Portrait photographers who have shot with the Canon EF 85mm f/1.2L II will probably tell you about how wonderful that lens is. Having this particular focal length with such a wide aperture produces very unique and beautiful results. The new RF mount lens looks to take the crown for the best portrait lens, however.
For many photographers, the Adobe software suite is the main suite they use for editing and to manage their content. Over the last few years, however, many creatives have become dissatisfied with the monthly subscription model that Adobe has now opted for. For this reason, many photographers have been looking for a viable alternative.
With companies like Fujifilm entering the medium format industry, it's not going to be an easy place to compete, especially for a company like Hasselblad. The new Fuji GFX 100 looks pretty incredible; however, Hasselblad does seem to have a few tricks left up its proverbial sleeve.
In my view, color management is one of the most important things we can do as photographers. The use of color is one of the fundamentals of what makes a great image. For that reason, I highly recommend using calibration tools.
Over the last year, a fair number of very impressive cameras have been released with lots of new features both for photographers and videographers. Companies like Panasonic and Fujifilm have released feature filled exciting cameras, yet the original mirrorless full-frame camera manufacturer has been seemingly dragging its feet.
Early on in my career, I was quite reluctant to use any kind of filter system. I was under the impression that any filter effects could be achieved by utilizing a few techniques such as mean stacking. I've changed my mind since then and I now regularly use filters for my work. The issue is they can be a hassle, however, a company called Alter may have a solution.
As an architectural photographer, the main types of lenses I use are tilt-shift lenses. These prime lenses are unique in how they operate because they allow you to move the internal elements parallel to the sensor. This can be extremely useful for perspective control and ideal for shooting architecture. The question is, are they vital or just overpriced?
Smartphones seem to be advancing at a much quicker pace than conventional cameras are. Companies are consistently trying to find solutions to problems and issues. The battle to perfection continues and Asus seems to be pushing towards this goal with their latest smartphone
It's been more than three years since Canon first released their flagship camera the EOS-1D X Mark II. Since then, plenty of other cameras have been released, new flagship models from other manufacturers and even a whole new mount. Three years is a long tie in the world of technology so how does the current Canon flagship camera hold up to today's standards?
One of the best pieces of advice I have been given in recent times was to not be a firefighter. Before you all jump on me and tell me I'm a dummy for saying something negative about people who are clearly more heroic than I am, let me explain. What I mean is to not be proactive in how I operate.
For many of us, a 50mm lens is the first "proper" lens that we ever bought. The kit lens can be great but there's nothing quite like a good wide aperture prime lens. Thanks to a rental company in the UK called Hire A Camera, I was able to test and compare what I think might be the best 50mm lens ever made.
I hope I'm not the only person who does this, but up until recently, I had not used any of the cataloging features from any image editing software. This isn't because I thought any of them were particularly bad; instead, I just have my own way of managing files and their locations. However, ACDSee has changed my mind about this.
The Apple versus Windows discussion tends to get some strong opinions from both sides. Many creatives swear by Apple and consider them to be the only option, and this is mostly due to the operating system. Preferences aside, it would seem that Macs are sometimes the slower and worse option for creatives.
Portrait lenses are getting more and more ridiculous these days with their oversized glass elements and their super wide apertures. It's like every year a company will come out and try and outdo everyone by producing the most over the top lens they can and honestly, I couldn't be happier.
Since starting my career as a photographer, one of the more challenging things I found was producing relatively accurate and pleasing looking colors. For a long time, I've been using the ColorChecker Passport from X-Rite because it consistently helped me to produce better-looking colors.
I know this article is sponsored, and some of you may pull back a little because of that. I don't blame you; I mean, I'd personally have reservations too, but I genuinely mean every bit of praise I give to Luminar 3. This software is seriously awesome, and in this article, I'm going to explain why.
In a previous video, Dave Altizer demonstrated the Sharp pre-production 8k camera. What many people really wanted to know was how this performed in low-light situations and its high ISO capabilities.
I understand that the term "best" is mostly subjective and in many cases, it's entirely based on individual requirements. The recent releases from Datacolor boast some pretty cool new features, but, do they make them the best?
Remember when YouTube videos and tutorials were super straight forward and to the point? Me neither.
As someone who has previously used the Movavi Video Editor 15, I was really interested to see what the full suite had on offer. After using the Movavi Video Suite to edit some of the videos that I recently posted on YouTube, I have to say I'm quite impressed.
