As the bells chimed to bring in the new year, we said sayonara to the second decade of this century. And didn’t we see some iconic sports moments during that time? Here are 20 of the best.

In an industry where supply is abundant, saying "no" to work can feel both counter intuitive, and suicidal for your business. The truth is, it has quite the opposite effect.

Photography has become an everyday part of our lives, moving from the realm of professionals to the hands of amateurs and enthusiasts. With the continual evolution of smartphone technology, mobile photography has significantly transformed, delivering professional-level results that rival traditional DSLRs. This year, 2023, showcases some extraordinary smartphone cameras, pushing the boundaries of what mobile devices can achieve in photography.

There used to be a significant separation between prime and zoom lenses in several ways, and as such, it was easy to know which was appropriate for different situations. However, more modern zoom lenses have blurred the line, and they can arguably match prime lenses in some situations. One such lens is the Canon RF 28-70mm f/2 L USM. Is it all good, or are there drawbacks to having such a lens? The excellent video discusses the issue.

I often think back to what it must've been like being a photographer before the birth of the Internet, the social media craze, and the hunt for likes, shares, and follows. Photography was less convoluted before the dawn of the digital age, with specialist magazines and museum and art gallery submissions showcasing only the cream of the crop. Browsing through old magazines and reading the articles, it's clear that the top-tier photographers stood out amongst the rest of the crowd for their raw skill in their art form. Their images meant something to many of those who took the time to stop and look at it for longer than two seconds.

I have a question for you: do you ever struggle with new ideas in your photography? Want to be more creative and productive? Maybe it's time to change how you think about ideas and creativity.

A girl, perhaps barely in her teens, stands alone in a dimly lit room, her hair obscuring her face. She’s naked from the waist up, the front of her torso is visible, and she wears little more than socks from the waist down. The caption labels her a child prostitute and lists her hometown. Until this week, this photo was available to purchase from Getty Images.

Last week we had the Fstoppers community submit their best composite images for the latest episode of "Critique the Community." There were some awesome composite submissions, including a wide range of genres. We chose a total of 20 pictures for Lee and Patrick to give feedback on. Add your comments and ratings to the pictures below. If we selected your picture, we'd love to hear about how you did it.

The business of photography is unique in a specific way like few other careers are. Many people that call themselves professional photographers are also hobbyists that love to shoot whether they get paid for it or not. Is that a gift or a bonus to calling photography your career or is it an affliction?

Buffalo, New York. Uvalde, Texas. Tulsa, Oklahoma. A month ago, none of these towns would have been in the news for anything remarkable, but now, they have all shared headlines for the same reason: each has had a mass shooting, all within the last month. And each time, we never actually see what the carnage looks like. Is now the time to change that practice?

SmallRig has upped its game in the lighting department with four new affordable fixtures to take you filmmaking up a notch.

It was all over the news; the superbloodwolfmoon of January 21st 2019. It was special, it was very rare, and it was spectacular. Or so they said. But was it really that special and did it show on the photos that I took during the four hour eclipse of the Moon? Let me tell you my story.

When you reach the point of having one of the most momentous occasions of your life captured, there's little room for error. Here are some tips on how to avoid hiring the wrong photographer.

Over the past few years there has been a lot of negativity thrown at attending school for photography. While there is some sound wisdom and reasoning behind these arguments, I would have to say that I am extremely proud to have gone to Columbia in Chicago, and I think most of my friends that have done so would agree (those at other art schools as well). Now, I must admit that I didn’t even graduate, or spend four years there, but my photo school experience has been invaluable to my career. I don't believe a degree will make any difference in the photo world, and it all comes down to who you know, your character, and your portfolio.

All this hype and scaremongering about AI in photography is missing one crucial point. No matter how good it gets, far from taking over the world of photography, AI will always fail at one critical point. Our recent history tells us why.

As I continue to dwell about upgrading my drone and having more creative freedom and quality with the Zenmuse X5 and choice of lenses, I am stuck thinking about all the content that I could be out creating with these amazing tools.

