesser number of intermediate steps. Irrespective of who you are delivering to, you need to get photos off your camera, and this is where the fun and games start. Nikon has released NX MobileAir as another solution to fix the problem. Has it missed a beat or taken a bold step forward?

DSLR makers have developed a rather interesting propensity to focus their R&D budgets on creating the fanciest, most marketable sensors possible. A camera, however, isn't just limited to the scope of its sensor. There are so many other upgrades that could be made that have nothing to do with megapixel numbers. Below are a few straight out of my dream list that likely would be pretty difficult to make work.

Photography has always existed in multiple spheres - as an artistic medium, a vehicle for documenting history, a channel for self-expression, a tool for surveillance, and a form of casual communication. With the meteoric rise of social media in the 21st century, however, the ways in which photos are produced, consumed, and understood have profoundly changed. While social media offers photographers unparalleled opportunities for visibility, it has also homogenized photographic styles, marginalized minority voices, and constrained creative freedom.

I never thought I would learn important lessons about selling my photographs from a six-year-old, but now that I have learned them, I think you should, too.

Street photography is one of the most popular genres of photography, both for professional and amateur photographers. Done well, it can produce art that not only tells a story about a particular moment in time but also provides us with a window onto the human condition. Questions have been asked, however, about the ethics of street photography, and whether photographers ought to be doing it at all.

When teaching workshops and talking to other photographers, I’m constantly asked how I market myself to gain more exposure and business. While there are no surefire ways to insure your success when it comes to marketing, I have found four really unconventional ways to better market myself.

New and shiny gear from Apple is always good looking and always sounding good on paper. We've seen lots of paid reviews on various products of theirs and lots of boring laboratory benchmarks showing soulless numbers we had to believe in. How about ditching all that and making a real-world test in workflows that demand a good amount of hardware resources? You guessed it: video processing. The guys from cinema5D got an iMac Pro and decided to see if it could get the work done better than what they already had.

It's already been a couple weeks since Serif announced the release of the Affinity Photo beta. I, along with literally thousands of others, have downloaded the program and started putting it through its paces, trying to fit it into my own personal workflow. In this little first impressions review I'll focus on Affinity Photo as a raw converter, a basic retouching platform, and put it up against the big dogs: Affinity versus Lightroom, and Affinity versus Photoshop.

I’ll admit I was seduced by digital medium format, with its ridiculous resolution and that “medium format look.” It has been two years of full-time use. Do I still think it was worth it? Better yet, should you drop $10K+ for a medium format digital camera kit?

While this view of the Tetons and Snake River, as made famous by Ansel Adam’s iconic photo, doesn’t have great resolution, there’s a reason for that. One of the biggest changes to photography might start with landscape photos just like this, only it doesn’t involve hiking or even camera gear. Want to know what it is?

How much camera do you need? No, for once I'm not talking about how many cameras. Though my inadvertent collection is growing and for every vintage camera that I sell or give away, it seems two new ones await. Gear Acquisition Syndrome (known also by the unfortunate acronym of GAS) is real and many are afflicted. Don't make fun of us. We're fellow humans. We suffer. Ok. Maybe not that much. I'm wondering instead about how much camera you need. How big, how rugged, how professional-looking does it have to be?

Patrick Hall shared some opinions about what features our professional DSLRs absolutely should have, but don’t, going into 2015. And he was right. But as happy as having those features would make us, not one or even all of them would allow any single company to become the next Apple or Google of the photography world. However, there’s something bigger that no one is thinking about — or at least there aren’t any signs of it. Canon, Nikon, Sony, Fujifilm, Phase One, Hasselblad; no one seems to be doing what it would really take.

Being a photographer with a “real” camera always carries risk. People well within their rights to photograph in public are harassed online all the time. I’d argue, though, that being a brown person in the United States adds an extra layer of risk that other photographers don’t face, namely fears that you’re a terrorist taking photographs to plan for a future attack.

Have you had cases when someone looks at a photo at 100 percent and says it looks bad, but when you check it yourself, it's just fine? Is it possible that both are correct?

If there was one thing that people are unanimously saying about Nikon's new D600 "budget" full frame camera, it's that the price is entirely too high. No matter which blog you read, it seems everyone cannot believe the MSRP of $2,099.95. But are these claims valid? Does Nikon's smallest full frame DSLR really lack the features that professionals desire? In the full post I'll tell you why I just bought two of these cameras and why the price seems just right.

The BenQ SW2700PT monitor is a hard sell on paper to those that only look at pixel count. At just over $600, it teeters on the edge of premium monitor territory, but you’ll soon see why it gets a strong recommendation here. Hint: it's not about the pixels.

Cheaper cameras' shutter lives are shorter than more expensive ones. As the shutter counts of premium cameras increase, so does the price. But I started to notice surprising discrepancies between brands. Here's what I found out.

When I first started out, I had no idea what to do and how this whole photography business is supposed to work. However, I was blessed to have a mentor who is a legend in my industry this side of the world where I come from.

The annual income of the typical photographer in the U.S. is 20 percent less than the national average. There are both good and bad reasons why photographers don't earn a decent wage and you might want to give these five reasons some thought if you want to survive as a creative image-maker in the modern world.

Fujifilm has signlehandedly made medium format more accessible now than ever. Cameras such as the Fujifilm GFX 100S offer a whopping 100 megapixels worth of resolution for less than $6,000. With features such as in-body image stabilization and phase detect autofocus from the sensor, Fujifilm has made it really difficult to compete in the medium format segment.

Throughout my career so far I have failed over and over again. Although it’s the successes that I'm remembered and known for, it’s the failures that are always the catalyst. At the end of the day, the key to success lies in failure. This improvisational beauty shoot was only a success because I set myself up to fail.

Award-winning Wedding Photographer Susan Stripling recently shared an open letter she wrote dealing with sexism in the photography industry. In the letter, she shares her experiences with male peers, wedding guests, employees at camera stores, and everyone in between who makes gender an issue in a field where sex shouldn't matter.

An unusual situation has occurred on several occasions in the social media era, and it is as counterproductive as it is interesting. In this article, I will discuss the irony of trying to remove a photograph from the internet and the implications of a public persona in modern life.

Film is enjoying a resurgence right now, and yet, in an age of ever-burgeoning megapixel counts and clinically sharp lenses, it can seem a bit strange to some to purchase an old film camera whose technical image quality could not dream of competing with modern equipment. And yet, that is exactly what you should do, as one photographer argues in this interesting video essay.

Photography is a fun, creative field, where we get away from the tedium and soul-sucking nature of the 9-5 to chase our dreams, to be creative, to be our own bosses. It's amazing, right? Meh, sometimes. Sometimes, it sucks.

Your photographs will always be a copy. Unfortunately, a cheap one, too. There are two main reasons why you're quite limited in creating art.

After multiple attempts to capture sunrise or sunset and not getting the conditions I wanted, I decided I was going to take photos no matter what the conditions were, forcing myself out of my comfort zone and pushing myself to be a better photographer.

If you’ve made the transition, or are planning on making the transition from photography as a hobby to photography as a job, you’ll invariably come to a point where you’ll just want to throw your hands in the air and give up. These bouts of self-doubt and frustration will likely occur many times and seem to appear not only during your lows but even at the highs. These feelings are normal, and it is those that rise above them time and again that end up successful.