Developing your own film might be the cheaper (and more amusing) way to go, but with all the preparation and lab space required, that simply hasn't always the best option. Ars-Imago's Lab-Box hopes to solve these problems in a small, light-proof container that enables you to develop your own film at home or even while traveling – yes, it's that easy and compact. The best part: it's not all that expensive, either.
Articles written by Adam Ottke
Today is the day that Sigma fills out its Art-series lens lineup to offer what could easily be considered everything you'd really need since its most recent release of the 85mm f/1.4 Art. Four new full-frame lenses cover the gamut from an ultra-wide, ultra-fast 14mm f/1.8 Art, a similarly fast 135mm f/1.8 Art portrait lens, to the wedding photographer's favorite 24-70mm f/2.8 Art and sports shooter's 100-400mm f/5-6.3 Contemporary "compact" super-zoom. If you've been waiting for that next Sigma lens, odds are it's one of these.
Keeping your gadgets charged on the go is essential if you travel a lot and expect to get any work done on the road. Thanks to the millions of battery packs that are out there, charging your phone is easy enough. But what if you need to keep your laptop charged while off the grid for a day’s shoot or while on a long flight without an outlet? Omni 20 is one of the only, and most recent, solutions that will charge anything you throw at it, including that ultra-powerful new MacBook Pro.
A few months ago, I started a passion project of mine: FilmObjektiv.org. Film Objektiv was started with one goal in mind: to get more people shooting film. We do this by renting film cameras at low prices for longer periods of time, by providing prints at a low cost, and also by serving as an online and educational resource to help film shooters find everything they'd ever need. It's this last part that still needs some work, but it's well on its way with this new pricing guide for film labs across the country. Still, I could use your help.
For me, storage is a huge pain. On one hand, it’s simple. Buy a bunch of hard drives, back everything up, repeat. But I want to simplify it further. I hate having one system that’s speedy for in-office editing and another that’s slow, but network-connected. I couldn’t find anything that offered both a network connection and fast thunderbolt-like speeds when attached locally until I came across QNAP’s TVS-871T networked-attached storage solution that also features dual Thunderbolt connectivity.
Popular online photography community 500px launched a new global photographer directory that allows consumer and business clients to search for photographers of all disciplines and locations around the world to fulfill their custom imagery needs. Already 50,000 strong, the service is open to any photographer and allows for listings under multiple genres of photography.
What happens when you lose track of a few extra boxes of some film cameras, and then find them again a few years later? You sell them, of course! And that's exactly what B&H is doing with a number of Fujifilm GF670 cameras that Fujifilm found in its American warehouse. It's still a fairly recently produced camera, but seeing as it was discontinued in 2014, this is likely the last chance you'll have to get a new one.
The Leica M10 is the latest iteration of digital German rangefinders. The M10 features a similar 24MP CMOS sensor to that of the M-P (Typ 240), expanded ISO performance from ISO 100-50,000, an improved viewfinder, new three-button back panel design, and more for a discount over the Typ 240.
Even after its death, if was there ever one film stock that was the color film, it would have to be Kodak's Kodachrome The last roll was famously given to Steve McCurry, who essentially built his career with the film. To say that was a sad moment for lovers of film would be a gross misrepresentation. This was something that was lost. It would – could – never come back. Or could it? A recent conversation between The Kodakery and a number of Kodak executives including Kodak CMO Steven Overman lead to a glimmer of hope for the resurrection of everyone's favorite color film.
Despite the company's unfortunate demise with the advent of a number of technologies that were simply cheaper and better, there's something to a Polaroid photograph that you can't get anywhere else: that tactile, one-copy, 3x4-inch film image seconds after taking the picture. Of course, companies such as Fujifilm with Instax or even Polaroid with some recent releases have seen a comeback with instant-print cameras or mini mobile printers, but now Zink's zero-ink prints come out of a compact digital camera in the iconic 3x4-inch format for the first time with the Polaroid Pop.
Now available for pre-order, Fujifilm announced an X-Pro2 Graphite Edition kit that comes with a matching 23mm f/2 lens as well as a standalone X-T2 Graphite Silver Edition body to complement the standard black bodies of the brand's flagship cameras. The X-Pro2 features a darker, gunmetal-like grey color, while the X-T2's graphite silver color is more reminiscent of the standard metallic of classic film cameras. The new editions promise to add increased protection to the body and unsurprisingly come at a couple-hundred-dollar premium over their standard-edition counterparts.
You could say a lot of things about the Space Hero Mission, but the concept of exploration of this world is unmistakable. The whimsical combination of the character of an astronaut with the seemingly endless exploration of the natural ends of our planet here on Earth takes the normally arduous task of worldwide expedition and makes it more relatable. As the mission has recruited dozens of participants to serve as models in their unique space suit, there is still room and time to be a part of this fun project and get your own photograph taken while inside a space suit.
Luminar is Macphun’s latest editing platform, and it’s the company’s first try at an all-in-one solution that can go head-to-head with Adobe Lightroom and Apple’s discontinued Aperture programs. Still in beta, Luminar recently received an update that helped improve speed and fixed over 300 small bugs, making it nearly ready for its public release on November 17. So, how does it hold up to platforms such as Lightroom?
Adobe Sneaks is the software company's behind-the-scenes sneak peek into ongoing projects that could eventually — if we're lucky — find their way into one or more products. This year at MAX, Adobe previewed a number of tools that should excite virtual-reality editors, desktop designers, and audio editors working on long-form speech formats.
For better or worse, Apple ditched almost every port on its latest MacBook Pro lineup, opting instead for a single audio jack and four Thunderbolt 3 ports with the new USB-C connector. While there are inherent advantages to such a setup, it is true that users will need to invest in a series of adapters to connect their devices. Starting today, through December 31, nearly all of Apple's adapters and cables featuring USB-C are discounted 24-52 percent, depending on the cable.
Adobe concentrated its Creative Cloud 2017 updates heavily in newer media areas as it announced an After Effects improvement to render 3D elements up to 20 times faster, a Premier Pro update that automatically detect and create settings for different types of virtual reality content, and a new project, Project Felix, to aid in the creation of photo-realistic images by combining 2D and 3D assets. Meanwhile, cloud-based document collaboration across Creative Cloud, universal search in Photoshop, and other new features improve usability across a number of applications.
If it works, GearEye's new RFID tagging system for your gear could change the way you pack for your shoots forever. Thin stickers in three versions allow you to tag all kinds of gear from memory cards to camera bodies and lenses, while an additional accessory scans a nearby area to verify if those items are in your bag, ensuring you never forget a piece of gear (and, alternatively, ensuring that you're never carrying more than you need).
On one hand, it’s understandable to be territorial over the features in our technology and sensitive to change. But technology inherently demands change — and that change is demanded at the fastest rate possible. We can complain about it all day long, but if we stop complaining at the whims of our feelings and start thinking logically, we can and should start to feel better as we realize the true nature of our so-called upgrade-cycle and innovation-searching frustrations. In reality, the only thing lacking innovation is our expectation.
We have two, fantastic reasons to be happy today in the form of two, long-awaited lenses. First, Nikon announced an update to its flagship 70-200mm f/2.8 professional zoom that features fluorite lens components, an electromagnetic diaphragm, and a slew of other quality and durability improvements. Meanwhile, a new PC 19mm f/4E tilt-shift also features Nikon's latest electromagnetic diaphragm and fills a wide-angle tilt-shift gap where Canon has held an advantage for years.