Over the years, Capture One has evolved tremendously in its feature set, and has steadily become one of - or arguably the best - raw processor available. Despite all it's advantages and praises, many remain hesitant to adopt it, largely due to its seeming complexity and the intimidation factor associated with a truly professional tool. In this tutorial I'll be guiding you through the key aspects of Capture One version 12, and demonstrating that it's actually quite intuitive and straightforward to use.
Fstoppers Original Articles
When it comes to raw converters and photo library managers, our choice of products has recently become more limited with the demise of Apple’s Aperture. My impression in the past was that one’s choice is largely based on features and ease of use with little difference in image quality between them. That opinion was quickly changed when I started digging into Phase One’s Capture One Pro 7.
Over my years as a fashion photographer and retoucher I’ve made contact and had conversations with countless other photographers. I’ve watched some of them flourish and some of them flounder. Those that rise above the competition and make their mark in the industry seem to embody a certain set of traits or characteristics that help in their success.
This week we are filming 5 days of fashion, beauty, test, and portrait looks with Michael Woloszynowicz from Vibrant Shot Photography. Michael is a Toronto based photographer and high end retoucher creating an in-depth Pro Tutorial with PRO EDU that will be available on sale in the Fstoppers store this summer.
All this week at the PRO EDU studio in St. Louis, Michael Woloszynowicz has been hard at work showing off his techniques for an upcoming tutorial series on creating fashion and editorial photography. Today at 11am CST, myself along with the rest of the video crew will be streaming his model test look demonstrations live from the studio.
A month ago I flew to North Carolina and was the Director of a 5 person crew for a week-long video shoot at a multi-million dollar corporate facility. Then just last week, I spent 4 days in Albuquerque as a Production Assistant, shooting behind the scenes images and getting lunch for the crew. My ego almost stopped me from taking that gig, but I’m glad it didn't. Here’s why.
This past week I've been sleep deprived, socially inactive, and holding a camera in my hands for more than I ever have in my entire life. You see, this past week I've been working with PRO EDU to film my first tutorial series to go on sale at the Fstoppers store this summer. Though learning a lot about my own work and process, I think I learned the most when I used a rented PhaseOne IQ250 system for one of my shoots.
Last week PRO EDU launched the Ultimate Guide To Newborn Photography and it's been a huge hit for photographers and new moms. Tomorrow is the very last day to save 100$ on the most comprehensive natural light newborn photography, lighting, business, pricing, and post production tutorial in the world. If you were ever considering adding this genre of photography to your services then this may be the wisest investment you will ever make for your career.
Newborn photography is one of the hottest genres of photography today. And with more and more babies being born everyday, the demand for talented newborn shooters has never been higher. Here are ten reasons from Stephanie Cotta on why you should be photographing newborns.
An estimated 370,000 babies are born per day throughout the world. Knowing this staggering statistic will only grow each year, I'm left wondering if newborn photography is the most promising line of portrait work to be in. This is exactly what Stephanie Cotta was thinking back in 2010 when she began creating timeless images of newborns for her clients . Today, Stephanie is one of the busiest newborn photographers in the country. Her new tutorial is the culmination of her entire business including booking, pricing, marketing, posing, and post-production.
Talk to a photographer long enough and the question of screen calibration will be brought up. Often many will say it's an incredibly important tool in your post production workflow, and often many more disregard it all together. So what is screen calibration? Is it still a viable issue within photography today, or is it becoming more and more obsolete, like sync cables and light meters? I'm here to explain it to you.
Let's imagine you've lost the drive that houses all of your RAW files for Lightroom. Let's also assume ninjas broke into your off site location and stole your backup. Let's even go so far as to say that hackers erased all of your images backed up in the cloud. If you've made previews there may still be one way to recover your work.
You probably know that getting your uploads to look sharp on screen, in print and on social media goes beyond resizing. Now, resizing is incredibly important in order to retain the optimum quality for sites such as Facebook, but there is an element far deeper than that and it is not often discussed. This is the secret to getting your images looking “sharper” no matter the medium.
Food, beverage, and product photography is all about sculpting light, your composition, and understanding which modifiers to use in which situations. In this behind the scenes tutorial, PRO EDU takes you in their St. Louis studio for a step by step look at building an image. Join PRO EDU this May in the Bahamas for a 2 day intensive workshop on liquids, glass, beer, and beverage photography. You could even win a free trip.
