Lighting

This is Part 1 in what will be an 8 part series for a dramatic beauty portrait. In the series of tutorials, we will go through everything from the gear used, to the lighting setups, and all the way through the complete retouching process. In Part 1, I will breakdown my gear list used for the shoot and I will thoroughly go through my lighting setup. In this video tutorial not only will you see the gear and setup, but also a behind the scenes look as me and my team go through hair, makeup, and shooting. The complete series of videos will be available here on Fstoppers and on my YouTube Channel.

Ryan Brenizer is famous for his shallow depth of field panoramas known as the Brenizer method. In addition to this, he has photographed presidents, singers, athletes, and has more than 350 weddings under his belt. He was named one of the "10 most sought-after wedding photographers in the world” by Rangefinder Magazine, so when he talks, you should listen. In this video, Brenizer goes through five lighting tips that can help you throughout the day of shooting a wedding.

High-speed sync has been around for quite some time now, and has mostly been limited to speedlights. With Profoto’s recent adoption of the technology into its B1 and B2 Series lighting systems, they are signaling a change that has the potential to bring some much needed relief to the strobist community. This signal hopefully means the beginning of the end of flash sync limitations with DSLR cameras.

The Russian photographer and mother, Elena Shumilova, is making a big splash again by sharing some great photo advice. In early 2014, her whimsical photos of her children went viral and inspired parents and photographers all around the world. For the first time since she her images exploded on the scene, she allowed cameras into her home and gives some great tips for others to capture images of their children.

Photographers and filmmakers alike need to understand the basics of controlling the exposure of an image. It’s one of the foundations of their crafts. Cinematographer Eve Hazelton does a wonderful job of explaining the five ways to expose an image in this short video where she also details the unique creative side effects that come along with each method. Newbies and seasoned professionals will both enjoy this simple and straightforward, yet inspired visual tutorial.

Learning how to light your subjects with one light is easy. Learning how to light a subject in a variety of ways using one light and one modifier requires a bit of creativity. When you're using one light, each inch you move your modifier ultimately affects your scene. Lighting at that point becomes very purposeful.

Shooting in harsh sunlight is always a challenge. Recently I shot a test while out on a trip in Los Angeles. Due to scheduling we had to start shooting around 4 p.m., so we were dealing with hard sunlight. In this post we will look at five different setups you can use to shoot in and manipulate these less than ideal lighting conditions. In a previous post, I showed how to quickly scrim hard lighting. In this quick tutorial we will look five different ways to light while in the same environment and conditions in order to alter the look of our image.

"A Book of Beards" is exactly what it sounds like. Dudes and huge gnarly beards documented in black and white by photographer and art director Justin James Muir. What started out as a simple idea, evolved into something much much bigger.

Benjamin Von Wong has never been one to turn down a challenge. He consistently creates mind-blowing images in some of the most desolate of places under extreme conditions. This recent venture for Huawei's new smartphone, the P8, is no exception!

We've covered the pros and cons of color grading many times before on Fstoppers, though when it comes to big-budget movies like "Man of Steel" do you think its overall tone can decide whether it's a financial success? The guys at VideoLab have created a side-by-side comparison of what the latest Superman would look like if it was done the original way, in full saturated color rather than the darker, more gritty version we know today.

I rarely write in first person but because this is a topic I feel very strongly about, I want to tell you about my personal experience. When I was reminiscing with my wife about the one thing that changed my photography, it was the day I saw the light. Literally. The only way I was able to conceptually grasp light and the way it works was because I started retouching. There is no way to deny it, as I mastered retouching my photography was taken to the next level.

I, like many photographers out there, don't have a studio, or don't have the money to rent out studio space every time I want to do a shoot. While shooting inside my house or garage is always an option, I found myself wanting to experiment more with ambient and natural light. Although I love shooting in a studio, a completely controlled environment, I learned shooting outside with backdrops was a great experience and taught me a lot about light.

I will soon be releasing a start-to-finish retouching tutorial video here at Fstoppers on my most recent fashion editorial photoshoot. But before I do, I wanted to start warming our readers up with a complete gear list. In this article, I share with you everything I used on my shoot, the breakdown of costs, and where to find all the gear and extras: from the Profoto Strobe all the way down to the gaffer tape.

