G-Technology updated its lineup today with the introduction of two eight-bay storage arrays made to be easily transportable. From enterprise-class hard drives for robust performance to handles on top of the units that let them be more easily moved from studio to car, to set, and back, the G-Speed Shuttle XLs are the ultimate on-the-go editor's dream direct-attached-storage system.
Articles written by Adam Ottke
Before CP+ kicks off next week, Canon just announced the successor to the 70D, the Canon 80D. Featuring multiple improvements, especially in areas surrounding autofocus, the 80D provides a more professional standing for Canon's representation in the advanced APS-C DSLR segment. Additionally, Canon introduced a new PZ-E1 power zoom adapter for a new lens, the EF-S 18-135mm f/3.5-5.6 IS USM. Finally, the PowerShot G7 X was updated with a Mark II version along with a new compact superzoom, the PowerShot SX720 HS.
For an instant, she stares blankly out into the distance as she would for any photograph. But almost immediately, she takes notice. You're there. She turns her head, looks over, and then slowly turns back, looking down at her outstretched legs. Her eyes move slowly, looking down, as her chin lifts her gaze from the top of her legs to her feet. She's admiring herself — for you. She even starts crawling toward you. You turn your head to look around ("Toward me?," you think, but no one else is there). You turn back to her. The clip is over. You can take off your Google Cardboard viewer and go back to flipping channels on your living room TV.
A bug in a recent Adobe Creative Cloud update is currently deleting a folder on the root drive (Macintosh HD, by default) of Macs upon installation. This issue is affecting Backblaze users disproportionately due to the fact that the bug results in the deletion of the contents of the alphabetically first hidden folder on the root drive, which is often the folder ".bzbol" for Backblaze users.
NASA's Jet Propulsion Laboratory (JPL), based in Pasadena, CA, recently released a 360-degree video of a vista of Mars' Namib Dune from their rover, Curiosity. On one hand, it's an all-encompassing, but static, noiseless video. Yet, on the other hand, it's the most realistic, hands-on, feels-like-you-were-there video of another planet that we have. If you think about it for a moment while you're watching, it suddenly hits you: we're really there. We have a presence on Martian land.
When Pixellu came out with its too easy to believe drag and drop album creator that synced with every popular album company's layouts, those who were not Mac users were certainly bummed to hear they would be missing out. But today, after Pixellu released SmartAlbums 2 for Mac, the SmartAlbums version for Windows is here and it comes at a generous $50 discount for those who have waited so patiently.
Your headache from over-drinking (either in celebration or in deep depression) may be wearing off, but for those that had to photograph Super Bowl 50, that headache began days before the big day. The preparation for covering the game took its toll on those that enable us look back on it this week. Fstoppers caught up with ESPN photographer Andrew Hancock to get a look into the gear, setup, and planning to cover the most important event of America’s favorite sport.
Adobe Stock has been around for a short while now, featuring useful, deep integration into Creative Cloud products, as well as a more traditional online portal through which to purchase content. Through a blog post on its website, Adobe recently announced these platforms will now benefit from native 4K video content in addition to the photos and standard high-definition videos previously offered.
I don't rate my photos nearly as much as I should. And part of it has been because I've been too lazy to look this exact tip up! Thankfully, Adobe has provided us with one of their now famous under-a-minute Lightroom Coffee Break videos to quickly explain how to auto-advance as you rate your photos. This trick also works for auto-advancing while flagging photos. The key to the trick? Caps lock.
We fell head-over-heels when we saw CineStill’s 35mm 800T film, repackaged from Kodak cinema film. Beautiful golden skin tones, cool shadows, and that ever-difficult-to-explain magic glow, brought the beauty of true filmmaking to the still format. It’s been a long wait since the 35mm format was introduced in 2012, but today, CineStill launches their high-speed, tungsten-balanced cinema film in the 120 format.
Just behind Nikon's announcement of the D5, Canon comes with their own anxiously-awaited update to their flagship DSLR: the new EOS-1D X Mark II. Building on the experience of both the 1D X and the 1D C, the 1D X Mark II features a modest increase in resolution to 20 megapixels, instead counting its improvements mostly in the areas of image quality, autofocus, and speed.
