Ash wants to take up photography. Never having owned a camera, besides the one on their phone, it’s something they have always had a hankering to do, especially after seeing all those great photos on Instagram. This is a cautionary tale, telling what can go horribly wrong for photographers.

Last summer, my friend Andy and I, and his six year-old son, were out location scouting. As we drove around, the three of us were playing a very intense game of word association. One of us would say a word, and the others would quickly say the first word that came to mind. As we neared a potential location, Andy called out, “Key West” to which I mindlessly responded, “Jimmy Buffett…” In that instant, I realized that everything I thought I knew about marketing myself as a photographer was completely and utterly wrong.

We’ve heard plenty about the death of the humble photo as video proliferates. But photography is still far more accessible than video, often because video editing is still so time intensive. Instagram introduced video more than a year ago yet it is still predominantly a platform for sharing still photographs. But all that could be about to change. Last month I shot video as Flixel partnered with Lindsay Adler and saw something very interesting take place that got me thinking - could we be about to usher in a completely new era for photography?

This week I wrote an article pointing out that Canon Italy (among other Canon EU pages and Instagram accounts) had posted a composite landscape that had a large amount of the image stolen from Elia Locardi. There was an enormous response to this and so I decided to dig for more information and between my research, the community, and Locardi himself, there's rather a lot more to unpack.

Adobe launched a new YouTube series through their Lightroom channel to give Lightroom users some extra tips on features they may not have come across yet. While some highlighted features such as viewing masking for the sharpening tool are a little better known, others are more tucked away and might come as a surprise, like this feature that allows you to update the overall effect of a local adjustment with multiple sliders in effect.

The photography industry suffered a seismic shift with the advent of digital cameras, yet it may be the ubiquitous camera phone that sounds the death knell of the industry as we know it. Everywhere in every hand is instant access to high-quality image-making technology that has forever altered the landscape of photography from what it means to be a photographer to how the viewing public perceives the value of images and image creation. Are professional photographers aboard a sinking ship, or is it simply time for us to learn to swim on our own?

I’ve always passed on 35mm prime lenses. On paper, they always seemed too close to what I could already capture with my phones or what’s duplicated in my 24-70mm professional zoom lenses. It turns out, I didn’t know what I was missing until I tried out the Tamron SP 35mm f/1.4 Di USD lens.

A photographer has found an amazingly cool way to capture and honor the art of facial tattoos from the indigenous New Zealand culture the Māori. Using the wet collodion process, the subjects appear to have their ink magically removed in portraits hung next to modern digital photos creating a surreal before and after effect.

The iPhone X is finally here. It's a pretty amazing smartphone, but today, I only care about one thing: how well can it shoot video and can it be used as a professional tool.

By now, President Donald Trump’s infamous photo of himself awkwardly holding a bible in front of St. John’s Episcopal Church in Washington D.C., is well known. That peaceful protestors were gassed to get that photo opportunity has also been established.

I think few people can argue that Sigma hasn't been killing it lately, particularly with their 85mm f/1.4 Art and borderline audacious 135mm f/1.8 Art lenses turning in mostly rave reviews. It was only a matter of time before the big manufacturers responded, and from the looks of things, Canon is preparing to do just that.

The last time I talked with Alexis, he was just trying out a technique of shooting two different lighting setups with the press of a button (be sure to check that article out for details on how the SpeedCycler feature of the Pocket Wizard MultiMax works).This time around, he managed to pull off five different looks (three at one time) – nabbing himself six pages and the cover of the World Cup preview issue of Sports Illustrated. His behind the-scenes-video gives a ton of insight into how he pulled this off, but I asked him to go even further than the video or what he already explained at his blog and explain the "whys" of it all.