Most photographers who learn the basics of lighting usually take light for granted. Lighting seems pretty simple at first: If there’s an absence of light, just add a strobe. Isn’t that why we all love on-camera flash?! I’m joking. Learning how to give light motivation is truly the easiest way to create cinematic lighting, and it’s a lot easier than you’d think.
All too often in our business, we are thrust into a job in which we either have no time for or cannot afford lighting tests. I find that these gigs force me to fall back on my old tricks and techniques. This can lead to the dangerous place of shooting stuff that all looks the same. Sure, you can try out new ideas on personal projects, but sometimes, the job calls for stuff that you don’t own or cannot afford to get. Usually, when planning a shoot, I have great theories and fantastic ideas on how to pull off a look. However, the idea of winging it in front...
Beauty photography is a very technical genre. It requires substantial lighting knowledge, as well as interest and taste for the subject photographed, and a solid team of creative professionals. The learning curve can be quite steep. Therefore having someone teaching you the ins and outs for the genre is crucial if you want to make beauty your specialization, and save years of learning on your own. Lucky us that is exactly what Julia Kuzmenko offers through her latest video training: Go Pro Studio Beauty. This week only, Fstoppers readers save $50!
Last week, I took a look at personal projects and showed how I created my most recent portrait series. These personal projects are a great way to grow as a photographer and create new work you have a passion for, as you have the opportunity to create images with full control of the visual style. However, they may not always require you to step out of your comfort zone. To expand your repertoire of photographic knowledge and to create a more diverse, yet consistent portfolio, you need to experiment.
In a way, your journey as a photographer will start out with personal projects. Everything that you shoot for those first few months or years are things that you choose to shoot for fun. Personal projects help you to learn, experiment, and grow as an artist. Actually organizing and creating a series, however, takes a little bit of planning. From brainstorming to gallery showings, I’m going to help you put together a game plan for your next personal project.
To the excitement of professional photographers shooting with Sony Alpha cameras, today Sony announced plans to release an all new wireless lighting control system this summer in the U.S. and Canada. The control system set consists of the FA-WRC1M wireless radio commander and the FA-WRR1 wireless radio receiver.
Today, Profoto released the OCF Beauty Dish, a collapsible 24-inch beauty dish for use with their popular B1 and B2 heads. Designed to be ultra-portable while still offering the highly sought-after quality of light afforded by a beauty dish, it looks to be a great solution for on-location photographers who desire portability without compromising creative lighting capabilities.
More often than not, things aren’t going to go the way that you want them to on set. Things are going to break. Things aren’t going to work. Models aren’t going to show up. That’s life. Deal with it.
Histograms in Photoshop and on your camera can look a bit confusing but the concept behind them is actually very simple and straight forward. In this short but informative video from Envato Tuts you get a 60 second crash course on what a histogram is and the purpose that it serves. If you've ever wondered about these mysterious charts, here is what you need to know.
For many forms of photography, an off camera flash should pop-up (pun intended) at some point in your career. Whether you’re a portrait photographer, a product photographer, or a sports photographer, some sort of flash other than what is built into your camera will be necessary. Whether you’re keeping it on or off camera, picking a speedlight can be a daunting task. Here is a guide to picking the right speedlight.
Creating a music video for a national act is one of the most intense tasks for a modern day filmmaker. Sure, the tools are more affordable, but declining budgets and insane turnaround times can turn your production into a sprint. Last month, my company, McFarland & Pecci, was tasked with creating two new music videos for the Grammy-nominated metal act, Killswitch Engage. My partner, Ian McFarland, and I drop everything when these guys call.
Magmod has become a household name in the strobist community. Their easy to attach modifiers that hold strong to your flashes through the use of magnets have quickly become the go-to modifier for a lot of professionals. Their newest release goes by the name of Magbeam and is a Fresnel lens light modifier that packs some tricks up its sleeve.
Sigma has announced their follow up to the EF-610 Flash, the EF-630 and It will be available on B&H very soon. Yesterday Sigma announced the new flash with models available for Nikon, Canon, and of course Sigma. The new flash will pack a little more fire power than its predecessor, and will automatically adjust for focal lengths from 24mm through 200mm.
