If you're like me, a computer that isn't snappy and intuitive is extremely annoying to you. For those of us that spend hours each day using them for work, changing a few small settings and knowing the right shortcuts can really add up, both in time saved and user experience. Phlearn is here with a great video to get your Mac running correctly.
Time-lapse photography has quickly become one of the most popular forms of creative expression in the past year. A ton of expensive gear and advanced methods exist to produce cinema quality videos like the opening sequence in "House of Cards," but this shouldn’t deter you from getting out and trying it on your own.
Creative Cloud has become a staple of nearly any photographer's workflow. The version of Creative Cloud designed specifically for photographers is a sensational deal in itself, offering access to both Lightroom and Photoshop for only $9.99 per month. Today you have an opportunity to drop a quarter off that price bringing it down to an impressive $7.50 per month. B&H Photo is offering a 25% discount on an Adobe Creative Cloud for Photographers one year subscription. Act immediately to take advantage of a great offer that expires at 11pm PST on December 1st, 2016.
SLR Lounge creates some incredible educational photography content. For the next few days, they're offering a big discount on every product in their store. Between Black Friday and Cyber Monday, every single product in the SLR Lounge store is 30% off. Check out their incredible deals and find which tutorial you'd like to buy HERE.
I have had the blessing and curse of having too many photos to edit in the past few months. I've had plenty of opportunities to improve my work with the high frequency of shoots, but it's caused me to feel buried. During a typical shoot, I'll take between 250-400 photos. With each light setup, I'll take a few shots to ensure it's just how I want it, then I'll start directing my model. I strive for 3-4 solid shots per setup, one of which will end up being the final image. Both myself and my hard drives are feeling the pressure. In order to make sure that everyone gets their photos in a reasonable timeframe, I've adopted a new workflow for my editing.
I know that all of the iPhone 7 hype is on the portrait mode and DNG file capture that the new camera has, but I was particularly interested in another aspect of iOS's photo capability. Having been stuck on a Nexus 6 for the past year and a half, I missed out on a lot of the new tricks that the iPhones were offering. Specifically, Lightroom Mobile's new raw file support, giving it similar editing capability as the desktop version of Lightroom.
Image processing has always had very specific tools for very specific jobs. You have your raw processor for the basic editing of images, but for things such as layers and cloning, you had to jump to Photoshop. Then we have software such as Nik, On1, and Alien Skin that can be used for creative effects, film simulations, etc. But the new On1 raw processor is looking to combine all these elements into a single platform with no need to jump from program to program.
Lightroom is sometimes underutilized during post-production and IPS (in-person sales) during a boudoir reveal. Here are some tricks to increase the speed of your IPS sessions in order to move fluidly through the sales process and increase the number of clients who upgrade to your next collection.
Our images are growing fat — so fat that the software we like to work with isn't able to cope with their file sizes. But along comes Sean Bagshaw with a great tutorial on how you can save files that exceed 4 GB in Photoshop that still retain editing capabilities in Lightroom and Bridge.
Today, Adobe has announced the public beta of the Adobe Stock Contributor Site. Meant to integrate deeply with its Creative Cloud platform, the new service allows photographers, videographers, and illustrators to directly upload and sell their work with a high degree of efficiency and automation.
There's something absolutely wonderful about holding a piece of film fresh out of processing. The feeling of accomplishment, that indescribable rush of holding something you created in your fingers makes the difficulty of dealing with the medium worthwhile. However, once you're done processing the film, the next phase begins. Scanning can be, to put it lightly, a royal pain. From dust-spotting to tweaking color and levels, there are challenges that must be addressed. This is how I do it!