Hasselblad has upgraded its 100-megapixel beauty, which we originally reviewed in the article The Perfect Choice for the Perfectionist? We Review the Hasselblad X2D 100C. Much has improved, and much has stayed the same. How does it feel to use the second generation? Is it worth your time and money?
Fujifilm has just announced its smallest and lightest medium format camera yet, the GFX100RF, in the heart of Prague, and we couldn’t miss it. What are our first impressions? Does it hold up to expectations? Or does it exceed them? In short, yes. But you’re not here for the short version, are you
We, as photographers, are very often gear geeks. There’s no shame in it. We drool over the latest and greatest the camera industry has to offer and dream of owning the ultimate gear setup that will, of course, undoubtedly help us ascend to new heights of photography. But we truly do not need to.
To be fair, it is very hard not to find a camera that is great at both stills and video nowadays. But there are some that just excel one way or another. Let’s have a look at five different cameras, each from a different brand, to keep it nicely balanced.
When it comes to photo editing software, the selection out there is not huge by any means. However, the programs that are available to us at least stand out from one another in interesting ways. Today we’re going to talk about Zoner Photo Studio X, more specifically the 2024 update.
The market for compact and lightweight tripods has exploded in recent years. Well, Falcam has decided to stir the pot with their new TreeRoot carbon fiber tripod that challenges the big leagues in a compelling way. Is it the right choice for you? It certainly offers plenty within its portable frame.
Fujifilm has just announced its sixth medium format mirrorless camera. The 102-megapixel GFX 100S II is a successor to the wildly popular, compact GFX 100S. Along with the body, Fujifilm has released the GF 500mm f/5.6 R LM OIS WR, an incredibly long medium format telephoto perfect for wildlife!
This month’s Fujifilm X-Summit has been full of impressive announcements. This incredibly long sports/wildlife lens made for the GFX medium format system shows us Fujifilm means business when it comes to fast-paced photography and capturing subjects far away from your sensor. So how was it?
Every once in a while, a piece of gear becomes an instant classic. The Fujifilm XF 56mm f/1.2 R carries that title with pride and deservedly so! I have been using it for nearly a decade and cannot recommend it enough. It's a brilliant lens with flaws that are easy to ignore.
There is a unique series of lenses for the X-Mount. They do not offer the brightest apertures, nor do they use linear motors, but what they lack in features, they make up in beautiful vintage-looking, slanted, weather-resistant, and compact build. Some call them Fujicrons and the 35mm started it all.
Unlike Canon, Nikon understands the importance of a third-party lens manufacturer for a healthy ecosystem and a stronger incentive for any potential buyer. And thanks to that, we get more and more interesting lenses for their mirrorless Z mount, like this proven budget-friendly option.
Sony released a rather odd lens a few days ago. The FE 16-25mm f/2.8 G is neither a replacement for the GMaster nor the cheaper f/4. It is its own odd thing. What is its purpose? Where does it fit in the lineup? Does purchasing it make sense? For some, it most definitely might. Not for all, though.
If it’s not on paper, it’s not a real photograph. You must’ve heard this sentence at least once in your photographic journey. For many, it rings true. The best way to appreciate our captures is to hold them on a physical paper. But how to best print at home? Which printer to get? How to use it?
Many dream of having one, yet most can’t ever afford one. What makes the Hasselblad X2D 100C so special? Should you even think about getting one? Who is it for, anyway? There are quite a few questions I had when I was getting this camera, and in the few weeks of using it, I got some answers.
"If only I had that camera," we often tell ourselves, thinking that magically our photography is finally going to transcend to a whole new plane of perfection where our creativity will feel no restrictions and our photographs will carry no flaws. We've all felt this at least once, often more.
I’d like to show you a video. For different reasons than its title tells you to, though.
The zoom telephoto lens pool for Fujifilm X mount is growing larger each year, and that can only be a good thing. Fujifilm already offers multiple great candidates. Tamron and Sigma are also getting involved as they too want a piece of the pie. Do they stack up? The Tamron 150-500mm certainly does, but how about the Sigma? Let’s have a look!