After 30 years in business, the popular photography and video lighting accessory company Photoflex has suddenly and without warning closed its doors. To this day, I still use and enjoy my Photoflex extra large softboxes, and I am shocked by the news considering they were just at Photokina earlier in March. Read below to learn more.

If you are fan of DIY projects or are on a budget, this tutorial shows you all the steps for creating a simple yet effective globe light modifier for Paul C. Buff (RIP) strobes like AlienBees and Einsteins. Unlike many other DIY modifiers, this globe actually attaches the exact same way the retail modifiers do. Best of all, you can buy everything you need for under $25!

If you're into macro photography, Adaptalux could be your new best friend. The new Kickstarter project is aimed to solve a lot of the lighting issues macro photographers face and offer new ways to light objects in creative ways. The Adaptalux is a small device with five ports and five adjustable LED lighting arms with different color outputs. The device can be mounted on the camera itself for on-the-go outdoors shooting, or can be placed off-camera in more controlled environments.

During the course of my 28-year photo career I’ve learned a lot from simply watching great movies, but watching great movies alone isn’t enough. You have to practice once you’ve been exposed to new information. We all love watching movies, and today I’d like to share an exercise you can do after watching a classic movie to become a better photographer.

Warm smiles and serene sun flares seem to be landing on the shoulders of portraits all over the internet nowadays. Complimented with beautiful bokeh from a shallow depth of field, the allure of a sun-kissed image image is easy to see. What happens when mother nature doesn't seem to be on your side? In this article, I am going to show you how to master "faking" sun flare.

The Fstoppers FlashDisc has become one of the most popular off camera flash modifiers on Amazon and BH Photo. Many of our readers have been asking for international shipping, and I am excited to announce that the FlashDisc is now available through the Amazon.co.uk store. This means anyone in living throughout the European Union can have the FlashDisc shipped to their country without having to pay for expensive shipping from the US.

Recently announced at the head of WPPI a couple weeks ago, was the Profoto B2 strobe system. The unit, small in comparison of its competitors, was arguably the most exciting product announcement this year at the popular photography convention. However, the burning question everyone has been asking is… is 250Ws enough for on location work like Profoto suggests?

What happens when one of the world’s foremost portrait photographers decides to turn to photograph still life paintings instead of people? There are no two ways about it - Jill Greenberg is fascinating. Her new work is beautiful, but there is also a clear artistic statement behind it. In this exclusive, we get to understand her direction and motivations behind "Paintings", her latest body of work.

With the recent announcement of the Profoto B2, Elinchrom's position in the ultra-portrable strobe pack market was somewhat overshadowed as the former exceeded the Elinchrom Quadra Hybrid in many aspects. Not to be outdone, Elinchrom has now announced the release of its next generation on-location pack and head kit known as the ELB 400.

Alexis Cuarezma is back again sharing the "hows" and "whys" behind one of his latest shoots: fitness portraits of IFBB bikini professional Ashley Pfaff. He has graciously included a very in-depth video where he explains how he set out to accomplish these shots, and he also provided his mood board, gear list, and lighting diagrams along with extensive commentary on the "whys" and "hows" of it all. You absolutely don't want to miss any of what he has to say! Start with the video and then dive in below!

There are shooters who spend 100's if not 1000's of dollars on courses to learn what you can learn in these two videos from DEDPXL. In them commercial, editorial photographer Zack Arias goes into great detail on how to light your subjects with a seamless white background set up. Learn everything from studio dimensions, light and model positioning, camera and light settings, post production, equipment use, taking the background from black to white and more tips and tricks then you can retain in one viewing.

I can assure you that this isn't another boring tutorial on how not to overdo eyes with Photoshop. Searching for the perfect method has come to an end. Before diving into the simple method, it’s crucial to understand everything about the human eye and how it reacts to light.