It's usually all about that sweet, soft light. Many of us portrait photographers probably would never even consider using a harsh, bare light without something to diffuse it, but Profoto and Pye Jirsa with SLR Lounge show you there is a time and place in this video tutorial that includes three step-by-step scenarios that teach you how to create dramatic photos with a single naked and unmodified strobe.
Photographer Nick Saglimbeni recently shot an image of Jhené Aiko for a Humane Society campaign to save the shark population. The goal of the image was to photograph Jhené in the ocean at night (or at least make it look that way). To create this shot, Nick decided to use a pool and strobes to create a similar look.
Do you feel at a certain point, after making a long run of photoshoots, that you're hitting a wall with your creative side? Or have you "lost your touch" so to speak? This is also known as "Creative Burnout." As creatives, we've all been there before. At one point we all plateau and need to find a way to break the "funk" to get back of the swing of things. So how do we overcome this?
I’ve always been a fan of big lights. There are certainly situations where they aren’t appropriate, but a lot of my work is centered around big, soft light. What has always drawn me to large sources of light is their versatility. Almost every subject looks good with soft light. Because large light sources cause such soft gradation in the shadows, they can be useful for both younger subjects with smoother skin, or even older subjects that may have wrinkled and scarred skin. However, there is one thing that should be cleared up: the definition of a large light source.
Pye Jirsa of Lin & Jersa Photography is back again with another great tip on how to make fantastic images in less than stellar light. Pye explained in his last video how to create golden hour without the sun, and in this new video, he shows how to take an awesome "hero shot" in harsh sunlight using a single strobe (and an elephant, but let's focus on the light here).
Regardless of what genre of photography you shoot, understanding light and its characteristics is key to creating better photos. For those of us working with off-camera flash, there is another layer to the complexity: balancing ambient and artificial light. On top of that there are various modifiers that can be used for artificial lighting to replicate or create certain effects. A great way to become proficient in understanding and seeing light is to examine photographs by other photographers in your genre.
In this video, Daniel Norton of Adorama takes you into his studio, showing you how to set up for three different lighting scenarios, with the ability to change from one to another at the flip of a switch. This is great for if you have extremely limited time with models or actors and need alternate looks or options between them.
Product photography is a great way to experiment with lighting and editing techniques. For me, it’s a chance to shoot in a relaxed environment where I have complete control over the subject, lighting, and camera. I can set up something small in the living room and find solutions that can be applied to my portrait work or professional product photography. It also requires a lot of creativity. Homemade items or DIY solutions are abundant on sets. From light-shaping tools to methods of creating parts of a composite, a lot can be created simply and at a low cost. You may be surprised to see how minimal of a setup can create some stunning photos.
For the seasoned photographer, assistant, or grip, knowing how to use a C-Stand may seem like common sense. However, if you have never used or seen one before, there are a few things you should know about these multi-functional stands. The C-stand or Century stand can be used to hold lighting, cameras, and all sorts of other equipment, all of which are probably very expensive. If you make a mistake setting up one of these stands, it can result in injury to you, your crew, or worst of all your equipment, which may not actually be yours. I can pretty much guarantee that if you break a Photographer's equipment, because you didn't set up a C-Stand correctly, he or she is probably going to be very upset with you. To avoid any common mistakes, check out this video from the guys over at Rocketjump Film School showing you how to properly set up a C-stand.
Have you ever wondered how to create dramatic cross or Rembrandt lighting using only one light source? In this short, concise, three minute video, photographer and retoucher Glyn Dewis explains exactly how to create this look using one light. Whether you are using a giant octabox or a simple speedlight with a flash bender, Dewis shows you how to achieve this look with enough light to slightly spill onto the other side of the subjects face as well as how to check your lighting before even firing a shot.
It's not uncommon for couples to request that their wedding portraits be taken during golden hour, the time when the setting sun is low in the sky, casting a beautiful orange, golden glow across the land. However, wedding days are unpredictable, the day doesn't always go according to the planned schedule and can often run behind. So what do you do when its time to shoot the wedding portraits but the sun has already moved past its magical position in the sky? Check out this video from photographer Pye Jirsa of Lin & Jirsa Photography, where he explains how to recreate Golden hour without the sun and using a powerful flash.
