Gear

50mm lenses can cost anywhere from under $100 to well over $2,000, with options filling out that range at just about every price point. While those sub-$100 lenses are fantastic learning tools, eventually, you will probably want to upgrade to a higher-quality option. The Viltrox AF 50mm f/1.8 lens seems to hit the sweet spot between quality and price, and this great video review takes a look at the lens and the sort of performance and image quality you can expect from it in practice.

Fujifilm cameras have long been praised for the colors they produce. Lightroom has often been criticized for being incapable of processing Fujifilm raw files effectively. Capture One is generally recommended. Therefore, in this article, we will be comparing Lightroom and Capture One to see which is best for Fujifilm raw files.

A premium portrait lens with a wide aperture around f/1.4 often commands a high price, usually somewhere around $2,000. And while that wide aperture can be a fun and useful creative tool, you do not always need it to create great portraits. If you want to save money and don't want to carry around a bulky f/1.4 lens, check out this great review of the affordable and lightweight Sigma 90mm f/2.8 DG DN Contemporary lens.

Making good-looking footage isn't an easy or cheap endeavor. While for much work, it still makes sense to spend on the gear you need, sometimes, there's a workaround that is much, much cheaper. This video takes a look at some of the best video accessories you can get for under $50.

Landscape photography is a challenging genre, and the tool of choice is often a wide angle lens. Wide angle lenses can be particularly tricky to work with, however. This excellent video tutorial will show you a common mistake landscape photographers make with wide angle lenses and how to correct it and improve your images.

Canon has had their foot on the gas ever since the release of the EOS R5 and RF 28-70mm f/2L USM lens. It looks like they have no intention of slowing down, with two mightily impressive lenses likely on the way soon.

When it comes to serious wildlife photography, it generally takes some of the most advanced equipment out there to get the best possible shots, as you will often be dealing with situations with low light and a faraway subject, requiring fast shutter speeds, quick burst rates, great autofocus, and lenses with long focal lengths and large apertures. However, such equipment is often extremely expensive. So, what can you accomplish with low-end budget gear? This great video takes a look.

Drones have become something of a staple in modern photography for a number of genres, with the financial barrier to entry now lower than ever. But, there are also high-end drones that cost a fair whack, so are they worth it?

It has been an eventful few years for Olympus and many of their fans have worried for the future of the camera brand. Finally, a new body has been released and photographers are getting a chance to test it out.

A good 24-70mm f/2.8 lens is often worth its weight in gold, and unfortunately, they often cost about that much too. Luckily, in the last few years, we have seen a real influx of much more affordable third-party options from companies like Tamron and Samyang. This excellent video comparison takes a look at two such options, the Tamron 28-75mm f/2.8 Di III VXD G2 and Samyang 24-70mm f/2.8 AF.

The Sony a7 IV mirrorless camera has been in the hands of photographers for several months now, allowing them to form long-term opinions about one of the most hotly anticipated bodies in recent memory. If you have been interested in the camera for your own work, check out this great video review that discusses a photographer's thoughts after four months with it.

When it comes to portrait photography, one of the most important choices you can make is the focal length you use, as it will have significant consequences on the way your subject is rendered. If you are new to portrait photography and wondering about the relationship between focal length and the final image, check out this fantastic video tutorial that will show you portraits shot between 25mm and 135mm and how they differ from each other.

When Nikon first got started in the mirrorless world, they released mostly pragmatic, standard lenses. Now that the system is a bit more mature and the impressive Z 9 has hit the market, the company has begun to expand its lineup, with one of the most intriguing options being the new NIKKOR Z 400mm f/2.8 TC VR S lens. This great video takes a first look at the lens and what photographers can expect from it.

Many of us spend hours of our lives reading gear reviews, checking rumor sites, getting excited about a new camera or computer releases, and generally keeping up to date with the technology behind modern photography. Some believe that by staying up to date with new technology we can make better-informed buying decisions and potentially get better at our craft. Some are simply interested in new technology. But how important is it for photographers to stay up to date with the bleeding edge of new technology?

