Seascapes have always been one of my favorite subjects to photograph. For most of my travels, I visit and photograph at least one spectacular coastline, and in this article, I share the five most photogenic beaches I have photographed so far.
Articles written by Michael Breitung
Even if you are a landscape photographer who has mastered the art of taking and editing photos, knows how to plan and compose a shot, and creates good images on a constant basis, you might reach a point at which you feel stuck with your photography. In this article, I share one way of breaking through this barrier to take your photography to the next level.
Night photography can be technically daunting. Even with modern cameras, it's not easy to capture high-quality night photos. While photographing the stars already requires high ISOs combined with wide apertures, capturing details in the landscape is even more difficult in the dark. In this article, I walk you through my night photography workflow, which combines image averaging with time blending and focus stacking to achieve high-quality results.
While browsing through various photo-sharing platforms, you might get the impression that everything has already been photographed. After all, millions of photos get uploaded each day to Instagram alone. But if you take a closer look, you'll see a lot of repetition. Many photos show the same places, the same compositions, and often similar light and editing. Even today, it's possible to discover new photo spots. In this article, I show you my favorite way to do so.
I have already written two articles about focus stacking here. The first article dealt with how I use automatic focus bracketing in the field, and in the second article, I shared my focus stacking workflow in Helicon Focus. To provide you with even more tools, I now show you how I combine focus stacking with exposure blending.
I've never been a huge fan of photo editing in Lightroom. In the past, I used it to organize my photos and for basic raw processing. But since the introduction of the new masking feature, I do a large part of my post-processing in Lightroom. Here, I share two videos, in which I show how I use Lightroom masks.
This article is about two traits you need as a landscape photographer if you want to take photos that stand out. And I'm not talking about a good eye for composition, love for the outdoors, or an adequate fitness level to reach the photo locations you want to photograph. Those are also important. But there are two key characteristics you need as a foundation.
I finally received my DJI Mic after pre-ordering it more than a month ago, and at first, I was disappointed. When I did the initial test with the DJI Receiver connected to my Canon R5, the audio I recorded was much noisier than what I was used to from my old setup, for which I used a Zoom H1 with a Rode Lavalier GO. But there's a solution to this problem, and in this article, I share it with you.
I love to photograph waterfalls, rivers, and seascapes. Those subjects make up nearly 50% of my portfolio. And when photographing those, I need to have proper footing to move around freely and focus on the subject and composition. So the topic of this article is proper water shoes that I finally found after testing several brands over the years.
Cities and architecture have, besides landscapes, always been my favorite subjects to photograph. Moreover, they provide the perfect balance during my travels. If the conditions are not ideal for landscape photography, I can usually find something to photograph in a city. And in this article, I share techniques I apply to come away with great results.
One of the first devices I bought for my office when I started with photography was, in addition to a proper monitor, a calibration device. Editing my photos with accurate colors and brightness has always been a priority for me. And the use of a colorimeter and monitor calibration software is a requirement for achieving those. In this article, I explain how to use such a calibration system.
The past four months I've been staying in many Airbnbs and hotels while traveling through Portugal, Costa Rica, and Panama. What I noticed while looking for accommodations were the often unprofessional photos those places use for their listings. Some were so bad that I directly skipped to the next listing, not even looking at the reviews. And it's so easy to create better real estate photos, even just using a cell phone, which I'll show in this article.
When it comes to retouching, or more concretely, the removal of unwanted objects from photos, there are a few things you can do to make the editing a lot easier. In this article, I share three questions you can ask yourself in the field before taking your photos. Those questions will help you to get much better starting material for your retouching.
A few weeks ago I published an article here on Fstoppers about handheld focus stacking. In this article I share my in-the-field workflow, as well as the automatic stacking option Photoshop offers to put all images together during photo editing. This option has its limitations though and because I lately had to work on some very complex stacks, I had to look for a better solution. And with Helicon Focus I found it.
I always take a tripod with me in addition to my camera when I'm out on a hiking or scouting trip because there can always be an unexpected photo opportunity. And since I apply focus stacking to nearly all of my photos to ensure optimal sharpness, photographing handheld is not an option. Or is it? In this article, I show you how to use the automatic focus bracketing feature of modern cameras to perform handheld focus stacking.
Not only is Lisbon the capital of Portugal, its largest city, and a major tourist destination in Europe, it's also a great location for cityscape photography. Its hilly profile offers beautiful views of the narrow streets and Mediterranean architecture. All across the city, you'll find interesting photo spots, and in this article, I show you three of the best in Lisbon's center.
With its cliffs, spectacular mountains, and moody forests, Madeira is a dream destination for landscape photographers. It's a relatively small volcanic island, and you can drive from one end to the other in about an hour. So, wherever you stay on the island, you'll have various photo spots within reach. In this article, I show you five of the best.