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Tihomir Lazarov
Sofia, BG

Articles written by Tihomir Lazarov

Behind the Scenes With the Stunt Coordinator of the 'Atomic Blonde' Movie

Fight stunts are not something that I'm into when shooting video, but I'm always curious how the pros do them. In this video the stunt coordinator of the "Atomic Blonde" movie, Sam Hargrave, breaks down how the fight moves were choreographed. Not only that, but being a second unit director, he also gives insight of how they shot and cut the footage from these scenes.

The Evolution of Color in Film

Telling a story with moving images has been evolving so much through the years. One of the most important milestones in this journey is the progress from monochromatic to color pictures.

Why I Use Crop-Sensor Cameras in My Professional Photography Career

Full-frame cameras are superior to the crop sensor ones. There's no doubt. Most of the professional photographers out there are making a living with full-frame bodies and thus those cameras are considered professional. What if you shoot with smaller sensor cameras? Let me share my own story.

How They Shot the Opening Car Chase Scene in 'John Wick 2'

No matter how small I am in the business I always try to watch how the big ones do it. Probably I won't be able to do most of the work those big budget movies do, but I still want to know the principles. Who knows what may come up my way that may need key knowledge I get from videos like these. In that segment the stunt coordinator Darrin Prescott describes how they shot the opening scene from "John Wick 2."

Watch This Beautifully Made Star Wars Fan Film: The Force and the Fury

There is a great abundance of Star Wars fan films and honestly I don't like most of them. Some of them have too fake fight scenes, some are too long, and some are way heavier on VFX. Most of the time it's all about showing the result from a "how to make a light saber in Premiere" tutorial. But this short film is different and I liked it.

Using an 8K Video Camera for Stills and Video: Overkill or the Way to Go?

Video cameras' resolution war has already started. So has the frames-per-second race. Current DSLRs shoot high resolution stills and lower resolution video. What if you can have an 8K video camera that captures both raw stills and raw video in 8K? Would you replace your stills camera with it?

Why Are Movies Shot With Ridiculously Complex Cinema Camera Rigs Instead of Simple Setups?

A video camera is a machine that has recording capabilities that captures images through an attached lens. Whether it's your phone, DSLR, film, or a digital cinema camera, that's the basic principle. But wait. You watch a behind-the-scenes footage of a movie and you see a gigantic monstrous camera that has lots of cables and gadgets. If it's the camera body and the lens that do the essential work, why complicate things that much?

Differences Between Luminosity and Color Blend Modes in Photoshop

Blend modes in Photoshop are still confusing lots of us even after years of using the software. This article is about two of them: Luminosity and Color. You may start using them more frequently after you understand their strengths and cases when you should use them.

From Dock to Dish: A Beautiful Documentary Shot on the New Canon C200

As with every new product, Canon sponsors a number of projects to show the capabilities of their upcoming C200 cinema camera. Indeed, it has great features at its price level, but what is a great camera without a good example how it was used? The perfect film marriage is between a beautiful story, captivating visuals, and audio that ties it altogether. I think we have them all here, including a glimpse of how it was done behind the scenes.

How to Get a Western Look In Your Next Film Project

For a western film you may need authentic props. Maybe you need a cool location. Maybe you need an Arri Alexa with anamorphic lenses. Maybe you need a ton of lighting. Maybe you need an expensive software to edit the project. Well, some of these are not that essential.

How I Started Working as a Commercial Photographer

Becoming as a commercial photographer can't be defined with a formula. Each story is different but lots of stories share similar basic principles. They can be applied not only in the areas of photography and filmmaking, but also in other businesses.

How to Light for a Film Noir Look

Whether it's a style or a genre, film noir has that signature high contrast look we've seen in many old black and white films. Modern filmmakers also adopted that style of lighting and post-processing in their drama and thriller movies. In this video you'll go behind the scenes of how to achieve that film noir look in camera.

A Practical Guide to Marketing For Photographers and Filmmakers

Being good at photography or filmmaking doesn't automatically lead to a successful business. You have to make yourself known to the world. Making that possible doesn't always require a lot of money. In this article I will share my personal approach to marketing my photography and filmmaking business.

Atomos Announces Sumo, Their New 19-Inch HDR Production Monitor-Recorder

When you hear about the Atomos monitors, most of you will think about their portable small and rugged monitor-recorders many amateur and pro filmmakers use. This time they leveled it up by creating a big 19-inch monitor-recorder with exciting features many other monitor brands in this category still lack.

New from Edelkrone: SliderPlus X and Motion Kit

Edelkrone has reinvented it again. This time, it's a motion control system that includes some of its existing products as well as new additions bundled into a kit they say is the "world’s smartest and most portable 4-axis motion control system."

Ten Tips for Shooting Video Footage for Visual Effects

If you're into video editing you are probably interested in visual effects to some extent. Even if you aren't, bookmark the current article as you will eventually be. Visual effects is not some software magic that works with any footage. With video you have lots of still images per second and the process of making a composite needs to be automated as much as possible. Working on a frame by frame basis is avoided as much as possible. In this video you will find 10 quick tips on the importance of having appropriate video content in order to help easily create more realistic visual effects.

How to Become a Successful Photographer... Slowly

Being busy doesn't mean being profitable. Working on all kinds of projects doesn't lead to a successful photography career. This article is not the usual "Five quick steps to become a wealthy photographer." To be honest, it's a slow process, but if you understand its principles it will guide you on the journey to success.