When talking about bokeh, the majority of the photography community instantly thinks of those nice creamy out of focus backgrounds. This is because most of the photographs we see only involve a subject and a background. Once you start to incorporate foreground elements though, you will quickly see that bokeh in front of the subject can be just as important and impactful as having bokeh behind the subject.
It is understandable that many beginners new to taking photos often get impatient when learning photography. Learning this craft is a process and involves the gradual addition of techniques that will eventually turn into second nature. We all get “the bug” and want to learn anything and everything as soon as possible, it’s natural. There are all sorts of elements that factor in to a well composed final image. The fact of the matter is, we’re all still learning new things from our experiences that we encounter.
Back in October I posted a portrait of myself that quickly became the most popular photo on my entire Facebook feed for 2015. The image was never meant to be anything other than a test shot for a few lenses we were reviewing but people kept asking how I created it. In this Fstoppers video, I will show you a common lighting setup every photographer should know and how you too can achieve this simple look with your clients.
I love taking ring shots. I usually take them during a slow time on the wedding day when there isn’t a lot going on. I have full control of where I put the ring, how I light it, how I pose it, and how I frame it. This leaves a ton of options to really get creative. So it confuses me when people just place the ring on a bouquet of flowers and call it done. These shots are not bad, but they are average. I already did an article on how to get away from the average ring shot, but I didn’t explain how to take one of my favorite ring shots. The ring silhouette.
Hey, friends! I recently shot in a natural light studio and thought I would share some tips on indoor natural light for those of you who are interested. Enjoy!
It didn't take long for artists to realize they could literally paint with light once photography came around... but light painting was certainly popularized by Picasso. While you might find some painting specific subjects by hand, others have found endless variation in more geometric creations. Spirographs, even if you don't know them by name, are everywhere (but are mostly used as designs on wedding invitations). While people have been light painting them into their images for quite some time now, the process isn't always clear. Thankfully, Jason D. Page gives some great tips on how to set up a spirograph shot through his Light Painting Photography Vimeo channel.
The classic straw grid for speedlights; it might be one of the most attempted DIY photography projects. It's a popular project because it works well, it is cheap, and it is incredibly easy to make, but one clever photographer has found an even simpler way to make on of these popular modifiers. Check out this easy to follow video for step by step instructions.
In the world of off-camera flash, there are two sides: the full manual side and the TTL (through the lens) side. I have always been on the full manual side, because when it comes to triggering a TTL flash off camera, things start to get complicated. In order to trigger the flash, you either need to have an expensive on-camera flash, an expensive TTL radio trigger, or a cumbersome TTL cable. Then, I found the affordable and feature-rich Yongnuo TTL system and instantly fell in love.
Many photographers rely on their 50mm 1.4 and 85mm 1.4 lenses to give that dreamy, narrow depth of field look to their portraits. These two lenses have become a staple for portrait, headshot, wedding, and boudoir photographers who enjoy the soft look that comes with a narrow depth of field and natural lighting. But what happens when you want to create a similar effect in the studio, where your strobes are often too powerful for shooting wide open? Today, I'm going to share with you a fairly unconventional lighting technique that will allow you to shoot your lenses wide open in the studio.
As mobile photography continues to grow in popularity, so does the creativity that goes along with it. It is truly amazing to see some of the images and videos that people are creating using smartphones, GoPros, and other devices. It is no surprise that companies are creating mobile accessories designed specifically with mobile photography and videography in mind. One company, Think Eleven, has developed an interesting new LED light.
Jake Hicks is a U.K.-based photographer who adds dramatic color to his portraits. He was kind enough to share a few tricks he uses to achieve his signature technique. It doesn’t matter if you are using studio lights or speed lights, this is a simple recipe you can use to color and bounce light and create different effects in your work.
As someone who prefers to shoot using natural light, I have realized that sometimes, a photo begs for artificial lighting. For years, I struggled with how many strobes to use and where to place them. I lost patience and focused instead on natural light. By spending the time to learn how lighting actually works, I eventually gained a better understanding of how to use strobes. In this article, I hope to share with you how to use just one strobe to create jaw-dropping results.
