If you're old enough to remember what a VHS tape is, you probably remember the charm of all the visual artifacts that came with using an analog medium. This cool tutorial will show how to replicate that look for a quick blast from the past.
Cleveland, OH: A local shooter recently switched from Canon to Sony and was pleased to discover that he awoke the next morning as a master photographer.
This past June, the Grenfell Tower fire killed over 80 people in West London. Unfortunately, both civilians and police have been forced take measures to stop people from taking selfies at the site to preserve the privacy of and respect for those who lived there and/or perished in the fire.
Daniel Dean knew the total solar eclipse would be an incredible opportunity for him to capture something amazing. A few months prior to the eclipse, the idea of being able to photograph the celestial event became a blip on his radar after seeing in the news that the first solar eclipse crossing the U.S. since 1979 would be happening again in August. Here is the story of how this awesome time-lapse solar eclipse video came about and how it was made.
In August 2015, I quit all working commitments and took the leap in to full-time photographer. In March 2016, I wrote an article of advice about being a photographer I wish I'd known earlier after I began to scrutinize my performance under the new, professional microscope. Well, time has elapsed, shutters have shut over 100,000 times, and more things have been learned. My photography business has grown in this interim and I found myself thinking about this aforementioned article again. Here are seven of the most important things I have learnt about being a professional photographer that I wish I'd known earlier.
If you're looking to try out film for the first time, the veritable myriad of choices can be a smidgen overwhelming. This remarkably comprehensive guide will tell you everything you need to know about all the 35mm ISO 400 options on the market right now.
When it comes to homes and designs like this, they need to be shown in a way that makes them unique. Emile Rafael from Nowness is by far one of the best at showing these homes and giving us a brief overview of why they are designed in such a way. Over the past year or so, I have shot for several real estate agents, seen many homes, and have learned to appreciate different things about each and every one.
In case you aren't tired of looking at photos from Monday's incredible solar eclipse, I've put together another list. This time I tried to some find photos that maybe everyone hasn't already seen. The eclipse was not only a spectacular natural event with worldwide attention, it was also one of the most covered events via the photo community itself. Browsing the popular hashtags for the solar eclipse produced results from professionals, amateurs, hobbyists, families, and a ton of everyday people armed with nothing more than a capable cell phone excited to share what they had witnessed.
David DuChemin has become very well known for his so called “sermons” on vision. He has written books about it, including the beautifully crafted "VisionMongers." He is a champion of exploring art over exploring gear, and even his YouTube show uses his motto in its title, “Vision is Better.” In Episode 61, he goes into a common misconception about vision and style. Then he offers us a few tips on how we can get over our difficulties and find our own work.
Where did you watch the eclipse? I thought I had a pretty good view, standing on a 180-foot terrace overlooking a forest with the city skyline in the background. It turns out that was nothing compared to the view from the perspective of space.
EISA recently named the Sigma 135mm f/1.8 Art as the best DSLR lens for 2017-2018, and based on my experience with this lens, I have to agree. It is a fantastic lens and performs at a very high level, with incredible detail rendering capabilities and beautiful bokeh. For the longest time, the 135mm focal length had a little bit of a gap that really needed to be filled. Canon has their version, which although is a great performer, it just can't match the likes of the Zeiss 135mm f/2. However, due to having autofocus, many tend to choose the Canon version over the Zeiss. With the release of the Sigma version, it would seem that one may no longer need to compromise.
I think most photographers understand the desire to continuously acquire piece after piece of equipment. Looking back at my trip to Yellowstone, of course there are several lenses and at least one other camera body I wish I would have had for that trip. However, at the same time, I am pretty pleased with the images I was able to capture with the gear that I had while out exploring that beautiful place.
A little over a year ago, I came to a point of wanting to take the next step in growing my photography business. To me, opening a studio space made the most sense. The ability to have a dedicated place to work, meet clients, and sell prints out of, as well as wanting a way to make my business appear more legitimate, all factored in to why I believed a studio space was the next step. I recently finished up my first year of having a studio, and although it has been successful and definitely worth it, I wish I would have had a better idea of the costs you can forget about when budgeting for a space.
Lets face it, even days after the total eclipse over the United States, people are still completely enthralled by the celestial event. Hundreds of thousands took to the sky on August 21st, 2017 and witnessed the rare occasion, and of course many photographers took advantage of the day. We’ve seen some incredible images come out of the event (check out Top 10 Solar Eclipse Photos Found Around the Web).
If there is anything photographers can agree on, it’s that we are obsessed with quality. This is a good thing when dealing with business, clients, and even personal projects. How many times though has this caused a glitch in documenting your personal life? I can personally say that I’ve let this get the best of me.
