Lightroom

In this valuable tutorial Glyn Dewis takes a quick snapshot and shows you how to pull detail from highlights and shadows to make it a beautiful image. Dewis mentions some great workflow tips and tricks in Adobe Lightroom as well as how to bring your image over, non destructively, to Photoshop camera raw.

Back in 2004 I was given the Nikon D100 digital camera for Christmas and I started making money with the camera within a few months. I fell into wedding photography and within 2 years I was making almost 100% of my income shooting them. In the last 10 years I never learned how to process a RAW file (effectively) or use Lightroom until last week.

Watch this video where Glyn Dewis talks about his method to shoot landscapes, and his use of various techniques to develop the image in Lightroom with some fine tuning in Photoshop.

Late last month, Adobe released updates to their Creative Cloud applications and one interesting discovery was recently made pertaining to Lightroom. As The DAM Book reported, Lightroom continues to partly function even after subscription to the Creative Cloud ends. Adobe has now officially released a statement making it clear exactly what happens to a user's photographs post-membership.

Curves are by far, the most powerful and versatile color and tone manipulator in Photoshop. Many photographers like Erik Almas & Brooke Shaden swear by it, and is a major part of their workflow. Curves can be very intimidating at first, but once you truly understand how to use them, they will substitute the sliders of Brightness/Contrast, Color Balance, Shadow/Highlights etc. that you are used to.

A few weeks ago, I had the pleasure of testing out the Phase One IQ250, and so I thought I would put together a practical write up of my time spent the Phase One IQ250 Camera System, the Capture One software, and whether or not either one has found a permanent place in my workflow.

It was something I’d been thinking about for a while. Casually admiring others and how they went about it so naturally. Watching from afar, admiring the differences between them and me and wondering if there every was going to be a day when I was comfortable enough to do it myself. The more I watched, the more interested I became. Soon, I began visiting websites, looking at the photos and day dreaming what it would be like when I had the nerve to do it myself.

There's something special about taking a picture on film. That said, film also lent itself to a lot of error: a botched exposure, missed focus and light leaks could all serve to ruin an otherwise lovely image. There are few things more frustrating then getting a roll back from the lab with an error note on the envelope. Occasionally the results were a novelty, perhaps adding interest to an otherwise boring image but all too often light leak was nothing but a bother. So why would anyone want to replicate it in Lightroom?

It has happened to all of us a million times: After wrapping up a creative photo shoot and go through some of the images in post, we typically find a few photos in there that are "meh" at best and you most likely pass over or discard. Well, photographer and retoucher Glyn Dewis once again shares an awesome Photoshop / Lightroom tutorial on how he turned one of his throwaway photos into a killer shot. Check out the final image and information below.

The folks over at creativeLIVE are broadcasting an entire week of photoshop classes. Classes kicked off Monday, February 24 and will continue to stream LIVE for free until Friday, February 28th. This week covers a broad spectrum of things available to photographers in Lightroom and Photoshop such as workflow, digital file management, local and global adjustments, photo restoration, selections, and my personal favorite, advanced beauty retouching.