In an all-time low for humankind, this one can clearly be filed under "Phenomena Against Humanity." I truly regret to inform you that, in a fit of absolute male narcissism, people are finding beautiful landscape views, dropping their pants, and positioning their cameras "just so" in order to capture the bottom of their man-junk hanging in the frame. What at first seems too obtuse to be true, slowly, photo after photo, becomes a rather gross case of human failure henceforth to forever be known as "nutscaping."
Articles written by Adam Ottke
It's hard to keep up with Casey Neistat's daily vlogs, but today's stands out in particular for its special ingenuity and because it's Halloween. Thanks to a little creativity with an electric skateboard, some red cloth, and an Aladdin costume, New York City has Neistat and his buddy, Jesse Wellens, to thank for a truly epic Aladdin and Magic Carpet sighting. Go behind the scenes and see how they filmed it.
South Africa native Matthew Rycroft creatively combined creepy music, a creepy-looking dude, and some dark, chiaroscuro lighting techniques to create a video that brilliantly mocks the cliché Instagram accounts with which we're all too familiar. The final result is a well thought-out piece that's short and sweet and definitely leaves room for more.
Stanislas Giroux gets it. All of his videos have a common thread of featuring fantastic soundtracks. This video, "Curves of Iran," celebrates modern Iran's rich visual textures and — you guessed it — curves. Fitted to great music, fun (but fitting) sound effects to every cut, and a great overall tempo, this video makes use of hyperlapse-like cuts, but spares your brain from the monotony of yet another time-lapse by letting the actual shots play in real time once you've "arrived" at your new destination. Truly imaginative. And at the Giroux's request, I'll remind you to listen with headphones.
It's no secret that Sony is the amongst the biggest players in the imaging sensor business. Aside from the sensors that go into their own cameras, they make the sensors that go into your iPhone, Nikon's DSLRs... you name it. Even Canon is recently reported to be testing outside sensors for the first time (and there's a good chance some of those are Sony's). Needless to say, all of this talk and excitement over Sony's sensors means they're going to need to scale up manufacturing. Solution: buy and manage Toshiba's CMOS chip factories.
For one reason or another, this has been the week of all weeks for those anxiously awaiting firmware updates. While some are rather mild updates to fix various bugs (which is still important, granted), other updates like the one for Leica's T camera boost things like autofocus speed twofold. Fresh updates! Come and get 'em!
I don't have specific numbers. I don't even have vague numbers. But I wouldn't be surprised if someone told me Adobe's mobile photo editing apps have seen a huge success. The biggest reason: they're free. And the second: they really work, which makes the first reason even better. Today, Adobe updated two of these apps, Photoshop Mix and Photoshop Fix, with support for split view in iOS 9, for the screen size of the iPad Pro, and for the pressure and tilt sensitivity of the Apple Pencil for use on the iPad Pro.
Think we're in the middle of a Photoshopping epidemic? You don't even know how bad it is (well, now you do). According to a recent survey, 68 percent of adults take to some kind of photo editing before they share any photo with another person or online. As desktop and mobile editing tools become easier to use — with some even serving the specific purpose of being easy to use for the less technically inclined — Photoshopping images is the latest trend... and it's still growing.
AIG's recent move to begin insuring unmanned aerial vehicles (UAVs) marked the beginning of the first large, national insurance company to get ahead of (or catch up with) the "drone movement." Like this season's migration of Canadian geese, everyone seems to be flocking in droves, clearly intent on getting to the online shopping outlets and local electronics stores that sell the latest drones. But few actually know about how to use their newly affordable crafts safely and without risking their entire life's savings. A quick phone call with the Hill & Usher insurance agency led us to a few clues about where to start.
GoPro announced last month that it is working on bringing a drone to market in early 2016, and the go-to action-cam company just released the first video taken from their drone. Thankfully, the footage looks incredibly stable — so stable that some shots look incredibly similar to something that would come from a track-mounted or cable-mounted rig on the ground. Of course, the slight slow-motion nature of the shots help mitigate the perception of any small movements throughout the flights, but the footage is surprisingly smooth nonetheless.
