The Canon EOS R8 Mark II, Sony a7C II, Nikon Z5IIC, and Panasonic Lumix S9 are each the smallest and cheapest full frame body their maker sells right now, and they don't all solve the same problem. If you want a full frame sensor in something you'll carry every day, the differences between them show up in places a spec sheet won't make obvious, like the grip, the shutter design, and which lenses are small enough to match.
The lightest camera in this group is also the least comfortable to hold. Julia Trotti took the Canon EOS R8 Mark II, Sony a7C II, Nikon Z5IIC, and Panasonic Lumix S9 out on real shoots, and she found the two heaviest, the Nikon and Canon, the easiest to hold thanks to their deep grips. The S9 sits at the other end, with the smallest body, almost no grip, and the option to add one if you want something more to hold onto. All four use a single UHS-II card slot, which puts them in personal, everyday territory more than paid-job duty. Only the Canon and Sony have a viewfinder, only the Canon has a joystick, and the Lumix is the one without weather-sealing or a hot shoe.
Price runs in roughly the opposite direction from size. The Sony costs the most, the Canon and Nikon sit in the middle, and the Lumix is the cheapest, though Trotti points out that the Canon and Nikon were only weeks old when she filmed and will likely come down, and that the order shifts in other countries. The a7C II is the only one that strays from 24 megapixels, and its 33 MP give you more room to crop at the cost of bigger files. The shutter is where these bodies split most clearly. The Z5IIC is the only one with a full mechanical shutter, while the S9 is electronic only, which makes it silent and leaves nothing to wear out but raises the odds of banding under artificial light and skew on fast subjects. The electronic first-curtain shutters on the Canon and Sony make those problems less likely but still possible, so if you shoot indoors under LEDs or fluorescent tubes often, give that detail real weight.
Two of these four cameras ship without a viewfinder, and that pattern has been building for a few years. Sony went that way with the full frame Sony ZV-E1 in 2023, Panasonic followed with the S9 in 2024, and Nikon now sells the Z5IIC as a viewfinder-less sibling to the Nikon Z5II, built around the same sensor. The bet behind all three is that a growing share of people frame on the rear screen, the way they learned to on a phone, and would rather have the smaller body. If you rarely put a camera to your eye, you lose very little. If you shoot in bright sun, follow moving subjects, or brace the camera against your face to hold slower shutter speeds, an eye-level finder still does work a flip screen can't fully cover. The grip deserves the same hands-on test. There's more than 100 g between the heaviest and lightest bodies in this group, and that gap feels different once you mount the lens you'd actually use and hold the camera for a few minutes instead of a few seconds.
On autofocus, Trotti found all four fast and reliable, each with human, animal, and vehicle detection, and she lets the camera do the work during her tests to see how it behaves on its own. She also stresses that the lens shares the job: the body decides where to focus, and the motor inside the lens moves the glass. Newer lenses with linear or VCM motors keep up with moving subjects far better than older or adapted lenses with slower motors, even on the newest body. For video, every camera records 4K 30p using the full width of the sensor, but only the Canon holds full frame at 4K 60p, while the other three crop to Super 35. The Nikon adds N-RAW recording, the Sony has an auto framing feature for locked-off tripod shots, and the S9 shoots 6K open gate, so you can film once and export both horizontal and vertical versions without giving up much resolution.
The low-light shots at every ISO, Trotti's stabilization ranking, the internal mic tests, and her breakdown of the small lenses for each brand are all waiting in the video above.
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