I'm sure by now everyone reading this is familiar with the work of photographer and interviewer Brandon Stanton and his long-running project Humans of New York. His crisp, shallow depth of field portraits and poignant interviews have gained international attention since the project's start in 2010. For the last four years, Stanton has quietly been filming his interviews, saving the footage for "something special." Now, that special something has arrived, in the form of a video series which will premiere next week on Facebook's Watch platform.
If there is one type of photograph that you could call universally appreciated, I would say a properly executed cityscape ranks right up there at the top. While New York City often comes to mind when you think of skyscrapers and iconic views, Dubai in the United Arab Emirates now makes a very strong case for being the most amazing city to photograph in the world. Of all the photos coming out of Dubai on a regular basis, I'd say Daniel Cheong's are hands down the best of the best. He is ready to share his skills in an upcoming class on September 8 put on by 500px called "Shooting and Stitching Vertical Panoramas." Best of all, the class is free for 500px premium members.
Picture the scene: you’re at a party and end up chatting to a stranger. In amongst the friendly chitchat, your ears prick up as you realize this could be a potential photography client. But you don’t want to pull out the full sales pitch, you’re at a party after all. This is where having a premium business card can go to work for you.
NASA has a long history of sending cameras to space. Most notably, Hasselblad medium-format and Nikon SLRs and DSLRs have been NASA's go-tos for decades. But in a recent order that must be amongst the largest in its history for a single order of camera bodies, NASA just bought 53 Nikon D5 cameras worth over $340,000. What off Earth could NASA be doing with all those D5s?
If you touch my hair I will hurt you. In life, we take many chances. Like, riding our bike with no hands, getting minimum coverage on our car insurance and petting stingrays. However, for the chosen few who have the superpower of catching our eye with their beautiful hair, there is no chance to be taken. The following is meant only for a lighthearted fable for this Friday.
The new Nikon D850 is a monster of a camera, so much so that even this Canon shooter is longingly peering over the fence a bit. In a recent interview, the company revealed a bit more information about the soon-to-be-released camera.
When it comes to photographers, there seem to be those that dabble in a bit of everything and there are those that shoot one and only one genre. It's a difference of mindset and of perspective, but is either better than the other or does it boil down to a matter of preference? Is there a clear cut benefit for either stance? I'm a one-track mind type of guy and I'm here to tell you that it doesn't bother me one bit.
One of my biggest pet peeves is working with wedding videographers that treat their craft like it’s photography. In doing that, a lot of talented people sell their art form, and the art form of their peers, short. So what can you do to focus your videography and cinematography skills and make your wedding videos more refined? Think like a filmmaker.
Without a doubt, Lightroom is an extremely powerful editor. So much in fact, that I can edit an entire wedding without ever leaving the program. The main things I find myself doing that cause me to leave Lightroom and enter Photoshop are multiple exposures, liquefying, more advanced cloning and healing, and adding certain overlays. What Advanced Lightroom Effects from Lens Distortions does is make it so I no longer need Photoshop to add these overlays. It saves me time from switching back and forth between programs and having to create multiple copies of the same image.
I often think back to what it must've been like being a photographer before the birth of the Internet, the social media craze, and the hunt for likes, shares, and follows. Photography was less convoluted before the dawn of the digital age, with specialist magazines and museum and art gallery submissions showcasing only the cream of the crop. Browsing through old magazines and reading the articles, it's clear that the top-tier photographers stood out amongst the rest of the crowd for their raw skill in their art form. Their images meant something to many of those who took the time to stop and look at it for longer than two seconds.
Giving your portraits a cold, dramatic finish is a neat way to give them an alternate look that makes them stand out a bit. This helpful tutorial will show you how to take a standard portrait and transform it, and it does it using only Lightroom.
A good portfolio is never finished. Portfolios, books, albums, or websites, however a photographer's body of work is contained, it should be ever-evolving and developing even after a photographer has started working on professional projects. Any perception that a photographer can leave a portfolio static once work starts flowing in is a dangerous one. For a number of reasons, developing and improving is an on-going process.
As photographers, we’re often on the bleeding edge of technology, and these days, the bleeding edge often includes an app for that. However, manufacturers are increasingly relying on apps to control their hardware at the expense of dedicated physical controls — and it’s a practice that must stop.
When I first decided to try converting some of my photos to black and white, it seemed very hard to get good results. I would often rely on using the desaturate adjustment in Adobe Photoshop that I learned in high school 20 years ago. This makes for some very flat and gray looking images. From there I found better results by using tools like Photoshop actions and Nik Silver Efex. This method still lacks control a bit, and in my opinion anytime you have to leave Adobe Lightroom, your workflow speed is taking a hit. Once I learned to emulate the monochrome photos I was attracted to and impressed by, my work started getting better.