The result of this experiment with a mixed shooting technique is not a collage but a gesture—two moments dissolving into a single motion.
In this new context, the camera enters into dialogue with trees, with light, with wind—each element both resisting and responding.
Abstraction here doesn’t erase reality; it thickens it. Colors merge not into blur, but into atmosphere. Nature is not merely seen, but felt — enriched through abstraction
And somewhere in this process, what began as an abstract gesture begins to resemble hyperreality—not because it looks realistic, but because it feels inevitable.