Noise in images is often seen as something photographers should avoid, but intentionally embracing it can lead to more compelling and expressive photographs. Understanding when and why to let noise into your work can shift how you create.
Coming to you from e6 | Craig Roberts, this insightful video challenges the common idea that noise in digital images must always be minimized. Roberts compares embracing noise in photography to his preference for vinyl records despite their imperfections, describing the noise as something that adds texture, authenticity, and depth rather than detracting from the overall experience. He argues that the obsession with perfectly clean, noise-free images might actually strip away some of the character and humanity of your photographs. Digital cameras today produce incredibly clean images even at low ISO settings, often resulting in photos that appear clinical rather than real.
Roberts isn’t simply defending noise as something photographers should reluctantly accept; he actively chooses higher ISO settings, handheld shots in low light, and even avoids using noise-reduction software altogether. This deliberate decision aligns with his overall approach to photography: shooting at unconventional times like midday instead of the golden hour, using overcast rather than sunny conditions, and preferring gritty, imperfect scenes over the stereotypically picturesque. He believes these choices capture the world in a more personal, honest way, emphasizing creativity over conformity.
It's important because Roberts addresses a deeper issue: how photographers define beauty and success in their images. By avoiding the commonly accepted "rules," you’re encouraged to discover your own creative voice and style. Noise becomes not just acceptable but desirable, adding mood, atmosphere, or emotion that perfect sharpness might fail to deliver. This perspective makes room for creativity and experimentation, allowing you to appreciate the imperfections in your photographs as valuable rather than mistakes needing correction.
Roberts also draws parallels between his photography and music, particularly vinyl records, which he notes are making a comeback despite—or perhaps because of—their inherent imperfections. The surface noise in vinyl adds a warmth and authenticity that sterile digital music lacks. Similarly, Roberts sees intentional photographic noise as enriching his images. It's a different way of engaging with photography—less about capturing flawless scenes, more about capturing the truth of how you see and experience the world. Check out the video above for the full rundown from Roberts.
