How do you move beyond using someone else's actions and presets to tone your images? It’s a lot simpler than you’d think. There are so many different ways to achieve similar results in post-production, and having so many options can be extremely intimidating when you’re just learning how to edit. This is the reason that many photographers will rely on actions and presets to “color grade” and tone their images when they are first starting off.
Matt Kloskowski from onOne has released another great Lightroom tip video that can help with recovering shadows from your images. In some situations, you might need to recover more out of the shadows than you originally intended when taking the photo. Basically, by reverting the Lightroom Process Version to 2010 or earlier you can tap into some recovery options that could make all the difference to your image.
Expert night sky photographer Ian Norman has created an easy-to-follow video guide on how to photograph and process images of the beautiful constellation Orion. Starting tonight using any camera and a standard prime lens, you too can get amazing results by following this tutorial.
It's amazing how adding just a little bit of shadows can drastically improve the depth of your photographs. Contouring faces is a little trick that can take a few minutes to do, but ultimately increases the overall image quality. I'm going to show you how to use the adjustment brush tool in Lightroom to act similar to the dodging tool in Photoshop, and then the key areas to brush for properly contouring a face.
It’s the middle of winter; everyone is looking a little pasty and pale, and you wish the subjects you are photographing had that healthy summer glow. So what do you do? Should you send them to a solarium or get a chemical spray? If you are a fan of black and white photography, this is a fantastic Lightroom technique that will give your subject a natural looking suntan.
One of the most noticeable differences between portraits taken outside using natural light as opposed to artificial light is the background. Images using artificial light tend to have darker backgrounds. This is crucial in catching the eye of the viewer and allows him or her to focus on the subject. This article is a guide in achieving this look using natural light only.
Photographers around this time of the year, portrait and wedding photographers especially, tend to have clients banging down their doors for holiday photos and other must have product deliveries in time for Christmas. While the rest of the world is gearing up for a relaxing holiday, we often experience anything but. From Christmas cards to wedding albums — regardless of the client's procrastination all year — we're expected to produce our work in record time.
I feel like I'm constantly hearing about new shortcuts in Lightroom that make my workflow increasingly painless. This is one that's been around for a while, but you have probably never used it. This short video is an easy to follow tutorial from photographer Matt Kosklowski about an exposure feature that will surely speed up your editing process.
Everyone has heard the saying, "The eyes are the window to the soul." There is a lot of truth to this when it comes to photographs. The first thing many of us look at when we see an image are the eyes of the subject. In this article I'm going to teach you how to enhance eyes using the brush tool in Lightroom.
The guys at Phlearn have done it again. This time they present us with a set of actions that will speed up your workflow and show you that Photoshop is nothing to be afraid of. The #phlearnmethod will allow you to transform your images in a few clicks, adding unique, themed-styles.
For years I found myself making excuses as to why I wasn't creating the type of images that I so desperately wanted to make. I didn't have the gear, I didn't have a model, I didn't have access to a studio. At the end of the day, it came down to one simple thing, I never tried.
It seems as if the film edit is getting more popular every day. A lot of beginner photographers out there will do anything to achieve this look. The easiest way to do that is to buy presets but I want to show you how to create the look yourself. I believe once you understand how to create the look yourself you can begin to find your own style. I know too many photographers that take an image, slap a preset on it, and call it good. All the editing on these images was done in Lightroom 5.
What's up everyone! My name is Pye and I am one of the educators for FStoppers Bahamas! This is my first article here on FStoppers, and I am really proud to be a part of such a great community of photographers. We all know dodging/burning is a fantastic tool when it comes to retouching. But maybe a less common usage, it is also a fantastic tool to enhance muscle definition. Since most of the time we think of Photoshop when we think of dodging/burning and retouch, we are going to stick within Lightroom just to illustrate how powerful and efficient the Adjustment Brush tool can really be.
I’m a big proponent of outsourcing editing in my NJ Wedding Photography business. There’s probably nothing more painful to me than the thought of trudging through 800-1000 images from each wedding I photograph. However, when it comes to my favorite few images from each job, the ones that I’ll share on social media or use to update my website, I take a dive into Lightroom and Photoshop and enjoy every second of it.
At the most basic level, photographers seem to be in two camps when it comes to image file types. There are those who care about the look of their images and shoot with big RAW files and those who don’t and use the smaller JPEG files.
RAW files offer a tremendous level of control over noise, tonality and color; a hearty file that can cope with the demands of our creativity.
