Breaking Into Photography When You’re Short on Cash

Breaking into photography can be daunting, especially if you don’t have a financial safety net. The reality is that gear, travel, and training can add up quickly, making it tough for those without the resources to get started. But is it still possible to build a career if you're not coming from a well-off background?

Coming to you from Scott Choucino with Tin House Studio, this straightforward video tackles the challenges of pursuing photography without financial support. Choucino speaks candidly about his own journey, highlighting how he didn’t come from money. His father was an immigrant who worked minimum wage jobs, and his family lived in modest, working-class conditions. Because of this, Choucino had to find creative ways to navigate the costs of getting started. For example, he learned on film with a Bronica because it was more affordable than buying a digital camera at the time. He gradually built up his gear by making smart purchases and borrowing equipment, showing that there are ways to grow your kit without breaking the bank.

Choucino also discusses how financial limitations impacted his career path. Unlike many, he never had the option to assist established photographers because he couldn’t afford to work for little or no pay. Instead, he jumped straight into shooting for clients, learning through experience and testing new skills on his own. While this may not be the ideal path for everyone, it forced him to develop his own style and approach. He mentions how his peers, who were able to do internships or assist top photographers, might have gained technical skills, but he feels his self-taught journey gave him a unique perspective that clients appreciate. It’s a reminder that not having conventional training doesn’t mean you can’t find success.

The video also brings up the contrasting experiences of those with financial privilege. Choucino acknowledges that some of his friends were able to assist top photographers in London because their families could cover living expenses. But he’s quick to point out that both routes have their own set of challenges. Just because someone has the means to do internships doesn’t guarantee success. According to Choucino, what matters more is how you leverage your situation, whether that means using limited resources to your advantage or taking full advantage of the opportunities privilege can offer.

Choucino’s advice emphasizes resilience. If you’re starting out and funds are tight, it’s crucial to find ways to make things work. For him, that meant taking on various gigs—weddings, family portraits, even the occasional unconventional shoot—to build his portfolio and fund the next step of his journey. He admits there’s no perfect formula, but his story shows that persistence and creativity can bridge many gaps. Even if you can’t afford the latest gear, finding ways to adapt and making the most of what you have can keep you moving forward. Check out the video above for the full rundown from Choucino.

Alex Cooke's picture

Alex Cooke is a Cleveland-based portrait, events, and landscape photographer. He holds an M.S. in Applied Mathematics and a doctorate in Music Composition. He is also an avid equestrian.

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I got bless to even be able to have my canon EOS 90D. Solid built weather sealed. After shooting with rebels leaning more I want an better edge. I got the Canon EOS 80D for the first time in my life it was amazing also but at some point I became a news journalist. The 1080p in the 80D we great. Then just like that they the 90D. It was a bittersweet feeling and happy thoughts that they up the maga pixies. 32.5 with 4k at 4.2.2. nooooo. It's hurt. My 80D won't be left behind. I had a 780 credit score and used on my Canon EOS 90D. New technology puts to mush A. I. inside. I love both cameras for the lack of A.I. meaning animal track, car tracking, human tracking. Then they changed video from 4k, 6k 8k, pro res raw C-log. Nope don't need none of it. My Canon EOS win and all mirrorsless cameras because of my battery life. 😂😂