Three More Things Capture One Can Do That Lightroom Can't: Luma Curve, Sessions, and Process Recipes

Three More Things Capture One Can Do That Lightroom Can't: Luma Curve, Sessions, and Process Recipes

This is the second in this series of posts highlighting some of the differentiators between Capture One and Lightroom. As with the first, if you’re reading this, the likelihood is that you are or were recently a Lightroom user and are curious about a better software solution with which to treat your images. "Better," of course, is somewhat subjective overall, but less so with specific features, and though that quest to find the best software is not necessarily an easy one, it is necessary. While you may change camera bodies, lenses, lights, locations, and styles, the one constant that touches all of your images is the software used to develop them. And though both are raw processors, Capture One and Lightroom are not the same in terms of feature set, general performance parameters, and approach - each with their particular strengths. 

Capture One is multifaceted image processing and asset management software. As a raw processor, it is considered the gold standard, but without using it and experiencing the software some of its unique qualities can sometimes be less obvious to see, and comparative articles are often bathed in ambiguity to be suggestive rather than declarative — enough that it makes delivering unequivocal statements a near impossibility. Here, however, we’ll be direct and quickly highlight a few things Capture One has/can do that Lightroom doesn’t/cannot.

I highly recommend you click here for a 30-day full trial of Capture One Pro so you can follow along — seeing is believing, after all.

Luminosity Curve 

This is a big one, and one of those features that can hook someone on Capture One just because of it. It is true, later versions of Lightroom have a degree of control with Luminosity, but Capture One’s are vastly more developed, more akin to Luminosity blending mode in Photoshop, and Lightroom does not have Luma Curve at all. So what is it?

It’s a curve tool that appears as all curve tools you’ve seen before, but rather than adjusting the RGB values all together or by channel, the Luma Curve tool adjustments only affect the luminosity values. In a concise statement, Luma Curve allows you to precisely control tones separately from color. 

This is significant because as you adjust the lightness and darkness values with curves or any other way, you are adjusting contrast, and contrast has a direct effect on hue and saturation. So as you use a standard Curve tool, you’ll be introducing shifts to the color and saturation, but with Luma Curve you’re only adjusting the contrast without changing color; so it's a matter of tones versus color.

There is, perhaps, no more obvious place to see this than when adjusting skin or color managed products, and so it’s common to find Capture One’s luminosity controls among the top favorite features of portrait, fashion, studio and wedding photographers who use Capture One. See the example below

Both processed images have precisely the same curve values applied, but one is using the RGB curve and the other the Luma Curve. As you can see, there is a significant difference in both hue and saturation with the RGB Curve, and correcting that takes time and effort.

Multiple Simultaneous Export

Capture One’s export options are incredibly vast, and it can be the source of some intimidation at first, but the benefit of having all those options is that there is so much that can be done with it. One such thing is its ability to export with multiple "Process Recipes."

For Lightroom users, it’s best to think of Process Recipes as Lightroom’s export presets, except with Capture One you can export multiple versions of your images simultaneously, and use metadata to generate subfolders. Here’s an example of how this would look in practice:
Once ready to export an image, you can set it to export a full PSD or TIFF file to store in your back-ups, as well as a reduced JPEG with metadata and watermark for publishing, and a version that is perfectly scaled for Instagram all at once. 

You can also set parameters for specific metadata – like camera model/body, lens model, keywords, subject – so that upon exporting Capture One will create sub-folders for each or all. If you like to keep organized and save time, this is a huge help. Click image below to enlarge and see the Process Recipes panel on the left.

Session Based Workflow

Most basic introductions to Capture One will list the significant differentiator between C1 and Lightroom by highlighting the interface and Sessions versus Catalogs, and for good reason. Think of them in terms of use-case scenarios wherein Lightroom you typically will use a Catalog for all your images, and Sessions are typically for a particular individual photo session. For example, maybe you have a catalog set up to cover an entire calendar year of weddings, a Session would be used to keep all the assets of one wedding in their own separate, safe, and organized world.

Sessions have been the default method of organizing since the start of C1 and remain the go-to workflow used by nearly all pro production, studio and commissioned photographers, and are a completely different way of organizing and managing images than catalogs. 