Cyber Monday is winding down as midnight draws closer but you still have a few hours to save 20% on what we believe is the best Lightroom Workshop collection on the internet. This download includes 23 hours of tutorials as well as some of the best Lightroom presets on the market today. Use the code "BF2014" to save 20% now.
Here is a look at a 4 day photo shoot my studio PRO Photo did for Bailey's Irish Cream through Brand Content in Boston. This job was especially technical due to the bottle's reflective and concave properties. This called for an extra technical and precise lighting setup. The slightest move in any of the lights drastically changed the light shape on the set and bottle. Take a look.
On November 7th, 8th, and 9th Rob Grimm of PRO EDU will be giving away a 2-day pass to the Fstoppers Bahamas Workshop in May of 2014. It's free to enter, just tune in live for your chance to win on CreativeLIVE next week where we will announce the instructions for how to enter. The pass we are giving away is for our liquids, liquor, beer, and splashes workshop that will cover everything we know about shooting liquids.
In the last segment of our commercial pricing guide we will tackle the least talked about and most misunderstood portion of your invoice; the licensing fees. I will go over what they are, why you should be using them, and my preferred method for calculating them no matter who my client is!
Each week, we ask our writers to answer a question submitted to us in the comments from the previous weeks. These questions can cover anything, and hope to provide some insight on what its like to be a working professional photographer in the industry. Last week, we asked "Ten Headshots for a Corporate Client, What Do You Charge?" and got a lot of feedback, which spawned this weeks question -- "What is Your Cancellation Policy?"
Dixie Dixon is a Dallas based badass and one of the sixteen "celebrated contemporary photographers" of the Nikon ambassador program. Dixie specializes in commercial fashion photography and is a prime example of how hard work, apprenticeship, and relentless dedication pays off in commercial photography. I recently chatted with her and stole all of her secrets of success for you, the reader. Because that's how much I love you, reader.
Yesterday a colleague Pratik Naik posted a gif of an interesting phenomenon, which coincidently illustrates an issue I have been having (at least it appears to be). When you shoot a job with thousands of images it’s sometimes paramount to quickly view and flag or pick the good ones. Some people even start with quickly rejecting the bad ones. This .gif is a good reason why you shouldn’t start with deleting the bad ones.
Camp 4 Collective is an adventure film production group with clients like RedBull, The North Face, and National Geographic, so they are often found at the edge of the world, camera equipment in tow. Recently, some of the Camp 4 team traveled to Alaska to shoot some aerial footage. In this video, Anson Fogel explains the Cineflex helicopter camera system, and in the full post he and Tim Kemple answer my questions about its controls, production costs, and what it's like to play in helicopters.
It's that time again. Fstoppers.com is looking to hire several creative professionals to write for us. If you enjoy our site and think that you may have something to offer please send us a message. The only prerequisite is that you are at least a part time professional photographer or videographer. If you’re interested in writing for us, send us an email with a link to your portfolio at firstname.lastname@example.org and write “Fstoppers Job Opening” in the subject line.
I'm a strobist by heart. When I first got into photography, I didn't even begin shooting portrait work until after I had gotten at least a flash. That purchase, quickly turned into studio strobe after studio strobe until I found that I was completely controlling all light sources during my shoots. So who better to review SLRLounge's latest DVD, 'Natural Light Couples Photography Workshop', right?
Do you have something worth sharing? If so, you should submit a guest blog post to us. Fstoppers.com is currently reaching about 800,000 individual photographers every month and our community would love to hear your voice. Continue reading to learn what we are looking for and how to submit your articles.
The internet has become a gold mine of resources for photographers of all different genres, experience levels and styles. It's so easy to find inexpensive Lightroom or Photoshop presets to help create interesting post-processing colors and effects without spending hours trying to create them yourself. The only problem is: which ones do you use? SLR Lounge has released an all-comprehensive Lightroom 4 Preset System that is user-friendly and takes the headache out of using presets.
If you own a DSLR camera, the odds are that you've tried to create an HDR image using one of the many available HDR software programs available on the market, and you might have even created what people call 'disastrous' results. But fret not, because SLR Lounge recently released the end-all, be-all HDR tutorial to conquer all other HDR tutorials.
Let's face it, learning new software can be a pain in the ass sometimes. As photographers we have to juggle between Photoshop, Lightroom, our camera's proprietary software, and countless other editing software tools. Most of us learn just enough to get the job done but in the process we probably fail to get the most out of each program. SLR Lounge has sent the Fstoppers team a copy of their new Lightroom 4 Workshop Collection to test out and this thing smokes! They've also discounted both the download and the physical copies for the holidays! Read more details