Sigma's Art Series has been a runaway hit. Until now, we haven't seen anything that could be considered a direct response from Canon. With the release of the new 35mm f/1.4L II USM, however, Canon appears to be taking direct aim at Sigma. Find out if they can reclaim the throne!
As a photographer, I have many of my photos in people's homes, usually as metal prints, because people seem to prefer them. Like most of you, I've got a lot of my work scattered around my house too, either as framed or metal prints.
A matter of weeks ago, Nikon launched the Z7, and rumors started to circulate that the autofocus system was far from perfect. More reviews are coming in, and reports are not good.
A few months ago, I started processing all my raw photos with a new Lightroom plugin. It led to a significant increase in image quality, as I show in this article.
Olympus has been assigning the Zuiko name to its range of high-quality lenses since 1936. Zuiko-branded lenses were made for SLR, rangefinder, and automatic point-and-shoot cameras in medium format, 35mm, and even half-frame formats. Assessing the best of anything in photography leads to vivid debate and lots of room for subjectivity. Here are my 5 reasons why I believe Olympus knocked it out of the park with their Zuiko range, and when you look at all factors are the best film lenses ever made. Be sure to leave a comment to let me know your thoughts.
I first came across the compressed cRAW files when I reviewed the Canon EOS M50 a few years ago. The new Canon mirrorless cameras also have cRAW available. This compressed raw file will enable you to save even more images on one memory card without loss of quality.
After spending last weekend at the 50th Annual Society for Photographic Education’s National Conference in Chicago, a sold out symposium attended by more than 1,000 photo educators and students, I decided to examine the question: What is the value of a photo degree? Here are the pros and cons.
We've already had info about D600 specs. But today we have new information, including D400 specs and even some leaked photos of the D600, Nikon's entry-level full-frame DSLR!
Ok — let’s start with a disclaimer: I’m a fan of Platypod (both the company itself and the products individually). The most compelling photographs show us the world in a way we’re not used to seeing, which is where the Platypod excels.
The other day Phlearn came up with a way to emulate Martin Schoeller's portrait lighting. I have been wanting to lock down Schoeller's technique for years now, so when I saw Phlearn's post, I was stoked. And they did a fantastic job. I even learned their cool Photoshop technique of adding natural looking highlights and shadows. The problem was that in order for me to try out their lighting technique, I needed two strip soft boxes for my strobes, which I didn't have.
Sending a photography quote out is always a stressful moment, especially if it is for a job you really want. Here are a few memorable reactions from potential clients.
It’s long been assumed that the successor to Canon’s cropped-sensor stalwart, the 7D Mark II, will arrive in 2019. We’re now getting news that an announcement might be coming in the first quarter of the new year.
Apple just held their Peek Performance event. How does the newly announced Apple Hardware compare to the existing lineup and the competition? What does the future hold for creatives using Apple hardware?
Today, I’d like to discuss one of the most overused and most misunderstood concepts in photography. What exactly makes something a “professional camera”?
I believe that the Nikon D810 is currently the best all around camera you can buy for the money ($3300) even with competition from Sony's A7R. The more difficult question comes from current D800 owners like me; "Is this camera worth upgrading to?" The answer isn't cut and dry.
It's tempting to go from one thing to the next, whether it is a piece of gear or a method of shooting, but have you tried mastering one of them without losing your interest at the first hurdle?
This year seems like it’s shaping up to be the second wave of megapixel wars from the major manufacturers. In this review, we’ll take a look at the 102-megapixel Fujifilm GFX 100S medium format mirrorless camera and what it has been like to work with over the last month.
Canon's RF lenses have seen some remarkable designs, including never-before-seen options. And it seems they are keeping the pedal to the floor, with a remarkable new design.
Last year I profited nearly half what I made at my day job in freelance photography using nothing more than my iPhone. I've spent the last 4+ years on Instagram building a following and client base that has allowed me to vie for projects and relationships with clients to make money. That has slowly grown to allow me full creative freedom to shoot with nothing more than an iPhone and get paid for it. Now, before you go and sell off all your Canon or Nikon gear hear me out, this is not as easy as it sounds, but I'll lay it out for you.
Inspiration time. These guys are the cream of the crop on 500px at the moment. Note that this selection of landscape photographers doesn’t necessarily reflect my own judgment. It’s based on an average of 8 past articles on 500px ISO titled: “This Week in Popular: Top 25 Photos on 500px This Week.” Of this initial group, I have selected only landscape photographers, and here are their most recent works. Let’s go!
With the decade drawing to a close, there is a lot to review, like which camera was the best. I'm not looking for sales stats, official awards, or the general consensus. I want to know what you think the best camera of the decade is and why.
We’re sitting on the precipice of game-changing year for photographers. 2015 is going to be the year of medium-format. Ricoh (formally Pentax) dropped a bomb this year with a sub-$9,000 medium format camera. There are even rumors about Sony and Mamiya teaming up for a medium format rangefinder of some kind. Yes folks, the competition is heating up, and this version of “king of the hill” is already getting nasty.
Sunday seems like the right time to tell a big fish story, so I was happy when I stumbled across director Kibwe Tavares's, "JONAH". It's a visually impressive fiction that begins with every photographer's worst nightmare (a stolen camera) and becomes the tale of how one photo changed everything. Well, one photo and some masterful visual effects executed by Factory Fifteen and Jellyfish Productions. Watch the follow-up, "JONAH MAKING OF" for a peek into how it was all achieved.
When a photographer wants to start expanding their lighting options they usually look to something beyond their pop-up flash. However, if you are one of those stubborn ones that simply must use what is probably the worst possible flash option...you're in luck. Preston Vance has launched a Kickstarter campaign that attempts to make your mostly worthless pop-up flash somewhat less so. Apparently based on the idea of a beauty dish,
Tamron has been absolutely killing it lately, with the 28-75mm f/2.8 Di III RXD lens being wildly popular among Sony shooters and the announcement and release of several new lenses that widen their Sony lineup by quite a bit more. However, it seems the company has no intention of slowing down, as they have just confirmed that they have six more lenses in the works.
The rumor mills have been buzzing, and Nikon has finally answered the rumors with the announcement of the Nikon D610. The main upgrade for the D610 is the shutter mechanism, after addressing the “oil-like leak” on the sensor from the D600 model. Other enhancements include a small jump in burst speed, and some new weather sealing advancements.
I have only been shooting photography for a little over 3 years now. Things have progressed so quickly during that period of time that I haven't really had the chance to look back at the evolution of my photography. I had to think thing long and hard about the investments I have made over the 3 years and the things that really changed the game for me.
In a rather strange set of events, Queen Guitarist Brian May lashed out at a photographer after she filed a takedown request when the musician posted one of her photos of him on his Instagram without credit.
Photography, as an art form, has undergone a significant transformation in the digital age. Straight out of camera (SOOC) images, untouched and unaltered, have been the ultimate end goal for many photographers, offering viewers a glimpse into the raw, unfiltered beauty of captured moments featuring their professional skill sets.