Owning and operating a photography business can be a lonely task. Most hours of the day are spent at a computer with no one to talk to, no one to bounce ideas off of, and no one to help you when you struggle. Most photographers turn to Internet forums and Facebook groups, and these definitely have their place. But what if you could have all the benefits of online communication with the added bonus of working with local professionals that are in the same industry?

I’ve had a change of heart about how I feel about the law and operating a drone. A few months ago, I would have done a basic risk assessment and then flown, even if it was illegal. These days, I will only fly if I can operate entirely within the law. In this article, I’ll explain why.

As a professional photographer, you must face all sorts of obstacles. But the highest hurdles tend to be those you put in your own way.

Navigating the plethora of advice from other photographers in videos, articles, and comment sections can be a tricky journey. Some tips are indeed helpful and while others, even though well-intentioned, are repeated ad nauseam without being challenged enough.

My first camera was a Minolta SRT-101. I loved that camera. It was an excellent tool for learning about photography and manual exposure. As it was completely manual in operation, the internal meter was my only guide for achieving correct exposure, outside of using an external source or just guessing. Fast forward 20-plus years and the way I use an internal light meter has remained largely unchanged. That all changed recently.

Benjamin Franklin once said, “If you fail to plan, you are planning to fail," but then again Franklin wasn't a photographer. Photoshoots with humans, animals, or even some objects are dynamic and even active situations that are at the same time part inspiration and part performance. Finding the right balance between planning and improvisation can help take your photography to the next level.

Creative pursuits are inherently two-headed beasts. We are all too familiar with being passionate about photography, so much so that we can sink all of our spare time and a good portion of our money in it. Especially when you travel with photography in mind, landscape photography can start to become a trophy hunt. And I can’t blame you. Travel is expensive enough, so you want to make your shots count, right? In this article, I want to present a new way of looking for meaningful shots that may be more interesting to you in the long run.

Sometimes, the best photography experiences come from leaving behind the latest gadgets and embracing the basics. With a lightweight film camera and the open countryside ahead, you can focus on what truly matters: the journey, the light, and the stories you capture along the way.

Setting goals is a great idea with anything you want to improve at. However, setting the wrong sort of goals can impact your chances of attaining them. Here is a guide to setting goals that will definitely improve your work.

Vincent Laforet’s Directing Motion workshop has done what every workshop should do – it’s challenged my current way of working and given me clarity on how I can improve my work. Less than 24 hours after the workshop, I was working differently, shooting differently and thinking differently. This might just be the best workshop for those shooting (or with an interest in shooting) motion work, ever.

In any creative field, there seems to always be a tipping point — one that when you reach it, you suddenly yearn to help others learn your craft. Photography is no different. What's interesting is that at one point in time, photography was more like any other skilled labor, such as being a carpenter, electrician, or blacksmith, where you had to first pay your dues as a apprentice for years before ever being able to perform said craft on your own.

We can't deny the fact that an overwhelming majority of the stories and articles we see online are about professional photographers and going all-out in shooting. So for a day while traveling, I thought I would step back, reflect, and shoot like how I did before I started taking photography way too seriously.

At the start of March 2020, I found myself at a photography convention in Cape Town, South Africa, to present a workshop on travel photography. The central theme of my presentation was the notion that it isn't necessary to travel to be a successful travel photographer. Little did I know that within a couple of weeks of that presentation, I would be putting my advice into practice as the borders of the world slammed shut virtually overnight.

Most of the successful photographers and videographers that I know are effective at constructing a plan and making it a reality. And for the most part, this works, and when it doesn’t they usually have a backup plan. This is the base expectation for most people that have actually put time into developing their career. If you've worked long enough, you know that the odds are pretty great that things won’t go exactly as planned, so you prepare for that. But what I find is overlooked so often is not necessarily the forethought to make a Plan B but the forethought to consider how you will handle yourself when things inevitably go wrong.