If you’re reading this, the likelihood is that you’re looking for better software to treat your images. The quest to find the best photo editing software is not necessarily an easy one, but it is a necessary one. While you may change camera bodies, lenses, lights, locations, and styles, the one constant that touches all your images is the software used to develop them.
If you’re not a fan of Adobe’s subscription plans or find that editing your photos isn’t quite as quick as you’d like, you might want to consider checking out Capture One. Here are five reasons to make the move and five more reasons to stick with Lightroom.
When it comes to organizing and editing your images, there are two behemoths in the industry: Lightroom and Capture One. They are very distinct applications, and you may find you prefer one over the other. If you are wondering which one is right for your work, be sure to check out this great video that highlights their biggest differences and the pros and cons of each application.
Conceiving of, lighting, and shooting a beauty image is a ton of work, but it is only half of what it takes to finish things off. Strong post-processing skills are needed to create a fully polished beauty image, and this excellent video tutorial will show you what you need to know to process a natural light beauty shot.
Looking to give Capture One a try but just find it confusing? It can be a bit difficult when you first open it up, especially if you are accustomed to another image-processing program. Change can be tricky at first, and here's a video to help you get started.
I shoot solely raw. However, I know some tremendous photographers whose cameras are set to record just JPEGs, and they will never change. I am envious because they spend less time in front of the computer. Shooting raw is worth learning, but maybe there's also a good reason to shun it.
We're being treated to another short-form behind the scenes tutorial from Nathan Elson. This time, Elson is taking us into the studio to show us his techniques for using a single light to create soft even light across a subject.
Nathan Elson is back with another installment of his How I Got the Shot. As always, it's the little details he shares about his process that makes tuning in so valuable.
Today, Capture One has released their latest update to the professional-level photo editor. Other than the new dehaze tool, the main improvements in Capture One 21 will take a little more explaining to make sense so let’s dive in.
Lightroom has enjoyed dominance in its area for over a decade and has been the go-to raw processor and catalog tool for many photographers. However, rivals have been creeping up and improving gradually, with Capture One 20 now being considered by many to be better in some regards.
No matter how good digital cameras get, there's always a group that loves the style and familiarity of how film photography looks. Now, Capture One launches their latest style pack to emulate those old rolls of film.
Mac users with a need to migrate image catalogs to another hosting app have found that process difficult to impossible. Help is here, in the form of a new app called Avalanche Unlimited from CYME Software. The app can deal with migration from Apple Aperture, Adobe Lightroom, Luminar 4, Capture One, and Apple Photos. The latter two are coming soon as a free update.
Capture One is already quite a powerful tool for working with portraits (and is used by a lot of top professionals), and the latest version brings a variety of useful new features. This great video will show you how to retouch portraits using Capture One 20.
Capture One 20 recently gained some powerful and useful new features that will make the workflow of a lot of photographers more efficient and make it easier to accomplish more. This great video takes a look at the new features and what you can accomplish with them.
Capture One is rolling out a noteworthy free update today that greatly improves the photo editing software’s healing and cloning brush tools, plus adds another long-requested feature.
If you enjoyed Nathan Elson's last short-from tutorial in his How I Got The Shot series, you're going to love this one. Moody with just the right hints of drama.
Retouching is crucial to the process of creating a successful portrait. If that is something you would like to learn more about, this fantastic video tutorial will show you the process of retouching a portrait in Capture One.
We're certainly seeing an upsurge in behind the scenes tutorials. If you're looking for some great insight, look no further. I've talked about Nathan Elson's tutorials before, and I maintain that his series really stands out.
Capture One is multifaceted image processing and asset management software. As a raw processor, it is considered the gold standard, supporting over 500+ cameras, and with it comes a uniquely powerful tool-set for developing, color grading, and tethering. But that is just the tip of the technological iceberg that is Capture One. With a focus on user experience, its mountain of capability and complexity is hidden under a veneer of simplicity so as to make working with your images fast, focused, and easy. What we'll address today should help in understanding how the software works and how to bend it to your liking, hopefully resulting in an even better experience.
Capture One is a great tool for processing raw files, but it lacks one key feature found in Adobe's Camera Raw: the ability to export files as Smart Objects. While that feature seems a way off, there is a cool workaround hack that lets you come close.
Ever wanted to correct a mistake with your exposure or try a cool post-processing technique, only to find that the results weren’t all that you’d hoped? Image data may have inadvertently been lost in your workflow. These five steps can help ensure you have the best chance for technical greatness!
On the road today, but got a bit of news that should make fellow Capture One and Fuji users quite happy.
As a commercial photographer who tethers at every shoot, I’ve always relied on Tether Tools cords as part of my workflow. So, I was excited to hear that they had launched a wireless offering and wanted to put the new Air Direct through the paces.
Today, we're going to discuss how dodging and burning can improve your photos and show you how easy it is in Capture One 20.
Choosing the software to suit your specific needs is not an easy decision for most. A quick search of internet forums will introduce you to zealots from all sides who will tear down anyone who doesn’t use their chosen software. It’s unhelpful at best. As someone who has played for both sides over the past few years, I’ve had a good look into both Capture One and Lightroom. Today, we’re going to look at five reasons why Capture One is simply better than Lightroom. Next week, we’ll do the opposite.
We all know that Lightroom has its ever-growing list of issues. Yet for IT-illiterate folk like myself, the change can be daunting. However, my move to C1 is perhaps the best thing I have done in 2019.
There are plenty of things about Lightroom that bug me and despite being a hardened user of more than 6 years, I thought it was about time give something else a go. The newly updated Capture One caught my attention and opened my eyes.
Capture One 20, the newest version of the photo editing and organization software, has released today. Adopting a new, year-based naming convention, Capture One 20 boasts a number of improved features from Capture One 12, centering around refining the user experience.
If you're looking for a raw processor that does more and are not currently using Capture One, it's likely that in your quest for a solution, Capture One has crossed your mind. Making the switch to Capture One from Lightroom, for example, is easier and quicker than you think, and right now, with Capture One's Black Friday sale, it's the perfect time to buy.
The landscape of the portrait photographer has certainly been in flux over the last decade, in which time we’ve seen photos of people go from unreal alabaster-like skin to something much more real, color grading become prominent, and image resolution grow, even though the consumption of images has moved largely to smaller screens.
