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Zhen Siang Yang
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Articles written by Zhen Siang Yang

We Review the Latest DJI Osmo Mobile 7P Gimbal for Professional Smartphone Videographers
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DJI’s latest smartphone gimbal, the Osmo Mobile 7P, marks the brand’s seventh generation of innovative smartphone gimbals, bringing a completely new foldable design that’s even more compact and refined than before. It introduces a couple of pro features that really take content creation to the next level, including the new ActiveTrack 7.0 technology, which pushes three-axis stabilization and intelligent tracking to new heights. Compatible with a range of smart tools, capturing stabilized high-quality footage has never been easier. Judging by the letter “P” in its name and its expanded functionality, DJI seems to be clearly targeting the Osmo Mobile 7P toward pro smartphone videographers.

Why Having a Faster Lens Isn’t Always Better
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The recent launch of the Fujifilm GFX100RF has stirred quite a debate in the photography community. Many Fujifilm fans were frustrated by the decision to equip the camera with a fixed f/4 lens instead of a faster option like f/2.8 or even f/2. This backlash got me thinking: does a faster lens always make a camera better? And more importantly, does it help us produce a better image? The more I think about it, the more I realize that the obsession with wider apertures might not be that beneficial for visual output, but rather for bragging rights that often overlook crucial trade-offs.

The One-Camera, One-Lens Travel Experiment: Was It Worth the Risk?
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The idea of traveling with just one camera and one lens wasn’t something I decided on a whim for my most recent trip to Hong Kong. If I am being honest, it was mainly inspired by Leica’s design philosophy, Das Wesentliche, or "the essentials," when I read about it a few months back.

Why Specs Are No Longer an Important Criteria in Choosing a Camera
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In today's photography landscape, there is far too much emphasis on hardware and not enough thought about what it’s actually being used for. Discussions among the community often revolve around camera specifications rather than the philosophy and thoughts behind capturing images. Yet, we have long passed the point where more megapixels, higher dynamic range, and extreme ISO performance make a meaningful difference for most users.

We Review the Insta360 Flow 2 Pro Latest AI Tracker, Bringing AI Tracking to Any Phone Camera App
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Earlier this year, Insta360 released its first AI-powered smartphone gimbal, packed with impressive features, including Deep Track 4.0, which offers advanced tracking capabilities. However, many of these advanced features were exclusive to iPhones, leaving a gap for Android users. Fortunately, Insta360 has addressed this with the release of its latest AI Tracker attachment for the highly popular Flow 2 Pro smartphone gimbal—an easy-to-use attachment that enables Android users to take full advantage of the gimbal’s advanced AI tracking algorithm.

We Review the Slimmest Fujifilm Autofocus Lens: The Viltrox AF 28mm f/4.5
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After making headlines for producing one of the slimmest full frame mirrorless autofocus lenses last year, Viltrox has made a bold move by making it available for the Fujifilm X-mount as well to fill a market gap. Introducing the Viltrox 28mm f/4.5 Fujifilm X-Mount, also known as a “chip” lens, resembling a potato chip—a reference to how thin the lens is. This Chinese lens maker even carries on the humor by featuring a bag of chips in the lens announcement poster, which was published on their Chinese social media.

The Awkward Stage in Photography: A Personal Reflection on Creative Plateau, Its Trap, and Solution
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Lately, I’ve been reflecting on my own journey in photography, questioning why progress sometimes feels stagnant. After speaking to a few industry experts, I have come to realize that there’s an awkward stage every creative reaches. A plateau where inspiration seems to dry up, and even slight growth feels like an impossible uphill battle. The more I think about it, the more I realize that this plateau isn’t just about skill or talent but about two fundamental limitations involving effort and money. Both demand deeper commitment, and without that, breaking through the stagnation feels impossible.

Personal Criteria That Make a Strong Image
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Over the years, I’ve come to realize that creating a strong image isn’t about following a rigid compositional formula but about finding harmony in the interplay of light, composition, subject, and intent that blends both technical precision and emotional connection. These elements, when thoughtfully considered, can transform an ordinary scene into something outstanding. In this article, I’ll share the criteria that I believe define a strong image, based on insights gained through years of trial, error, and reflection.

We Review the Latest Pro Smartphone Stabilizer: Insta360 Flow 2 Pro
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As you might be familiar with Insta360’s Flow Pro, the first smartphone gimbal that features Apple DockKit, they have now released a brand-new model, the Insta360 Flow 2 Pro, which features a sleek design and even more advanced features. With the rapid growth of AI integration technology, the Insta360 Flow 2 Pro has taken the leap to become the next-gen AI-powered smartphone stabilizer, featuring the all-new Deep Track 4.0 that offers advanced tracking capability.

Fundamentals on Achieving Better Composition for Your Images
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Oftentimes, when we talk about creating better images in photography, the conversation begins with compositional rules such as the rule of thirds, the golden ratio, leading lines, and so on. These guidelines serve as a good benchmark for discussion and a way to introduce structure to what can otherwise feel like an abstract concept.

Aiarty Image Matting Removes Any Background Precisely with AI
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In today's fast-paced world of AI and digital photography, tools like Aiarty Image Matting are transforming workflows for photographers. Designed for creators and businesses, it uses advanced AI to deliver precise background removal, even for challenging images. As a professional photographer, I find background removal essential in most of my commercial work, and sometimes dealing with a complex subject can be frustrating.

Why I Still Prefer the Optical Viewfinder Over the Electronic Viewfinder
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In an era where electronic viewfinders have dominated most mirrorless cameras, it may seem old-fashioned to still use a DSLR camera with an optical viewfinder. Yet, as someone who has spent more than a decade behind the lens, constantly switching between mirrorless and DSLR, I still find myself drawn to the simplicity and authenticity of the optical viewfinder.

How White Balance Shifts Affect Our Perception
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To fully understand how white balance affects our perception, we must first explore how color shapes our emotional response in photography. Since the dawn of time, we humans have become accustomed to associating certain colors with specific contexts. The ability of humans to read visual cues for signs of danger is likely an instinct as a survival mechanism. For example, brightly colored insects scream danger without having to look into the species.

Does Format Still Matter That Much in the World of Digital Photography?
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With the current advancement of imaging technology in digital photography, the significance of format has evolved dramatically to a point where it no longer matters as much compared to the early film days. However, due to physical hardware limitations, it is still essential for us as photographers to recognize that the decision on selecting the imaging format should always align with our creative intent to help achieve the desired result.

Dissecting How Exposure Shapes Our Composition
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Exposure is a key element in photography that greatly influences how we frame our shots. It determines the amount of light reaching the camera sensor, affecting the brightness and overall look of an image. Understanding and controlling exposure is vital for creating well-balanced photos and achieving the desired visual impact. In this article, we'll explore how exposure affects composition and why it's crucial to align your framing with the exposure settings.

3 Reasons You Should Stop Over-Editing Your Images
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As a professional photographer, the issue of over-editing is a topic that holds significant importance in our work. In this case, the term over-editing refers to the excessive use of post-processing tools and techniques, often resulting in images that deviate from the natural and authentic representation of the subject. While we cannot deny that the process of editing is an essential aspect of photography, overprocessing images can sometimes compromise the integrity of the image and do more harm than necessary. Here are several reasons why one should refrain from over-editing their images.