After 13 years of being involved in academia as either a student or instructor, I stumbled upon possibly the best way to save big on photography gear: educational pricing discounts. For years I have been aware of discounts on software and other items from websites like JourneyEd and Academic Superstore, but it wasn't until very recently that I found some of the biggest brands in lighting — Profoto, Elinchrom, and Broncolor to name a few — offer great discounts for students and teachers.

After becoming the best selling off camera flash light modifier on Amazon.com in 2014, we were sad to announce that we had completely sold out of our entire Fstoppers FlashDisc inventory. If you have been waiting patiently for our stock to replenish wait no more; our US Amazon Store now has a fresh batch of inventory. For those of you who have been waiting for the FlashDisc in your region of the world, we have good news for you too!

Learning to find the perfect light is something that takes time and experience. But what do you do when the perfect light isn't there? Shooting in hard sunlight isn't always the most flattering or ideal situation. Don't settle for less than ideal results, bad light doesn't have to mean bad images. In this tutorial you'll learn how to defeat hard light by scrimming and lighting to completely reset your lighting conditions and take control of your shoot.

When a client came to me and asked if I could do a composite that featured a dragon, my first response was, "Of course, no problem. This is going to be so much fun!" Immediately following the conversation, reality set in and the haunting feeling that I had bitten off more than I could chew began to overwhelm me. After a momentary panic episode, I promptly began racking my brain on how I was going to pull off this impossible feat. Luckily in the end, creativity prevailed!

Shooting on a clean white backdrop can be one of the more complex in-studio lighting setups around. Properly exposing for full lengths while giving your models room to work can require four or more extra lights and considerable amount of setup time. While taking the time to take care of the details is important for getting the perfect image and saving yourself hours of retouching on the back end, sometimes you just want to get a nice clean background without the hours of prep.

With companies like Profoto and Elinchrom offering an increasingly broad range of self-contained strobes, Broncolor was no doubt feeling left out with its predominantly pack and head oriented lineup. That’s all changing now with the release of the new Siros strobe; a compact, wall powered, feature rich and wallet friendly flash unit.

While on location for Red Bull's King of the Air in Cape Town, South Africa, digital art photographer Lars Daniel Terkeleson caught up with professional rider Nick Jacobsen for an incredible photo session. In a unique approach to using speedlites in sports photography, he was able to capture action in rare form against the breathtaking South African sunset.

As you prepare to devour your nachos and chase it down with a couple beers you may notice something a little different about the Super Bowl today. University Of Phoenix Stadium, hosts of Super Bowl XLIX, have upgraded the old metal halide lights throughout the stadium and replaced them with LED light fixtures. Though not the first or only stadium to use LED lighting this will be the first time that LED lighting makes it to a Super Bowl broadcast!

Whether you’re brand new to photography, a seasoned veteran, or somewhere in-between, learning and re-learning the ins and outs of your craft is an essential part of the continuing education that comes along with being a photographer. If you’re a professional who makes a living on taking photos, then this is even more vital. Here are the most influential authors of the past 10 years who have helped me to understand everything from light itself through setting up my own office / studio.

When taking portraits with natural light, often times, there is one key aspect that is overlooked. This facet of naturally lit photos is far more important than things like shooting at a specific time of day. Before diving into what makes a naturally lit photo a spectacular one, it is important to know and understand the difference between artificial lighting and using natural light.

We all know the concept of a skinny mirror or fat mirror but lighting is really what can change your appearance in photos, especially when defining muscles.

One of the most intimidating things to learn when it comes to lighting is how to choose the right light modifiers. There are countless umbrellas, softboxes, octaboxes, stripboxes, and beauty dishes offered. All these contraptions help shape the way light spreads in different ways, and the appearance of the people and objects we photograph will be affected by this. The decision can be crippling. Thankfully there is an easy way to choose, and it’s all about understanding the language of light.

As a photographer, my skill set is constantly put to the test. In most cases, I’m handed an idea on a slab of wood and the mission is to hand that idea translated to a tangible artifact back to my client on a silver platter. It’s never an easy process, but it’s a part of my job.

London-based product photographer Sean Tucker is releasing a three-part video series on photographing large objects, such as chairs and sofas, in a studio setting. Here in part one, Tucker demonstrates how to set up your lighting and camera in order to achieve a great, clean image that will be easy to cut out in post-production for online product catalogs.