The successor to the worldwide popular, and rightfully so, Fujifilm X100V has finally been revealed! The new X100VI brings forth some very welcome features while staying true to what made the X100 lineup great. We’ve used it for a while and loved it! How was it? What’s new? What stayed the same? Is it worth upgrading? Will you even be able to get one?
Some say it’s the best focal length. I certainly believe so. And while the options for an equivalent 35mm lens for Fujifilm cameras have been scarce, there are good ones out there. Does this one fit well? Does it stand out? Is it better than some Fujifilm offerings? I’d say it’s worth trying.
Fujifilm users have had their options rather limited when it came to wide angle fast-aperture zooms. Well, the only option has been the fan-favorite but bulky XF 8-16mm f2/.8 R LM WR, but now, there’s a new kid on the block. How does it compete? Is it worth considering?
The discussion of what kind of glass is better for documentary photography has been around since the beginning of the genre itself over a century ago. Some swear by using primes only, while many prefer the versatility of a zoom. What are the benefits? What are the downsides? Let’s look at both!
Yet another re-review of a discontinued but still very valid camera. The Fujifilm X-T4 slightly moved away from what made Fujifilm unique, but not in a bad way. It pushed the series into new areas and appealed to the dual creator quite confidently. Is it still worth getting today?
Nikon’s mirrorless lens lineup is slowly but surely growing, but a good lens selection can’t rely on only first-party offerings. Other manufacturers matter greatly. The new Tamron 150-500mm is a welcome addition to the Z mount, with its long telephoto range, decent aperture, and compact size.
Canon has just announced their longest zoom lens for the RF mount, the RF 200-800mm f/6.3-9 IS USM ,and we’ve tried it in the real world. How was it? Pretty damn enjoyable! Is it worth considering? We certainly believe so! But there is a downside to it. Let’s have a proper look at the new telephoto.
Compact, packs a punch, and relatively cheap. The GX9 is one of the many cameras recently discontinued by Panasonic which has undoubtedly found a well-deserved following. The manufacturer has been unfortunately turning away from smaller cameras, and that is a damn shame. The GX9 is a perfect proof.
Many have been waiting for it ever since the release of the Z fc. Well, it is finally here and it is not just gorgeous, but surprisingly well-built using high-quality materials and impressive tech. The Nikon Z f is partially a Z6 II, a Z8, and a beautiful FM2 and yet it’s its own unique thing.
When it comes to used cameras there are many powerful contenders for the top spot in terms of the best bang for your buck. Well, almost no cameras have been losing value as fast as Fujifilm’s X-Ts with each new release. For a budgeting photographer, this can only mean you get the good stuff cheap.
Many lenses claim the title universal or try to be a one-for-all kind of focal range but very few can actually be used for a majority of scenarios thrown your way. The new Tamron 35-150mm f/2-2.8 might just be one of those lenses. But does it pull its weight? And would you carry its weight?
I wish we’d all just move on. The format that used to be a compromise between image quality and price in the film days is nowadays being taken as the sole possibility for a serious photographer, and if you are not part of the gang, you apparently deserve to be ridiculed.
Fujifilm’s newest camera and a series of lenses have, after many rumors, finally been unveiled! The successor to the outstanding GFX 100 is finally here, and it packs a punch! What is new? What is better? Is it worth the upgrade?
You’d be hard-pressed to find a portable flash at the level of Profoto A2 in terms of build quality, size, weight, power, ease of use, and consistency. It is genuinely a tiny marvel for any photographer. It is almost hilariously simple to set up, and yet, it delivers terrific results. Best of all, if you buy a Profoto A2 between now and October 31, you get a Connect remote for free.
Sony has recently released a successor to a fan-favorite a6600 fittingly called the a6700. Don’t get me wrong, in those few days I had it it performed well, but there are some features that would elevate it to a different level. First things first though, what did Sony do well with the a6700?
I get questions like these daily, mostly from inexperienced or new photojournalists who want to get into documentary photography. I often repeat the same answers, so I figured it might be useful to put it all into a single article. So, here are the bare basics of high-risk documentary photography.
