When you're first starting out with artificial lighting, the sheer range of modifier types and sizes can be a bit daunting. This helpful video will show you some of the basic modifiers and how they shape light on a subject and the catchlights they create.
At the onset of a portrait shoot it is important to come packing the usual garden variety of a few safe jokes to lighten the mood, some fail-proof poses to keep things moving, and direction for the model to play off of. It is easy to forget, with all the headspace that pours into reflecting the images from inside of our heads, towards reality, that when the time comes to start working with our subject, we are not just setting a tone visually, but also emotionally. One simple way personally for me to connect and as well bring additional personality out of a model is via the universal power of music, which has long played a predominant role in my life.
When you're shooting portraiture, particularly outside without artificial lighting, you'll often need to brighten your subject a bit in post. This can create a few issues, but this helpful video will show you how to obviate those potential problems and create a higher-quality result.
Photography, like any art form, is chock full of tropes. And that's not necessarily a bad thing: they provide a sort of guided path to creating solid imagery. But at the same time, getting stuck in them can make it harder to establish your own creative voice. This great video essay examines exactly that topic and why it's important to develop your own style.
Many times clients have asked to have the shower scene added to their boudoir sessions. For many photographers this may seem impossible to accomplish if they lack a shower, or the space is too small to accommodate. So I asked a few fellow photographers to give some examples of their shower scenes and techniques to show how this can be accomplished regardless of space or an actual running shower.
One of the best ways to step up your photographic game as a portrait photographer is to improve the quality of your subjects. There are a variety of ways to do this ranging from improving your ability to coach strong expression, working with better makeup artists, or improving the quality of styling. The easiest method, however, is by working with experienced models who are practiced in interacting with the camera and already know the fundamentals of posing and expression. Finding a strong model to work with means the shoot becomes more of a collaboration that provides you the opportunity to elevate the quality of your work.
We have a lot to be thankful of as photographers. We make our livings doing the things we love. Clients hire us to create images because they love what we do. They entrust their most precious moments to us, and believe that we will deliver. Personally, I have photography to thank for the fact that I am able to live in another country, travel the world, and meet everyone from farmers in remote villages to presidents of entire countries. The diverse work that I do gives me experiences that not too many people have. So why is it that every winter I dig deep into the recesses of my soul and question who I am and why I do what I do? Why do I always want to quit?
World-renowned photographer Peter Lindbergh has given a candid interview on his thoughts about the use of airbrushing, ahead of the release of his new book.
Ever wonder what happens during a boudoir photography retreat that is aimed to educate those to be the best in the business? The top photographers are the best for the fact that they never stop developing themselves on their craft. Attending workshops, retreats, and conferences are part of how you started out so why stop now?
Composition is a complicated topic. It's easy to throw out the Rule of Thirds because talking about things like balance, rhythm, and focus can get overwhelming but, if you stop at the Rule of Thirds, you could be robbing your images of complexity
Are you frustrated with your photographs and wondering why you can’t seem to produce the images you see in your head? Maybe you’re shooting all the time but don’t feel like you see the kind of progress you expected, or you’re beginning to give up the hope of becoming a great photographer because it seems like there is just so much to learn. If this is you, don’t despair, you’re simply in a stage of progress on the ladder of mastery known as “conscious incompetence,” and better work is only one rung away.
Wedding and bridal expos are a great place to find potential clients for your boudoir business. Brides typically come in with their mothers, girlfriends, and sometimes part of the wedding party giving you the opportunity to speak with many leads at one time. One photographer has had over 50 percent of her clients just from bridal booths alone.
This is a simple yet very personal and special project you can do at home for your clients, family, or your own walls. Traditional online canvas sales proceeding a photo session can be bland and impersonal. So if you have some time to spare for this project, it creates a connection like no other with your clients. I think of projects like this as the cherry on top of a photoshoot. It's one of the few ways to carry your artistic ability all the way through to the hard copy. This technique is usually used in the fine arts and street art world, so adding this to digital photography is a cool way to merge the two worlds. Essentially, with this you will separate your photo's ink from the paper to leave it floating in clear acrylic medium.
The irony of staring at an image forever is that it can actually become easier to start to miss things — a sort of photographic tunnel vision, if you will. This simple trick makes it easy to see every blemish on a subject, ensuring you won't miss anything in your retouching and making your work more efficient.
I've been a full-time wedding photographer for the past eight years and an Apple fan since I was in fourth grade. But today, that has all changed. Here is why.
In a new book, “The Essential Marilyn Monroe,” Milton H. Greene’s son, Joshua Greene features 284 of his father's images with 176 images never before being seeing by the public.
Photography, as with any creative pursuit, requires the creator to have their hand in the process for the results to shine. Countless Facebook ads, online workshops, and even our camera companies would have you believe that they if you just buy that next magic bullet, everything will change for you. If they are to be believed, swiping your credit card just one more time is the key to making great images. Rubbish. It’s time to break away from that thought.
Unfortunately, it really is a case of "when" rather than "if" you will experience a bad photography or video client. The biggest problem is that once a person or business has your work there really is nothing to stop them from leaving you high and dry. Here's how to keep the upper hand and maximize your chances of always getting paid.
Do you know what keywords are and the best way to add them to your photos? What about what options to select when you are exporting your images? Have you ever heard of the painter tool? In this final part of my three-part series on Lightroom for beginners, I will cover the final steps to take after applying your final edits to your images.
Ben Froneman has not created any lists.