Drones are great, but they also pose a huge threat to general safety and national security if in the hands of the wrong people. The Secret Service has even said they don't yet have an effective method of defending against drones, although they recently began testing drone flights in their own backyard to defend against them. While some turn to strictly technological methods of bringing drones to the ground, the Dutch police are evaluating the effectiveness of a new program that trains eagles to grab drones from the sky with their talons.
Big movies mean big budgets, which usually mean big visual effects. The Moving Picture Company (better known as MPC) recently released another one of those mesmerizing VFX breakdown videos for their most recent feature film, “The Martian.” The breakdown reveals some aspects of the film and of Matt Damon's performance that were both challenging and impressive, like the fact that the helmets worn in the film didn't feature physical windscreens. Those were added later with matching reflections to the scenery.
Adobe launched a new YouTube series through their Lightroom channel to give Lightroom users some extra tips on features they may not have come across yet. While some highlighted features such as viewing masking for the sharpening tool are a little better known, others are more tucked away and might come as a surprise, like this feature that allows you to update the overall effect of a local adjustment with multiple sliders in effect.
The X-Pro1 started it all as it cemented its place while paving the way for its segment — the mirrorless rangefinder-style APS-C camera — as the way of the future. But until today, Fuji’s focus has been on further diversifying the segment with other high-end, mid-range, and budget mirrorless systems. Today’s announcement brings a new, true compact flagship to XF platform in the form of the 24-megapixel, professional-level X-Pro2.
In addition to the X-Pro2 announcement, Fujifilm also announced the release of the X-E2S, X70, and XF 100-400mm f/4.5-5.6 lens, each helping to further refine and round out Fuji's mirrorless lineup. The X-E2S is largely similar to it's predecessor (the X-E2), but improves ISO performance and offers several software enhancements. The X70 offers the same 16-megapixel X-Trans II CMOS sensor as the X-E2S in an appropriate update to Fuji's more affordable, fixed-lens XF line-up with an 18.5mm f/2.8 (28mm in 35mm equivalent) lens. And the 100-400mm lens fills out a part of Fuji's XF platform that has historically been in sore need of bolstering: it's lens selection.
Just in time for 2016, the FAA released a registration system and will require anyone currently operating unmanned aerial systems (UAS), otherwise known as "drones," to register by February 19 of this year. Although the FAA's legal authority over this issue is questionable and although this applies to anyone flying drones only within certain weight guidelines for hobby or recreational use outdoors, there are a number of reasons you should register in the next 10 days, even if these particular circumstances do not apply to you.
CameraLends has been letting gear owners rent out their gear to peers when it's not in use since its inception three years ago. Until now, everything has been done through their website. The new CameraLends iPhone app, however, lets users manage the entire rental process from the ease and mobility of their iPhones. Making money on your gear when you're not using it is now easier than ever.
Samsung's Portable SSD T1, has been a fantastically tiny and handy external drive since its inception. Yesterday, for CES 2016, Samsung announced its successor, the Portable SSD T3, sharing many of the same features with the T1, such as the claimed 450MB/s transfer rate, 850 EVO-based NAND flash memory, and AES 256-bit encryption that won't slow the drive down. Meanwhile, a new shockproof design almost doubles the weight and adds to its bulk a bit, but protects the drive in up to 1500 g drops. Also new to the line is the 2 TB capacity and USB-C connection.
Sony's 50-megapixel sensor found in the latest 645 medium format digital CMOS bodies brought such cameras down in price considerably for the first time while extending ISO usability to the more DSLR-normal ISO 6,400. Today's announcement brings a new iteration of that technology in the form of the IQ3 100MP, also in a CMOS flavor. Although the resolution is doubled (and file size is quadrupled), Phase One also managed to pull out an extra stop of ISO performance on both ends of the spectrum, which now goes from ISO 50–12,800. Dynamic range also increases a stop over other models to 15 stops.