*Though if you want to go the catalog route as in Lightroom you can, of course, do that with Capture One also, and anyone who was told Capture One doesn’t work with catalogs hasn’t used it since Version 6, and we’re on 12 right now. Also, you can import sessions into C1 catalogs for hybrid workflows.

When you create a new Session, Capture One will automatically create a folder structure for you that will have the parent folder (name of your shoot, perhaps), and cascading from that will be folders for Capture (where all images are copied/imported into), Selects, Output, and Trash. And yes, you can create more folders in the structure to suit your needs, but this is the basics and tends to be most what you’ll need. You can see how the various folders are reflected in the application and your OS in the images above.

The benefits of sessions are plentiful, and we’ll explore all the ways they differ from catalogs in another post, but Sessions are easier and cleaner for organization, offer greater security in case of corruption of a drive, easily portable between computers, better image privacy, easier file management between teams, and offers simple adjustment backups. 

Conclusion

There are tons of varied and deeper ways Capture One is different than Lightroom. We'll address more in the near-future, but while I can list them off, there's no better way to understand the differences than using it.

If you don’t have Capture One, this is the perfect time to try it, and you can click here for a 30-day full trial of Capture One Pro, or, if you're a Fujifilm or Sony shooter, click here to download Capture One Express for free so you can follow along.

If you're looking for a quick and effective way to learn Capture One, check out The Complete Capture One Editing Guide.

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65 Comments

Previous comments

Sorry, but since you stopped using Lightroom 5 years ago and was using an old version then, how are you in a position to say they "sat on their ass"? You haven't used it.

I have C1 and not Lightroom as of last year, but when I see these articles I have to roll my eyes. How many users of the new Lightroom version are not also using Photoshop as well given the photographer bundle pricing? Compare apples to apples - C1vs LR/PS.

Black Z Eddie .'s picture

--"Sorry, but since you stopped using Lightroom 5 years ago and was using an old version then, how are you in a position to say they "sat on their ass"? You haven't used it."

Because I'm constantly seeing the complaints people have. Some spend as much as $5K and are still frustrated. I think it was this year supposedly LR finally uses the GPU to help with the speed. How much faster it is I dunno. Don't care at this point.

In contrast, how often do you hear about people complaining about C1's speed? Yeah, didn't think so.

CO is sooo slow! Really. If you have some hundret images in your catalog (and I don't store them in the catalog directly) it last some minutes until all metadata are loaded and all previews are done. Maybe it's all about using xmp files between LR and CO. But importing some hundret images in LR is also so much faster than importing in CO. It's just a fact!

Johnny Rico's picture

Used to do the same in LR way back when for individual events. It's alot more fluid in C1.

Rob Mitchell's picture

Not missed those things.

Next.

Lee Christiansen's picture

I used LR for years, and was always hesitant about making any sort of switch. Initially it was the quality of images I could more easily achieve - C-1 just offered better pictures more easily...

But alas back in the days of vs 8, C-1 was quite lacking in its feature set.

But at last things have caught up with the addition of radial masks, (great for events and wedding work), and the wonderful luma adjustment, (great in particular for e-commerce product work against white).

The article mentions the benefits of luminosity curve adjustment, and it can't be overstated. Colours stay the same when I make curve adjustments in a way they don't with LR. Indeed, I almost always change the blend mode to luminosity for curve adjustments in PS.

With respect to the curves in C-1, one extra feature that is very useful is the 5-point option. It more easily allows adjustment to highlights / shadows / mids, but seems to keep the curve line straighter where no adjusted... very nice and speedy.

Sessions are of course a matter of taste - but I use both sessions and catalogue. Self contained sessions are great when tethering, (which is soooo much better than LR both for speed and in that C-1 allows the option of following adjustments to the next capture with ease). Importing a session is easy, as is then transferring the images to the catalogue.

Where LR is still better is where I can view all images in a group of nested folders, where C-1 only allows me to view a single folder.

I'll say that I do find C-1's tech support nice and speedy - albeit only via emails.

There will always be the two camps, but C-1 has come of age. I could never go back.

Hi Lee. I shoot e-commerce on white quote a bit. Curious to know how you use the Luma curve in your workflow. Do you mind elaborating a bit?

CP1 is nice, but I'll stick with LR. At least you guys have an alternative now and we don't have to continually hear about how Adobe is ripping you guys off.

