Real estate photography, while not the sexiest of photography genres, is quite accessible and a handy way to earn some cash, especially if your starting out. Many interior design and architectural photographers cut their teeth taking photos for estate agents and holiday home companies, but much of the high volume stuff looks way too flashy. In this article I'll show you a relatively easy way to get natural looking light without blown-out windows.

Two things converged for me recently: an increase in questions sent to me regarding my commercial photography and the unexpected popularity of my bite-sized Photoshop tutorials. Both occurrences are born from the same inquiry of understanding how certain things are achieved. I used to bother people constantly with questions on how I could attain a certain look in post-processing, or how an image is so sharp, and so on. From time to time, I still do. So, I'm going to do my best to make the answers to the most common questions readily available with this mini series.

Last week I published an open letter to Adobe Lightroom written from the perspective of photographers that use the web gallery feature in Lightroom. It generated a decent amount of feedback both positive and negative. Many people told me that this couldn't be done and that Adobe would never offer something like this. Then I read a comment from a reader that was doing exactly what I wanted. Problem solved!

Here it is Canon faithful: the Canon 6D! We've been hearing a lot about what this camera could be, the rumored specs, and the possible pricing for the past couple months, and that all became real this morning. The Canon 6D is packed with a whole lot to love, 20.2 megapixel, ISO range from 100-25600, Digic 5+, 11-point AF, and a 3-inch LCD all at a price that we were anticipating yesterday: $2099 USD.

When it comes to all things headshots and manipulating human expression, the best guy to seek council from is Peter Hurley. Peter's career has spanned about 15 years now, and over those years he has gained a tremendous amount of knowledge. Last year with the help from our friends at Profoto, Lee and I were able to film a supplemental free chapter to Peter's Illuminating the Face Tutorial. In this video Peter takes us outside to show some of the techniques he uses out on location.

Something I muttered to myself one cloudy afternoon on my garden ended up being a mantra I have had with me for over a decade.

With perhaps one of the most hotly anticipated updates, Canon has announced the 6D Mark II, the second version of their popular budget full-frame camera, which now has some intriguing new features. They've also announced the SL2, the second version of their smallest DSLR. Check out the improvements to each model!

French photographer and digital artist Cal Redback has been creating images that bring new meaning to the term, "organic portraits." Sparked by a fascination with double exposures, Redback began to photograph friends along with local plant life, blending the two together to create a unique set of portraits that seem to take on a life of their own.

Have you ever struggled to get your image from the foreground to the background in focus? As photographers, especially in the genre of landscapes, the ultimate goal is to achieve sharp focus from the foreground to infinity. Have you struggled with this in the past? You can use hyperfocal distance, double the distance method, and focus stacking techniques to achieve sharp focus from foreground to infinity. While a few of these methods can be challenging, with a little knowledge, they are more accessible than one might think.

Announced less than a month ago, the new Nikon D810 has made video DSLR shooters foam at the mouth with its long list of cinema-centric features. The crew from Cinescapes Collective got their hands on an early release of the D810 and put together a short film for Nikon Professional Services. Watch the BTS video to hear their thoughts on the Nikon D810, then read on for the final film and stills from the production.

A chain is only as strong as the weakest link, so the proverb goes. We could modify that for photography and say that our processing is no faster than the slowest component. It's not necessarily about having the latest great-and-good, but rather about having matched components. And there's no better place to start than when offloading your photos from the camera.

When a new and innovative product comes out, it generally demands a higher price. But does the Profoto A1 really have what it takes to justify a $1,000 price tag?

I've been shooting professionally for just over four years now – “professional” as in starting a legitimate business where I charge money to take photographs of my clients. We could wax poetic on the distinctions between “amateur” and “professional” that don’t involve the exchange of money, but the area that I want to focus on has to do with the responsibilities and perceptions that come along with people hiring you as a business.

When DJI announced the Inspire 1 drone, I didn't get it. It was a much larger and more expensive quadcopter that had only a slightly better camera attached to it. I had no interest in the Inspire 1 until they announced the new Zenmuse X5 Micro 4/3 camera/gimbal system. I currently have one and I can tell you, it's pretty amazing.