As we all know, even the most stunning visuals require an equally amazing and unique soundtrack to bring the audience's emotions to their full potential. Supervising Sound Editor and Sound Designer Christopher Boyles from Skywalker Sound discusses his work and the burden of creating original sounds for "Avengers: Age of Ultron" that will stand the test of time.
Articles written by Adam Ottke
Coming off of its previous reputation as an extreme budget brand when it came to DSLR lenses, Sigma has now had well over two years to fend off quality concerns with their restructured Global Vision lineup that began with the superb 35mm f/1.4 Art lens. Since then, Sigma’s Art-, Contemporary-, and Sport-series lenses have proven themselves better than or on par with their Nikon and Canon counterparts for far less capital; and the 24mm f/1.4 Art gives us no reason to suspect the new direction doesn’t have a clear vision to go global.
Do you want your sensor to shift in-body to create a higher-resolution image? Want 4.5-stop image stabilization built into the body so we can benefit from its use with any lens? Want to be able to decide for every shot exactly what level of anti-aliasing you want in order to balance moiré and sharpness? It’s all possible with the new 24-megapixel, APS-C Pentax K-3 II. And, it'll likely be possible in their rumored full-frame camera. Pentax is great, but why aren’t we seeing the “bigger” brands pony up with groundbreaking features?
Vincent Laforet's latest AIR series blankets the City of Angels with a farewell series of shots before the project will head to Europe for the first time starting mid-May. As Laforet continues shifting cities (from the previously covered New York City, Las Vegas, and San Francisco projects), his aesthetic slowly changes in response to the varying challenges and differences between shooting each city. Fstoppers caught up with Laforet to discuss the ever-present surprises in shooting AIR and its transformation as it grows into a larger project supported by G-Technology and pre-orders for Laforet's "AIR" book.
There are three things in life that photographers will clear their schedules for: Apple announcements, Nikon/Canon late-night pre-orders for new flagship bodies, and Adobe product releases. So clear your schedules, guys and gals; because Adobe’s Lightroom 6 is here with more speed (FINALLY!), more features, and rich mobile integration.
The popular Mac photography software company, Macphun, released a new application for the Mac that promises incredible noise reduction processing. Noiseless comes in regular and Pro versions, the latter of which include increased capabilities like RAW processing and included plug-in support for your other editing applications and both of which provide what is truly some of the best noise reduction available.
Today, Fujifilm announced the Fuji XF 16mm f/1.4 R WR lens for its XF platform cameras (such as the recently released X-T1, part of a class of APS-C mirrorless cameras popularized by the success of the acclaimed Fuji X-Pro1 back in 2012). The weather-resistant (WR) 16mm f/1.4 R WR lens gives the Fuji X-mount lineup a much-needed wide-angle addition to the wide-aperture lens lineup with a 35mm equivalent focal length of 24mm -- a focal length that street photographers will love along with several other additions.
Built on years of experience with creating the film industry's favorite high-resolution digital cinema cameras, RED now brings the Weapon upgrade in 6K variants due out this summer and in an 8K variant due to ship by the end of the year. There's quite a bit of new information to go with this announcement, but for now, we'll go over the main and most important points.
If you’re a professional in the media industry and a Mac user, you’ve undoubtedly heard of and likely love G-Technology’s storage solutions (not that PC users have a reason not to, though). While G-Tech has largely been typecast an in-studio brand (with the LaCie Rugged drives taking a bulk of the on-the-road abuse), G-Tech’s newest offerings include their ATC lineup that helps close the gap, bringing them into the “all-terrain” hard drive space.
We’re all working hard. We all shoot as much as we can — a lot of it for free or little pay. We do our studies or go to work and try our best to stay in shape and take care of ourselves. There are a lot of hard-working people in the world. But most are quite lazy inhabitants of this planet; and odds are that you’re one of them.
If you don't own one, then you're currently drooling over one of Freefly Systems' MōVI systems (we know the feeling), which have gained incredible acclaim as cheaper and more nimble Steadicam alternatives. This week at NAB, Freefly introduces not one, but four completely new and exciting products, apparently striving for the industry's continued droolworthiness.
LinkedIn has announced its acquisition of Lynda.com, a popular online education platform that teaches technology skills such as how to use Photoshop or how to code in Java or use CSS. The $1.5 billion move will enable the company to offer a broad range of education services as it transitions from simply identifying skills needed for a position to also offering ways to gain those skills quickly and efficiently from with a trusted and proven method.
The extreme wide-angle focal length is an area that I had long ignored. When I was first starting out, I just wasn’t interested in it. I was interested in people – and that meant 85mm f/1.4, 105mm, 135mm, and 200mm lenses with both great compression and bokeh. Leave it Tamron to bring me back to the wide side with the world’s first ultra-wide-angle zoom with vibration control: the Tamron SP 15-30mm f/2.8 Di VC USD.
When a fashion photographer travels between both coasts of the U.S., shoots assignments in the Caribbean islands, and spans the continents of Europe and Asia for work, it’s safe to say he’s “made it.” Living through those experiences when the stakes are so high prepares you for anything – and that’s experience from which we are all lucky to learn.
TenOneDesign, makers of the popular Pogo and Pogo Connect tablet pens (among other things), are the first to market with a Mac desktop application that takes advantage of the Force Touch trackpads in Apple's new MacBook and refreshed 13" Retina MacBook Pro. Rather sweetly named Inklet, the application runs in the background to allow users with any capacitative tablet pen to convert the capabilities of the new trackpad into a pressure-sensitive writing and drawing pad -- no Wacom needed (sort of).
Vincent Laforet's famed "Air" series takes yet another turn from New York and Las Vegas, finally arriving in San Francisco. Fstoppers caught up with Laforet to discuss ever-shifting challenges throughout the project, G-Technology's recent support of the project which will bring it to Europe this summer, and the future of the project as a whole.
Last month, internet pioneer and Google Vice President Vint Cerf warned the world on BBC about the impermanence of our data in a digital form due to the fact that the technology that can read it today will become obsolete. He argued that in a few hundred years, we may not be able to read any of the images or videos created today for the same reason we can't read a floppy disk: because technology will have moved on without us, and without that information. But is he right?
Leave it to the same university that would probably save our world from an apocalypse to, until that need arises, create better, smaller lenses. Harvard’s School for Engineering and Applied Sciences (SEAS) recently expanded on a previous design for flat optics by adding nano silicone antennae that actually bend the light. The result is an incredibly thin and completely flat glass lens capable of the same light bending properties as our current lenses, but with virtually zero chromatic aberration.
Nikon announced its new flagship DX-format (APS-C) DSLR, the D7200. While these announcements are often lacking in the excitement that their big brothers command with new releases, this one has two new tricks up its sleeve. Aside from the largely expected 24-megapixel sensor, added built-in Wi-Fi, and more powerful EXPEED 4 image processor, the D7200 features TWO stops of extra low-light performance, letting in four times as much light with a native ISO of 25,600.