Prominent photographer Nadav Kander recently found his portrait of David Lynch on the cover of UK magazine The Big Issue. The problem is he never provided the portrait that was used and the image looks to be a photograph of his photograph which was purchased on stock photo site Alamy.
Stock photography is not for everyone, but it really can be a financially viable option for some of those photos you have just sitting on a hard drive at home. Realistically, unless you are already making thousands upon thousands of dollars from the images you've been creating, stock photography might just be the thing for you.
Many photographers dream of making money by shooting stock or perhaps generating a passive income as a result of photos that you would have shot anyway. But how realistic is it to make money from uploading your images to stock libraries? A photographer with three years of experience gives a very honest verdict.
Whether you’re new to stock or have been submitting images for a few years, it’s always worth paying attention to how best to squeeze as much visibility out of your images as possible. Just how good are your keywords, and are they getting your photos seen ahead of everyone else's?
If you're relatively new to the world of stock photography and trying to figure out the best way to make money, then I might just have the answer for you. With creativity, you can produce work that fills a need and earns income. In this article, I aim to provide some methods that will help give you an edge.
As photographers, it is often incredibly simple to just stay in your safe lane and stick to photos. I know people that have been photographing for years and never once touched the video function on their DSLR. They are intimidated by it. But adding video to your marketable skills is far simpler than you may think, and with today’s rapidly changing landscape, it’s an incredible tool to add to your repertoire.
One of the first things I learned early on after becoming a full-time photographer is the importance of establishing a diversity of revenue streams. I’m not a traditional commercial photographer whose brand is predominantly focused in one area, or specialty, such as booking client gigs (weddings, maternity, etc), shooting products photography for companies, or catering to the swath of people who need headshots.