A few weeks ago, Capture One released a version specifically tailored for large studios and businesses. While some could have thought the Danish company was moving all its efforts towards this market, it's actually far from the truth! It was just a step to carry the needs of all professionals.
The creators of JPEGmini, the popular photo-resizing application and plug-in for Lightroom and Photoshop, have announced that the plug-in is now available for Capture One as well. This brings the remarkable compression features of JPEGmini directly into the application, making it easier and more efficient for photographers using Capture One to create images at vastly reduced sizes.
Capture One is known as a serious tool for serious photographers, and there is no doubt that you can get some serious results by taking the time to dig in and master its myriad of features. One great way to utilize C1 is to take advantage of its black and white conversion engine to generate some truly stunning images.
This is the second in this series of posts highlighting some of the differentiators between Capture One and Lightroom. As with the first, if you’re reading this, the likelihood is that you are or were recently a Lightroom user and are curious about a better software solution with which to treat your images.
Capture One is one of those programs that, once learned, is hard to do without, but due to the common experience of learning post-processing software within an Adobe ecosystem, anything different like Capture One can appear less intuitive or more challenging, even if it isn’t.
If you’re reading this, the likelihood is that you are currently or were recently a Lightroom user and are looking for better software with which to treat your images. That quest to find the best software is not necessarily an easy one, but it is necessary. While you may change camera bodies, lenses, lights, locations, and styles, the one constant that touches all of your images is the software used to develop them.
One of the most important steps of the editing process when it comes both to making your images look professional and adding a touch of personal style is color grading. This excellent video tutorial will show you how to complete the process on two different images using Capture One.
There aren’t many things photographers unanimously agree on, but the desire to improve post-processing results and reduce the time required to do it is one. With so much of a photographer’s time spent behind a computer, anything that not only expedites but enhances the experience is welcomed with open arms, and using a Wacom pen tablet is one such thing. For Capture One, using a Wacom Tablet can be a real boon, and here’s how.
When you see portraits of people in exotic locations, do you think they are actually shot on location? Or do you think the background has been composited in using Photoshop? In this article, see how Lindsay Adler created these on-location portraits in a forest without leaving the comfort of her studio.
It’s amazing what mid or entry-level hardware can deliver when you pair it with great software. The best software will be able to make up for some of the weaknesses and exploit every ounce of its strengths – ideally with relative ease. That's what we'll see here with Capture One's Luma Range tool.
Making the switch to Capture One from Lightroom is easier and quicker than you think. There’s this perception that given the two pieces of software are from different companies, moving your Lightroom catalogs to Capture One is some arduous and protracted process, that you’ll have to start from scratch with all your images, re-edit, re-rate, and create whole new folder structures. But that perception is not reality.