Articles from Austin Rogers

There's a sort of running joke between the Fstoppers writers about the number of bag reviews we've published in the last couple months, and we've certainly caught our share of flack for it in the comments as a result. Despite all that, having had a chance to sit down for a brief interview with the people at WANDRD, I think we may have a new industry standard on our hands. If there's ever been a bag worth getting excited about, this is it.

There aren't too many people in the f/0.95 club. Until fairly recently, it was a ludicrously expensive badge of honor, typically worn by Leica-toting physicians and hedge fund managers. After all, the legendary Leica Noctilux 50mm f/0.95 costs just shy of $10,000. Of course, there are some micro four thirds options. But those don't really count, do they? All that changed in April of 2014, when Mitakon announced their "SpeedMaster" 50mm f/0.95. After spending the better part of a month shooting it, I'm almost a believer... almost. 

The current king-of-the-hill 35mm, the Sigma 35mm f/1.4 A DC HSM, costs $900. That's not too shabby for a lens that absolutely dominates its "L" and high-end Nikon competition, which both cost significantly more. Canon and Nikon offer budget 35mm options: a f/2.0 IS and f/1.8G, respectively, both of which cost under $600 and are no slouches themselves. With the availability of extremely well performing 35mm lenses at the sub-thousand-dollar price point, why on earth would someone buy a slow (f/2.8) 35mm for $800?

Last May, Adobe gave the world a sneak peek of their forthcoming mobile retouching platform. While the video only showed off modest implementations of the liquifiy, paint, and vignette tools, it's clear that Adobe and their army of software engineers have been hard at work beefing up their iPhone and iPad apps.

It’s no secret that image files have quite a bit of redundancy and wasted space — it’s part of the reason why I love the app JPEGMini which helps reduce unneeded information to decrease file size. What you might or might not be aware of is that you can hide information, even large files inside of your images. In this episode of Computerphile, Dr. Mike Pound explains two techniques of burying info in your pictures and the application for photographers. Warning, supremely geeky content ahead.

Recently, Richmond Virginia-based wedding and portrait photographer Meagan Abell made a stunning find in a thrift-store box of old images. Among the half-century-old family snapshots she uncovered a set of jarringly beautiful transparencies (slide film) and a desire to find the women on them. The #FindTheGirlsOnTheNegatives campaign has, overnight, caught fire, garnering worldwide attention and press. Ms. Abell was kind enough to take a few minutes out of her schedule of NatGeo and BBC calls to chat with me for an exclusive interview.

Photos of newborns are precious, once-in-a-lifetime moments. Now, some new parents in Denver are wondering where their images are. Photographer Amy Barlow under the name A MoMent Photography studio based in Lakewood, Colo. recently ran a Groupon promotion for newborn photography and is being accused of taking the money and running, leaving several families complaining that their images have not been delivered.

It's no secret that Instagram, and its parent company, Facebook, have some pretty old-school ToS in terms of censorship. Their policy, inconsistently policed at best, has given the boot to many otherwise tasteful images including, notably, an image by artist Ruki Kaur of a woman on her period. Now a trend is taking Instagram by storm wherein people are photoshopping male nipples over a females' nipples to stick it to the man and hopefully result in a meaningful dialog on Internet censorship.

There are hundreds of 35mm film camera options out there. Everything from cheap drug-store point and shoots to beautiful, bespoke-feeling Leicas, to the Canon AE-1 hipsters wear around their necks with a guitar strap. The Nikon F100 is, without a doubt, one of the best 135 cameras out there and is, in my opinion, is the absolute best choice for a digital shooter to experiment with 35mm film.*

If you haven't been keeping up with Casey Neistat's daily vlogs, then you absolutely need to start. They're a great source of creative inspiration, lots of running cut-scenes, and the occasional viral video. In this particular vlog, Neistat tells a story on the importance of not quitting and, while filming, experiences an error with his Canon 70D. You may not believe how he solves it.

Anyone who likes to bring a light or two on-location knows the frustration of wanting soft, controllable light that won't weigh you down or break the bank. The Westcott Apollo Orb is, without a doubt, one of my favorite lighting modifiers. As you'll see below, the Apollo Orb has just about every feature you could ask for in its unique, somewhat-brolly-box-style design, all at a modest price point.