Photographers who travel a lot or walk long distances know that carrying around a bag of several lenses to cover every possibility is exhausting. A single lens that can cover all those focal lengths can make life a lot easier. One such lens is the Tamron 18-300mm f/3.5-6.3 Di III-A VC VXD, and this great video review takes a look at it and the kind of performance and image quality you can expect from it in practice.

Is it possible that gear that costs you more can end up costing you less? Let’s explore.

There are few horrors in life quite like dropping your camera or knocking it off of a table. We've all been there, but there are lots of ways you can prevent damage. In this video, David Bergman goes through a few of the methods you can use to safeguard your equipment.

Medium format has seen a bit of a renaissance in the last few years, with bodies gaining advanced features typically reserved for cameras with smaller sensors and coming down in price significantly — to the point that they are viable alternatives to full frame cameras. So, do you need a medium format camera? This great video compares some of the best cameras out there to help you decide.

Fifty years since the radical Olympus OM-1 SLR first appeared, the new OM System OM-1 is announced. It looks like another giant leap forward for photography.

When I got asked to review a smartphone I had my doubts. I don’t believe a smartphone can be used for serious photography. But I realized it was an opportunity to see if my opinion was biased or not. I received the Sony Xperia 5 III to look closer at its photographic abilities.

Fujifilm's medium format mirrorless cameras have gained popularity for offering superlative image quality and modern features normally reserved for cameras with smaller sensors at significantly more affordable prices than traditional medium format options. The great video follows a photographer as he compares the GFX 100 to the GFX 100S along with the GF 35-70mm f/4.5-5.6 WR lens.

Generally, the longest focal length lenses available are 800mm f/5.6 options, aside from rare or discontinued examples. And even as a prime, such a lens is massive. So, you can imagine just how big things get if you want to make a zoom that can reach 800mm with an f/5.6 aperture, but that is just what this lens known as the "Sigmonster" can do.

Perhaps no camera has been more highly anticipated in the last few years than the Sony a7 IV, and now that it has been available for a few months, photographers and filmmakers have had a chance to evaluate the latest entry in the company's highly respected line of hybrid mirrorless cameras. This excellent video review takes a look a look at the new camera and the sort of performance and quality you can expect from it in practice.

A high-quality 50mm lens with a wide aperture is one of the most versatile options a photographer can own, suitable for anything from portraits to events and more. Sony shooters have an overabundance of 50mm lenses to choose from, and this excellent video review compares two of them, the premium Sony Planar T* FE 50mm f/1.4 ZA and the more affordable but still impressive Samyang AF 50mm f/1.4 EF II.

Nikon's Z 50 mirrorless camera has gained a fair bit of popularity by offering an affordable APS-C entry into the world of mirrorless cameras in a compact but capable body. The NIKKOR Z DX 18-140mm f/3.5-6.3 VR lens offers a huge range of focal lengths in a small body, making it a natural companion to the Z 50 for a wide gamut of uses. This excellent video review takes a look at the lens and the sort of image quality and performance you can expect from it in practice.

It has only been a week since news of exciting Canon lens patents came out, and here we are again with another set of ridiculous lenses emerging from the company. This time, it is for a set of superzooms that stretch beyond the limits of most such lenses we have seen in the past.

In news that isn't especially surprising, it seems as though the Sony A mount is finally dead.

Supply shortages have hit many industries quite hard in the last few years, and the camera and computer industries have not been immune. A recent discovery of contaminated materials at two major manufacturing plants has led to significant impacts on the flash memory market, which analysts predict will likely lead to increased prices.

Years ago, Sigma reinvented themselves with the Art series, which quickly grew into a full line of highly respected lenses, known in particular for their image quality and affordable prices. The company has continued to expand its offerings, which now include the Contemporary line, meant to "achieve a balance between convenience and performance." The 20mm f/2 DG DN is the latest entry in that line, and this excellent video review takes a look at the performance and image quality you can expect from it.

If you’re into astrophotography, a drone typically isn’t your camera of choice. That’s why I was surprised to see Haida’s release of a light-pollution reducing filter for the new Mavic 3, which they’re calling the NanoPro Clear-Night Filter. Does this filter change the experience of shooting with a drone at night?