It seems that a lot of photographers tend to avoid direct sunlight and for a long time, I did too. Occasionally, I would backlight subjects, but I would never dare light them directly with the sun. I decided one day that it was time to embrace the sun. In this article, I break down my methods for achieving a good photograph in direct sunlight, discussing what has helped me and what you should avoid.
In this video we see Antwerp, Belgium-based commercial photographer Andy Van den Eynde tackling color correction on location. Andy starts by dropping his base temperature down to a cool 2800K and then recreates the warm glowing effect of torch light using gels from his Rosco Color Correction Filter Kit. What I found interesting was how he actually builds torches out of strobes and gels, which provide the rim light and the glow that would be thrown off from actual torches.
This is one of the best lighting tutorials I've ever seen, being both educational and entertaining. The German-based production company, Dugly Habits, has created this lighting tutorial for the Dedolight International Competition 2015. Using the Dedolight SPS5E Lighting Kit and a handful of other lights they construct three entirely different atmospheres in one room along with a wide variety of lighting tricks to create the illusions of car headlights, candle flicker, lightening and more. What's even cooler is how they deliver this educationally rich tutorial.
As a self-taught photographer, I’m an advocate of learning through doing. I didn’t study it, but I can imagine that reading all the Photography 101 books that are available still wouldn't prepare you for actually being on a set, with a model standing in front of you, and a team awaiting your creative direction. In my journey, experience has meant everything. Here are some of the things I’ve learned over the years that may help when shooting your own portraits.
Nope, we're not joking. Photographer Kotama Bouabane is creating photographs using coconuts. While he used the fruit in several different ways to create images, his most interesting method simply involves tape, a coconut, and some photo paper! Read on and check out the video for more!
Five years ago I filmed the iPhone Fashion Shoot, a 10-minute video in which I take professional looking images with the iPhone 3GS. That video was supposed to inspire photographers who assumed that their work was suffering because their gear wasn't ultra expensive. The video became extremely popular and became very polarizing. The majority of people thought my images looked good because I used fancy lights.
Dave Hill has become known for his amazing, over the top compositing work, but last year Scion hired Dave for something very different. A large photo and video campaign that needed to be shot mostly natural light and without heavy retouching.
It's always impressive to see a subject that's shot so often used in a new and creative way. This conceptual shoot of the Milky Way by George Malamidis was beautifully conceived and executed. George picked two possible names for the image, both of which perfectly describe the outcome, "The Iris of God" or "The Peacock Milkyway." Want to know how he got the shot?
Nick Saglimbeni teamed up with the visual effects guru Raffael Dickreuter to create a lighting tutorial unlike anything I've ever seen before. Instead of simply filming their location, they completely recreated it in 3D to teach photography and lighting on an entirely new level.
Night photography is something that every budding photographer will play around with at some point in their learning process. It’s a great way to get star-filled nighttime landscapes or to capture the light-painting shots in which you write in the air with sparklers. Most people don’t associate night photography with wedding photography, though, which is a shame, because it can be a good way to capture some non-traditional wedding images. These nonyraditional wedding images can help you stand out in the sea of wedding photographers and can help you book more weddings.
When it comes to shooting photography and video, reflectors fall into the "basic need" category. Whether you're dabbling in the craft for fun or shooting professionally, everyone should own and have a basic understanding of how to use a reflector. If you think standard reflectors are too expensive or just want a fun project check out this quick DIY video by J.P. Morgan from the Slanted Lens on making your own reflector out of bead foam.
As a young photographer, I used to think a beautiful flat light, that gave smooth skin tones was the best way to capture a portrait. I invested in a bunch of large diffuse light modifiers, such as softboxes, beauty dishes, and octoboxes, and shot photos of people with the smoothest and flattest lighting I could muster. Although, as time progressed, I learned the greater importance of telling a STORY with your photographs, rather than just making them look pretty or clean. This is when I learned about grids, bard doors, and negative fill in order to actually shape the light and not let it spill all over the photo environment. Thankfully, Profoto has debuted a series of videos to teach photographers about the most effective way to use light shaping tools.
I woke this morning to find that director Matt Rycroft, over at the Cooperative of Photography, had dropped this little gem in my mail box. In their latest video the COOPH team up with first class celebrity portrait photographer Greg Gorman, as he demonstrates how to approach a nude photography shoot.