If you're a filmmaker on a budget, you've probably lusted after the various camera stabilizing offerings from Steadicam. With this tutorial, some hardware store components, and a little bit of elbow grease, you'll be up and running with a DIY Steadicam in a flash.

Photographer Bert Stephani might just be the luckiest guy on the planet as one of the first people in the world to use the much-anticipated Fuji 90mm f/2.0 portrait lens. The lens, officially known as the Fujinon XF90mm f/2 R LM WR is currently available for pre-order and will likely be shipping in mid-July 2015. In this video, Stephani gives a honest look at the latest and greatest portrait lens in the Fuji X-Series lineup and shares some really wonderful sample images straight out of the camera.

It seems that a nasty little rumor has suddenly taken the world by storm. Namely that once you upload a photo to Facebook, according to their terms of service, it becomes their property. Thanks to an official message from Facebook we can rest assured that this is not the case.

In this episode of National Geographic’s fantastic series "Exposure," you go behind the scenes with street and portrait photographer Wayne Lawrence who describes photographing the “real Detroit.” Lawrence describes the challenge of shooting such a diverse city, one that includes familiar, comfortable suburbs and rundown, abandoned spaces.

The guys over at Resource Magazine really outdid themselves with this one. Their spring 2015 issue featured a really awesome shoot by photographer Natalie Brasington and two of the stars from Brooklyn Nine-Nine, Melissa Fumero and Stephanie Beatriz. In this video we see the photographer work with these two exceptional actresses / comedians to come up with some genuinely funny work.

Everyone's been there. A friend of a friend asks you to take their family portrait, a cousin wants you to shoot their wedding, a local business would really like some event photos — but nobody has a budget. Working for free is something every working professional gets faced with frequently. In this video Ted Forbes from The Art of Photography talks about the pros and cons of free work.

If you're a Mac user, stop what you're doing and download this. I'm serious. Digital asset management (DAM) isn't everyone's favorite topic but it's an incredibly important part of any professional's workflow. But when things go south, you need to have a recovery plan — that's where PhotoRec, the free text-based app by CG Security, comes in.

Good news for Instagram lovers: The quintessential social photo sharing platform has announced the addition of two new tools, color and fade, to the in-app editing capabilities. These new tools build on Instagram's version 6.0 release last year which added a number of creative controls to fine-tune your images and eliminated the need for other photo editing apps for making basic adjustments.

If you haven't heard of the app Phhhoto you're certainly not alone. Phhhoto is a mobile GIF/cinemagraph/image sequence creating and sharing platform that was released last year on iOS and will be coming to Android in the future. As of this week it now has over a million registered users and is really starting to take the world by storm. I'll admit I didn't really take it seriously myself until I saw Jeremy Cowart post a couple Phhhotos. After having messed around with it for the last week I can honestly say it has me pretty excited. I'm on Phhhoto and here's why you should be too.

Last year Sigma made history when they released an 18-35mm zoom with a wicked-fast f/1.8 aperture. Up until then, the fastest wide-to-normal zoom you could get for your crop-sensor camera was something in the neighborhood of a 17-55mm f/2.8 (more than a full stop slower than the current offering from Sigma). In this video from The Camera Store TV, the new Sigma glass is tested against Nikon's fabulous f/1.8G wide-angle prime lineup.

Whether you're an intern about to work on set for the first time or a production veteran, acting well on set is the easiest way to move up in the world, learn more quickly and be asked back on more shoots. In this primer, we'll cover some simple do's and don'ts that should be able to get anyone through his or her first production.  

Everyone has an album or shoebox full of old family photos, some of which rock a wonky, Instagram-filter-gone-bad style color shift. In this brief tutorial from Creative Live and Matt Kloskowski you'll learn how to quickly correct for these changes and can restore the photo to looking like new.

Remember watching the trailer for "Fast and Furious 7" and chuckling to yourself about how unrealistic, improbable, and over-the-top it was to be air-dropping sports cars from a cargo aircraft thousands of feet above the ground? Me too. Just 24 hours after the release of the trailer, the filmmakers put out this featurette to prove us wrong.

