Articles written by Zhen Siang Yang

In an era where electronic viewfinders have dominated most mirrorless cameras, it may seem old-fashioned to still use a DSLR camera with an optical viewfinder. Yet, as someone who has spent more than a decade behind the lens, constantly switching between mirrorless and DSLR, I still find myself drawn to the simplicity and authenticity of the optical viewfinder.

To fully understand how white balance affects our perception, we must first explore how color shapes our emotional response in photography. Since the dawn of time, we humans have become accustomed to associating certain colors with specific contexts. The ability of humans to read visual cues for signs of danger is likely an instinct as a survival mechanism. For example, brightly colored insects scream danger without having to look into the species.

With the current advancement of imaging technology in digital photography, the significance of format has evolved dramatically to a point where it no longer matters as much compared to the early film days. However, due to physical hardware limitations, it is still essential for us as photographers to recognize that the decision on selecting the imaging format should always align with our creative intent to help achieve the desired result.

As a professional photographer, the issue of over-editing is a topic that holds significant importance in our work. In this case, the term over-editing refers to the excessive use of post-processing tools and techniques, often resulting in images that deviate from the natural and authentic representation of the subject. While we cannot deny that the process of editing is an essential aspect of photography, overprocessing images can sometimes compromise the integrity of the image and do more harm than necessary. Here are several reasons why one should refrain from over-editing their images.

For those who specialize in real estate photography, it is common to say this genre of photography is fraught with its own unique set of challenges, from dealing with challenging lighting conditions such as balancing interior and exterior light to time constraints to low budget and short turnover time. In the competitive world of real estate, it is almost non-negotiable for photographers to produce high-quality images to help properties look their best through the help of post-processing. While mastering these post-processing techniques has proven to significantly improve the outlook of the deliverables and also overcome the shortcomings of on-location shoots, they often take years to learn and master. Thankfully, the advancements in AI photo editing tools are making these hurdles easier to overcome and helping you gain a competitive edge in this tough market. In this article, we will explore the common challenges faced in real estate photography and how AI photo editors can help address them efficiently in editing real estate photography.

Being a photographer for more than a decade, this is probably the shortest love story I have with camera gear, pushing the definition of a love-hate relationship to the next level.

As far as we can recall, photography is often seen as a direct representation of reality. However, the truth is far more complex as we dive deeper to examine the underlying issue. The issue isn't just about altering reality through manipulation with Photoshop or generating images with AI. Instead, I believe our societal expectations and perceptions have fundamentally altered how we view and interpret photographs.

For years, I have heard good things about Davinci Resolve as a powerful industry-standard video editing software. Despite all the positive things I have heard, I was reluctant to make the shift from Adobe Premiere Pro, fearing the entire process of relearning new software from scratch. However, motivated by the frustration of frequent crashes, I have finally made the call for the long-needed switchover.

In today's fast-paced world of photography, managing the post-processing workload efficiently is almost a non-negotiable skill, especially when we are all guilty of shooting too much, only to suffer when dealing with large quantities of images. In this article, we will discuss several unconventional tips that I have learned throughout my career, including back-to-back assignments and trips, to address the challenges of editing fatigue and compromised post-processing.