Storehouse angered a number of power users in its big shakeup with the release of Storehouse 2.0 which ditched a number of features for a streamlined, more privatized system that made it harder to use the platform as a photographer’s social media marketing dream. But the numbers are out, and while it may not become the next Instagram of photo marketing and discovery, here’s why there’s a good chance it’ll find its way into your living room, regardless.
To be clear, STARVIS is a new sensor whose technology is mostly meant for applications in scientific, industrial, and security spaces. And Sony won't give out any "normal" number with respect to ISO yet, either. Part of that might be because actual ISO is difficult to determine, since the back-lit CMOS sensor places its photodiodes in front of other hardware components that, conventionally, would block a substantial portion of light information. But as unclear as the exact results are, here, the latest advancements in ultra-sensitive sensor trickery point to a new level of attainability.
Not so surprisingly faster than the FAA, apparently, AIG sprung into action to allow drone operators and owners to purchase insurance that covers not only their drone and camera equipment, but also a number of other terrible things that can happen while you're piloting a UAV.
It didn't take long for artists to realize they could literally paint with light once photography came around... but light painting was certainly popularized by Picasso. While you might find some painting specific subjects by hand, others have found endless variation in more geometric creations. Spirographs, even if you don't know them by name, are everywhere (but are mostly used as designs on wedding invitations). While people have been light painting them into their images for quite some time now, the process isn't always clear. Thankfully, Jason D. Page gives some great tips on how to set up a spirograph shot through his Light Painting Photography Vimeo channel.
We’ve long passed the beginning of the end and are now certainly in middle-of-the-end territory with respect to the freedom to fly drones. The latest high-profile drone incident further ensures that drone piloting will remain a privilege and not a right, though rightly so, as some people apparently can’t exercise enough common sense to stay away from populated areas (i.e. Los Angeles) and critical city infrastructure (i.e. power lines).
You, me, and the rest of them, we've all wondered why people are so infatuated with lightning-fast memory cards. Sure, it's great to bump up the speed so your camera can shoot relatively quickly and to enable fast transfers to the computer or backup drives. But at the end of the day, most of us have settled our minds on the idea that we really don't need more than 90MB/s cards. 100MB/s is that sweet spot that seems to be the limit of necessity (and reasonable prices). But a new video shows us why new formats, like the XQD card, and the faster speeds that come with it are actually useful in a real-world scenario (for some people).
Resource Magazine has a big issue out this quarter: Bill Nye is telling the world why photography will save it. Want to know the answer? You're going to have to grab this fall's issue of Resource. But a behind-the-scenes video of the photo shoot for this feature's spread shows just how much compositing there is in modern-day photography. Composited or not, the video is a quick, interesting look into a neat shoot with science's most famed personality.
One of the first things I heard when I sat down at a large white table with Light CTO and Co-Founder Dr. Rajiv Laroia and VP of Marketing Bradley Lautenbach was that, when it comes to lenses, plastic is better than glass. Scratching my head for a bit, while searching for some logic, but keeping an open mind (I did ask for a meeting with the guy who decided to put 16 lenses in a small box and call it the future of photography), the meeting proceeded to somewhat blow my mind… if it’s all true.
From photos of Pluto and its moons to constantly expanding catalogs of images of our planet, NASA's releases seem to be never-ending lately. The latest epic space image, however, comes from German astronomers from Ruhr University Bochum. At a massive 46 billion pixels and a unwieldy 194 gigabytes, the image unseats the previous record holder for the largest photograph of space: NASA's 1.5 billion-pixel Hubble photograph of Andromeda.
I find myself saying this a lot these days, but that's not a typo. In fact, the listed ISO range for the new KONO! Donau film is actually ISO 3-6. With such a low sensitivity, photographers can capture longer exposures in daylight. The film's extremely blue tones serve as a reminder that it's still in the experimental range, but there's an entirely new limit to what you could do with a hand-rolled ISO 3-6 film.