On a day-to-day basis, we go through hundreds or even thousands of photographs mainly through social media. Especially for people with many photographer friends, every scroll is a stroll through a usually poorly curated gallery. If you stop and take a close look at most of the photographs, chances are that you will see certain instances where the photographer has "stopped seeing" somewhere in their creative process.
Everyone who is photographing landscapes knows how important light is. With the right light situations, a boring landscape can transform into something magical. It is not only choosing the golden hour, but also waiting for the right moment. You need to be patient.
I'm the first to admit I love Lightroom. Sure, it has its issues, like occasionally slow performance on good hardware and an admittedly aging interface, but I'm comfortable with it. There are a number of tasks, though, that you just shouldn't be using Lightroom for. Want to know what they are?
Gonzalo Amat, who’s up for an Emmy for his work on Amazon’s Man in the High Castle, tells us the steps he takes to make a scene stand out in darkness.
If there is one thing as photographers we love more than debating over new camera bodies it is camera bags. Chances are if you're like me you have a closet full and you are always looking to get another.
Most of my original articles are positive in nature and giving advice I've learned over the years. So to change it up, I'm going to list the 10 worst things about being a professional photographer.
Infrared photography can reveal an eye-opening world of visual wonders, one that will continue to surprise you with its possibilities. And you might be surprised by its affordability.
What do oversize truck tailpipes, paleolithic sculpture, and the vibrancy slider have in common? And what might they have to do with helping us create more engaging photographs? Why do some abstract paintings move you and others don't? Why should we react to an abstract work of art at all?
School shootings in the United States were the worst they've ever been in 2018, and the number of incidents and deaths show no signs of slowing down. Photographer Richard Johnson created this striking series that captures the new reality children must deal with.
Humans are the greatest adaption machines in the world. We are, by nature, made to adapt.
Photography can be a lonely journey for some. If you are just beginning your foray into wildlife and/or underwater photography, then please join Mike O’Leary and me as we host a free webinar on Saturday, August 24th at 3pm EST. With this webinar, Mike and I hope to answer any questions you may have in relation to starting out in wildlife or underwater photography, as well as how one can use the medium as a positive force.
One photographer recently travelled to both Turkey and Mexico to document the global refugee crisis in pictures, a series that went on to earn him a win at the World Press Photo Awards. We spoke with the man himself to uncover more details about the inspiring love stories of couples and families who have been forced to flee their native countries in search of a better life.
In a move that makes you want to check the calendar, it’s reported that Facebook is about to change the name of Instagram to “Instagram From Facebook.” Why is Facebook suddenly so keen to remind users of the app who is in control, and is it a mistake?
Missing a shot is something that happens to every photographer, but there are ways to make it happen less to you. Here’s how to almost never miss a photo.
The most common complaint with nearly all video editing software available on the market is the learning curve. Most programs lack a certain degree of intuitiveness, so any attempt to tinker leads to exasperation. That was certainly my number one frustration with past attempts to teach myself to use some of the heftier video editing suites. Enter ACDSee Video Studio 4, the answer to exacting and irritating video editing sessions.
Whether you are a photographer or videographer, more and more content creators are adding constant lights as their go-to lighting setups. Quasar Science recently released their 30-watt T8 bulbs with raving reviews, and today, I explore six useful lighting setups you can build with four lights under $80 each.
Today, I’ll take you for an in-depth look at a new extensive project I shot with the Fujifilm GFX 100. It will be a longer essay meant to give you a hands on experience to help decide if the camera is right for you.
I'm an obsessive Instagram user and, as I run an account in the fashion niche, I'm often looking at the pages of big brands. Something has been bothering me for a long while, and it's this: why don't designers tag their models?
As a landscape photographer and videographer, here is a detailed look at my gear list, my preferences, and the reasons behind my acquisitions.
Welcome back to The Art of Composite Photography. In the previous parts, we have covered pre-visualization, planning, and unbreakable rules.
Learning photography, especially for beginners, can really be kickstarted by one’s enthusiasm about the craft. In fact, since people have different ways of learning and different paces of learning as well, being able to ask the right questions most of the time gets one on the right track. So, here are a few questions that one should skip entirely.
Very few things get me riled up like buzzwords, soundbites, and marketing drivel. And over the years, I've noticed some words in the photography vernacular that are right up there on the gibberish scale. Here are a few examples.
Sex and stripping seem to go hand in hand, but in this edition of the A to Z of photography, I cover the acclaimed work of fashion photographer Bob Carlos Clark, "Shooting Sex" and then delve into the technical details of the photo finish.
Starting out in commercial photography is a daunting prospect, especially for those who are more creator than entrepreneur. I was one of these people, and I'd like to share some tips that are very easy to implement that could save you from a lot of headaches down the road.
I got the idea of shooting a total moon eclipse with a long lens. I was thinking about the Canon EF 500mm, but all I could get was a massive Canon EF 800mm lens. The lens turned out to be too long for the eclipse photo I had in mind, but I got a great opportunity to shoot for a while with this long and heavy white beast.