Paul Lindqvist's picture

Sessions and tethering are alone worth it. 👍

C Fisher's picture

Nobody has ever compared products before. Nope, no company ever has done that. They never had to make advertising laws about badmouthing a competitors products in ads.

In case you don't notice the small type at the top of the post:

"This is the second in this series of (SPONSORED) posts"

Not necessarily bad, but a bit misleading by not mentioning it in the post.

C Fisher's picture

It's the same size font as everything else on my phone lol

Not sure what exactly sponsored means in this context, is Capture One paying Fstoppers to run an advertisement disguised as editorial content as that is exactly what it feels like to me.

Johnny Rico's picture

Thats exactly what it means. This article was fairly blande though. If you check out a bunch of the industry leaders have decent blog/editorial articles. As long as you know where the bias may be coming from it's not really an issue.

Yes that is what I suspected, while the disclaimer probably meets the requirements, it still feels shady to me

I disagree. Even though the article was sponsored by Capture One (as stated) it was still full of useful, true info and it helps me decide whether to keep Lightroom or not. And it was well written, which I appreciate greatly.

Bought C1 now twice and both times went back to LR. Maybe there are workflow benefits to some. I saw zero improvements to image quality/processing in C1 over LR despite a lot of claims to the contrary.

Koketso Resane's picture

I find C1 to process Sony's ARW files better than Adobe LR / PS / CR.
But for a dual-system shooter like myself, Lightroom is still king.

Buying software is not enough, you also need to use it.

JJ Casas's picture

I’m probably part of a very small user base who still uses the (old) Pentax 645Z and wished to tether. I’ve heard good things with C1 but unfortunately it doesn’t play nice with 645Z in favor of their own medium format cameras. For now, will be using LR despite it being very slow via the watched folder method.

There's been a Pentax / Lightroom plugin for tethering with the 645z for a while now. You can download it from the Pentax site - works great.

Still haven't mentioned Luminosity based Masking. If you ever dodge or burn this feature is massive once you learn how it works in C1. I like it far better than the Photoshop plug-in way I was doing it before the latest C1 upgrade. It is even better when combined with hue based layer masks.

Luke Adams's picture

(responding in a pouty voice to those bashing this article) "But, but, but . . . C1 is considered to be the GOLD standard among raw processors!"

Kirk Darling's picture

I don't yet see a failure in the single thing that drove me to Adobe back when CS had no number.

Support. There has never been a question or problem I've ever had about Photoshop for which I couldn't find a solution within minutes, day or night. There are a number of equally good editors out there, but my time is worth money, and the support (official and unofficial) available for Photoshop has been worth far more to me than the cost of the subscription.

When some other editor has people like Unmesh Dinda (Piximperfect) teaching me things I didn't even know I needed ("What? I can do that? Dang!") then I'll think about other editors.

Stuart Carver's picture

I’ve got an idea, just use whatever you like.

Bob Carlin's picture

I'm a big LR user, but I did try C1. I liked some of its photo editing capabilities quite a lot. However, it's handling of metadata is, quite simply, awful. I tried all sorts of things to see if I could work within it's limitations, but I could not. Maybe if/when this is... I was gonna say "improved"... but "works" is probably more accurate... I'll give it another go.

DAVID STEIN's picture

C1Pro/Sony user: I think C1 knows most of its' user base is pushing for a more robust (Lr/PS) total app. and I think they are moving towards that. I did a lot of research before moving to C1. I expect the user base to grow exponentially as it becomes a more "total" application. C1 team, we are keeping our fingers crossed... Kudos and onward to a total package product. Thank you Kishore for bringing these tips to Fstoppers! I'd like to see more. As far as the naysayers - evidently they are reading these tips too!!

DAVID STEIN's picture

PS: I like the picture at top of article...G lens vs. GMaster...

In LR you also can export with multiple profiles simultaneously.

jean pierre (pete) guaron's picture

Lightroom's panorama function is hopeless in comparison with Affinity Photo's, too. Dunno if it's just a difference between their cloud version and LR6 - couldn't care less if it is, since I've already decided never to consider their cloud versions anyway. But the pano function in LR and PS is much the same, way too complicated to get your shots into it, and collapses if there are more than half a dozen large MPO shots to process. Even if it does work, it's painfully slow.
Each to their own - I noticed David Pavlich's comments, for example - and I still do use LR for some things - but over time, I use it increasingly less and less, because there are far better programs out there.

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