Portrait photography is very diverse. While some enjoy the comfort of studio portraits and the flexibility it brings, others prefer the variety of backdrops the outdoors provides. While it is totally realistic to create all kinds of weather moods in the studio, it often involves a bigger budget, whereas one can achieve similar results for free by relying on the weather forecast and proper equipment choices.
Sharing your images on the web from point A to point B, in this case, from your desktop to Instagram, can be quite a hassle. You have to make a separate folder in your Dropbox, email it, or send it to yourself (there are a variety of ways), and clog up a bunch of storage on your phone. Yes, I know there several back door methods that have been discussed prior on this issue, and while Instagram has not yet made a plunge into the desktop world, we'll have to make do until then. But in the mean time, I came across this super user-friendly, free Lightroom plug-in that solidifies a solution!
When starting out in photography, one of the first things we hear about is the rule of thirds. We then venture out into the world, lining up our subjects onto imaginary intersecting lines. When we get home, we open our images into Lightroom and find that the crop tool is already set up to help us maintain this rule. But as we advance in our photography careers, we start to find that there are a lot more ways to compose an image. Luckily for us, there is a somewhat hidden option to change the overlay of the crop tool within Lightroom.
Adobe has launched their latest update to Lightroom and Photoshop in the 2015.1 update. In the Adobe Camera Raw module and Lightroom, they have developed a new feature that is something photographers in the travel, architecture, and cityscape photography industry will really find useful. It can actually change some of your old previously unusable images into great images.
Freckles are in. As more and more brands and publications start opting to hire models with realistic “imperfections,” we’re bound to see more and more ads with speckled skin. Score one for realistic expectations! However, lighting freckles isn't easy, as most broad light sources will flatten the tone in the skin. Here’s a quick tutorial on how to bring back and enhance freckles in Adobe Lightroom.
Adobe Lightroom was a game changer for me when it was introduced. I used to spend hours in Photoshop tweaking this and that, creating actions to batch a set of images I had shot, and output different resolutions from the giant PSD files I was working in. Lightroom gave me 90 percent of the control I use in PS anyway, and allowed me to do it quickly, easily, and without an ever-growing collection of PSD files. I was in love.
Peter Stewart is an internationally published photographer that specialized in travel and fine art photography. To understand how to take awesome scenery photos, you must know the three basic qualities of light: intensity, direction, and color. Check out how a master does his work.
SLR Lounge founding partner, photographer, and retoucher, Pye Jirsa, walks us through a quick Lightroom tutorial on how to adjust a photo that has mixed light. How many times have you taken a group shot only to find one or two of your subjects were poorly lit because they were too far from the source light, hidden behind another subject, or from using multiple ambient light sources?
This is a pet peeve of mine, so I am going to thank you in advance for indulging me. There seems to be a rampant misunderstanding in certain levels of the photo community as to what editing presets are, and what they actually accomplish. I (like many of you I would assume) am a member of various photo-centric groups on Facebook. In particular, I am a member of groups for people who have purchased Lightroom and ACR preset packs from a variety of creators. Almost daily I see posts in these groups that go something like this: "I thought my photos were beyond hope, but then I applied "WHIMSICAL PRESET NAME" and they were saved! These presets are amazing!!!1!111!!!" Sound familiar?
In the comments section of my last article, I remarked that "I always liked the rendering of X-Trans files on C1 more than Lightroom anyway, so maybe this is just the reason I need to make the switch back." A longtime contributor to the comments, Pete Miller, asked if that was indeed the case. Good question! Let's find out if the reputation Lightroom has gained for inferior Fuji X-Trans processing is still warranted.
With the wedding season right around the corner, it is time to find a solution to improve last year’s workflow. Most event photographers complain about the same thing: culling. It can quickly become a very time-consuming task, and it is far from being the most interesting part of the job. Although, there are a few ways to help speed up the process while retaining a solid quality control.
I am sure we have all had those days where you stare at an image and just start moving sliders up and down to see what they do. What happens if I take this slider all the way up and this slider all the way down? For the most part, the results are entertaining, but not really aesthetically pleasing. But every once in a while, you can stumble onto something pretty awesome.
Imagine yourself under a starry night sky. Wouldn’t it be great to capture the Milky Way to show it at home or on the web? Unfortunately, you are left with a black frame after you’ve pointed the camera upwards at settings you are used to. It's time to open up the aperture, lengthen the exposure, and bump up the ISO. You will introduce noise, but do you really care? Aren’t there tools out there to reduce noise but still keep the detail?
Nik software is one of the heavy hitters in the Lightroom and Photoshop plugin world. They are so big that in 2012, the company was bought up by Google. After Google's acquisition, they lowered the price for all the desktop plugins and made their mobile app (Snapseed) free of charge. Now, four years later, Google has decided to bring their desktop plugins into line with their mobile application by making all of them free.
I’m a big fan of getting images right in camera, and it's something that strive to do. I think there is something to be said for the skill that it takes, especially when shooting an event like a wedding. Getting the perfect light, the perfect composition, and the perfect moment while dealing with all the different variables of the day is quite a feat. The main image I’m going to be talking about today, though, does not fit into this category, but it still manages to be one of my favorite and most "liked” images.