As the old adage goes, it’s not the gear, it’s the photographer that takes a good photo. While this is generally true, is there something to be said about $20,000 worth of Broncolor lighting gear? I mean a flash of light is a flash of light, right? Or is it?

When I was new to portrait lighting, I used to blast everything with light with reckless abandon. Although, as I grew as a photographer, I learned that the ability to control the spread of light on a multi-strobe shoot allowed you to not only create something with a more sophisticated appearance, but tell a better story. One of the most affordable ways to accomplish this is with the use of grids. The Slanted Lens put together a great video tutorial on understanding grids. Read below to learn more.

When people walk through my living room studio, they are puzzled that I do not own or rent a permanent studio space. What many do not know is that when I’m contracted for a commercial assignment, about 80% of the time I must travel to a location or shot at the client’s home base. And, in many cases that requires transporting several 9 foot seamless backdrops and a whole lot of equipment. I don’t have a giant bus to haul all of my studio gear, so it’s been a trying experience to find the right tools to efficiently pack and tote my mobile studio.

The last time I talked with Alexis, he was just trying out a technique of shooting two different lighting setups with the press of a button (be sure to check that article out for details on how the SpeedCycler feature of the Pocket Wizard MultiMax works).This time around, he managed to pull off five different looks (three at one time) – nabbing himself six pages and the cover of the World Cup preview issue of Sports Illustrated. His behind the-scenes-video gives a ton of insight into how he pulled this off, but I asked him to go even further than the video or what he already explained at his blog and explain the "whys" of it all.

Announced earlier this year, the Westcott Flex is now available in stores. This unique device bridges the gap between a light and a light modifier, as it is a little bit of both. This fully­ bendable mat features a 10” x 10” surface lined with 166 dimmable LED diodes and outlined with a moldable 1⁄4” black frame. Weighing in at just 5 ounces, its compact design allows it to be easily concealed on set and allows for easy travel.

Last year, Vogue China approached Mario Testino to be the sole photographer for their 100th issue, a task which the legendary fashion photographer took to with great relish. Recently, Testino released the making-of video that documents the work that went into this issue. This is not one of those annoying fashion videos that is over in thirty seconds after bombarding you with bad techno music and flashy editing. Instead, this feature offers some excellent insights into how Vogue develop their concepts, as well as behind-the-scenes footage offering glimpses of how each shoot was set up.

For many, the 7’ parabolic umbrella seems like a one-trick pony. The textbook move of sandwiching the camera between the subject and the light for an edgy, high-key look is quickly growing old. In this video, commercial photographer Joel Grimes shows a different way of using the 7’ parabolic to create soft, high-key images best suited for beauty photography.

Benjamin Von Wong has always been known for his elaborate, fantasy-like photo shoots. However, recreating the fairy tales that he had grown up watching took time, patience, luck, and most of all, a lot of help. These jaw-dropping photographs are bound to generate the customary "Is this Photoshopped?" question. Yet as usual, Von Wong's incredible scenes are all created in-camera, and he goes on to tell us how he pulled off a photo shoot 20 years in the making.

Joey L. is a photographer best known for his stunning personal work creating portraits of the peoples of Ethiopia, India, Indonesia, and other exotic places of the world. He uses studio lights on-location to achieve his unique and dramatic look for his portraits of these exotic people. Consequently, he is frequently asked about what lighting gear he takes with him for those kinds of shoots. Recently, Joey made a video and blog post outlining three major options for portable studio lighting for photographers with varying budgets who want Joey L.-esque studio lighting on the go.

One of the most noticeable differences between portraits taken outside using natural light as opposed to artificial light is the background. Images using artificial light tend to have darker backgrounds. This is crucial in catching the eye of the viewer and allows him or her to focus on the subject. This article is a guide in achieving this look using natural light only.

It's always nice to nail that exposure for a beautiful portrait using a balance of different lights. Check out this short video by The Slanted Lens about the basics of shooting photos with Christmas lights. With the combination of proper exposure, time of day, a dramatic sky and some other pretty simple techniques, you can take some great holiday photos this season.