The beauty of animal and nature photography has nothing to envy to other genres. The work and patience that goes into creating one single frame are astonishing and sometimes, all the time and efforts don’t even result in a picture. In this video, Michel D'Oultremont describes how he ended up shooting animals and also what he feels when doing what he loves most. No matter if you love animal photography or not, this 10-minute-long documentary is one to watch!
The term "documentary" carries with it an inherent expectation of a realistic representation of that which it documents, but of course, there are editorial decisions to be made that balance faithfulness to the subject matter with practical considerations. Go behind the scenes to see just what that means for the journey from raw footage to your television screen.
As the number of people interested in wildlife photography continues to grow, and the capabilities of modern equipment expand the boundaries of what is possible, many of us are seeking new ways to produce work that is fresh. This has meant exploring new techniques and searching for untapped frontiers in wildlife photography. This trend has led to a rapid increase the number of people interested in using camera traps.
The third and final sunrise in this series was by far the easiest to pull off and the most successful. Once again our setting is on a family vacation, except this time it featured Grandparents. Close your eyes (after the sentence of course) and imagine yourself alone about to enjoy a sunrise all to yourself on a beautiful beach in Cape Cod, MA.
As shutter speed is the limiting factor in taking pictures of the night sky, we often seek out more expensive lenses that open up that bit more or check Fstoppers if there’s a new low-light, high-ISO king of cameras on the horizon. But what if I told you that there’s a device you can use today, with the camera and lens you already have, that has the potential to capture places that are light years away from Earth?
For me, capturing a sunrise often coincides with a vacation. During the month of February 2015 temperatures were insanely cold. Memories of a fun-filled fall were long forgotten and cabin fever was starting to spread through the household. Worry not though, Groupon came to the rescue with a reasonable two-day pass for an indoor water park about ten minutes away in Niagara Falls, Ontario, Canada. The wife bought the deal, and I took Thursday and Friday off work. To Canada we go!
One of my goals as I started taking photography more and more seriously was to shoot a sunrise. Although it seems easy enough to just "get up early and bring a camera," I've found more often than not if you aren't prepped, you'll sleep in. Join me in a walk through three of my successful sunrise shots!
I am not an early bird but living in Sydney, Australia on the east coast leaves me no choice but to get up early once in a while for a dawn to sunrise shoot. The coffee and breakfast at a beach cafe make it worth getting up at the sparrow's fart (Australian slang for very early). I've been shooting seascapes for over 10 years and I have always found it to be one of the most rewarding and challenging of photographic subjects. No two seascapes are the same and once you add variable weather and sea conditions to the mix there are endless opportunities for photographers willing to get their feet wet, so to speak! I am still learning everyday how to stay dry and not get washed away.
While thousands of adventurers and photographers explore the far reaches of our planet forever looking for that next great vista, Marcus DeSieno spends hours scouring over 10,000 traffic and weather cams quietly watching some of the world's most remote and beautiful places. "I’ve watched the sun set over the Grand Canyon, seen waves crashing into Hawaii, watched storms passing over [the Swiss Alps],” DeSieno told Wired. “It’s all from the comfort of my desk chair.”
How did technology make "Planet Earth" so much more cinematic? If we go back to how it was done back in the day and compare it to the technology we have today, it's quite a leap. Back in the day 35mm was the broadcast standard. The 35mm cameras were bulky and heavy, they were perfect for studio and not for the shots that they needed. In the filming circles and the BBC insiders saw 16mm film as being for amateurs. But, thanks to David Attenborough first taking his 16mm camera out to shoot abroad and coming back with footage of animals never filmed before, it changed opinions. This made the program that later became one of the best wildlife documentaries of all time.
Filmmaker Walter Stoehr just released his newest project, "Horrible Prospects." It's a timely short with all that is going on in our world; with a new president in the U.S., there is much that is unknown for the future. But what goes bump in the night is actually more scary than you might think.
YLE, a Finnish Broadcasting company, were on a mission to attract a younger audience. They needed to make a change to their strategy and get some new programs produced. They knew these shows had to tell stories that were going to speak to a younger audience. Stories that would captivate the senses - and get people excited about the outdoors, to travel and explore.
A new upcoming BBC four-part series titled "Spy in the Wild" uses 34 realistic animatronic creatures, equipped with UHD cameras to observe wildlife activity from closer than ever before. The myriad of undercover animals were placed all over our planet, from deserts, to rainforests, as well as the polar regions. With the intention to record real animal emotions, display their similarities with humans, and acknowledge the links between all living things on earth. The topics discussed for each of the four episodes include love, friendships, mischief, and intelligence.
Lisa is not a professional photographer. She started taking photos and learned about photography because she started watching birds and wanted a way to document it. She’s originally from Germany and moved to the US with her American husband. She lives in Michigan now, and although the landscape and weather is similar to what she experienced in Germany, the wildlife, especially the birds, differ quite a lot.