Famed Magnum photographer Elliott Erwitt, known for his powerful black and white work and mastery of Bresson's "decisive moment," sits down with Gaia Squarci and Edoardo Mari for a rare brief interview. In it he discusses his immigration to NYC in 1939, his alter ego (André S. Solidor), and life as one of the most impactful photographers of the 20th century.

YouTubers The Slow Mo Guys have produced some really fun and lovely footage over the past couple years. Whether they're filming paint on a speaker, a fire breather, or firing a pistol underwater at 27,000 FPS, these guys know how to create some beautiful and beautifully hilarious videos. This time they've shot ink being dropped in water at 1,000 FPS, in luscious 4K, and have ended up with some pretty amazing results.

It's already been a couple weeks since Serif announced the release of the Affinity Photo beta. I, along with literally thousands of others, have downloaded the program and started putting it through its paces, trying to fit it into my own personal workflow. In this little first impressions review I'll focus on Affinity Photo as a raw converter, a basic retouching platform, and put it up against the big dogs: Affinity versus Lightroom, and Affinity versus Photoshop.

For many of us, the weekend is our time to work on personal projects, try new processes, and get creatively refreshed after a week of the 9 to 5. If you're in need of come creative inspiration, Apple's newest iPad Air ad featuring legendary film director Martin Scorsese has got you covered. I highly encourage you to spend a minute checking this one out.

Photographer, director, and writer Tyler Shields is known for his world class, oft avant garde, work. We've covered many of his previous over-the-top projects here on Fstoppers, including feeding a $100,000 purse to a crocodile, his Mouthful exhibit, and blowing up his Rolls Royce Silver Shadow — all in the name of art. Shields is at it again with his fine art series Sirens which blends the genres of landscape and nude in a beautifully surrealist way. In this video, Tyler takes you behind the scenes in a look at the creation of some of the Sirens images.

I'm not one prone to hyperbole. I don't easily get caught up in gear hype. However, I can whole-heartedly say that my decision to purchase and shoot with a little army of film point and shoot cameras early last year was easily the best decision I made for both my personal work and my own growth as a photographer. When I say that picking up a $20 camera will change your life and your photographs, I mean it – and other photographers agree!

Adobe has been king-of-the-hill when it comes to high-end photo editing for as long as I can remember. With the exception of programs like Gimp (I only know one working professional who uses this, for reasons beyond me) Photoshop is the undisputed industry standard. That may be a thing of the past if Affinity Photo has anything to say about it.

Travis Jensen is easily one of my favorite street photographers. He moved to San Francisco almost 20 years ago with a duffel, a skateboard, and a little cash, and has been beating the pavement ever since. In this video, Jensen talks about street photography, his method of shooting, what makes him tick as a photographer, and gives some advice to people trying to make a go of it themselves.

This month I posted an article asking how you would build a new photo kit from the ground up with only a thousand bucks. The responses were all awesome (if you haven't left one yourself be sure to check it out, I'd love to hear from you), but they had one thing in common: everyone bought used gear. Buying used equipment can be awesome, but unless you're in an area with a nice local camera shop, you're stuck ordering online. While eBay and Amazon were traditionally the go-to sites for picking up used equipment, recently a lot of photographers have turned to buy-and-sell groups on Facebook.

This week DigitalRev put up a video challenging Kai and Lok to build a decent photo kit from scratch for a thousand bucks. While $1,000 is a decent amount of coin for most people (certainly including myself), it wouldn't put too much of a dent in any pro's photo kit. Just two days ago, Michael Woloszynowicz posted an article showing off his fleet of awesome Broncolor lighting gear - a $20K setup! While I wouldn't care to start my own (small) kit over from scratch, I think it's a fun little mental experiment. Here's what I've come up with.

Accomplished Forth Worth, Texas-based wedding photographer, Hiram Trillo recently turned his attention to another craft, namely leather work. His newly-opened company, Trillo and Son, specializes in creating high-quality, pass-it-down-to-your-grandkid, small-batch camera straps designed with the working professional in mind. I had the opportunity to spend the better part of a month with a trio of these straps, a Warhol in cognac, a Bresson in natural leather, and a Capa in oak.