Underwater photography is becoming more popular as technology progresses. The use of an underwater housing dates back to the mid-1800s when William Thompson was utilizing a watertight box over his camera to photograph seaweed near Weymouth, England. Since then, underwater photographs have become an incredible way to explore and understand the life under the surface.
Underwater housing manufacturer, Nauticam, has introduced an underwater housing for the lightweight and compact Sony RX100 VI.
Photography is not only a creative outlet for the photographer, but it also can provide healing to your clients. Most boudoir sessions are sought after in order to gain confidence, many family sessions are there to capture generations for preservation, and even underwater sessions can provide a healing to clients who are in need of the surreal emotions that come with being submerged.
As if you didn't already have enough competition as a photographer it now seems the animal kingdom is trying to get a piece of our pie. In New Zealand there is an Octopus named Rambo, trained and equipped by Sony, to do your job. World, meet the first Octographer.
There are moments when you browse the web and come across photos that make you stop and think. The surreal and captivating "Underwater Realm" project of Anuar Patjane Floriuk does exactly that.
The first episode of "Blue Planet II" was aired in the U.K. this week to critical acclaim, showcasing some of the most remarkable camerawork ever seen on the seas, and even giving us a behind-the-scenes look at the huge efforts undergone in capturing this international TV event.
His photographic journey developed much the same as most photographers, a slow burn of learning and exploration, but his destination has turned out to be anything but typical.
Freelance videomaker and visual artist Julianna Thomas did something unique recently: she shot an entire series of black and white subjects, but in color. As a response to one of her greatest pet peeves, Thomas created "Black & White In Color" as a "personal response to treating black and white as an editing afterthought."
Keith Ellenbogen is an underwater photographer whose work centers on marine conservation, while Allan Adams is a theoretical physicist whose work revolves around fluid dynamics inside black holes. When they met at a party in 2013, they realized they could combine their talents to produce gorgeous video of some of nature's most interesting marine life.
Underwater housings are infamous for being just about as expensive as the body they’re meant to house. They do an important job — that is, they keep your camera from complete ruin in the water, and they do it reliably (what other way is there when it comes to oceanic saltwater?). Nevertheless, those wanting an option that stings the wallet a bit less will be happy to hear about the Aquatech Base Underwater Sport housing. What better place to test this new, low-cost alternative than in Hawaii?
Trying to choose the right underwater housing can be overwhelming. Depending on the camera body you have, an underwater housing can easily be double what the camera cost. How can you be sure it’s the right fit before you splurge on this expensive piece of gear?
Finding the right underwater lighting system can be tricky if you do not understand how light is absorbed. The same concepts on land can be applied, but with a few extra steps. Testing out new lights can be eye opening if you are tired of using a four-strobe setup which can be a workout on its own.
Sometimes, it can feel really daunting to try to create original images like no one has ever seen before. With social media oversaturated with photography, it often seems like we have captured it all. So, when I came across surf photographer Ben Thouard’s tropical landscape images captured through the back of a breaking wave, I was a little jealous, but more so inspired and hopeful.
As the narrator describes in the video, what's amazing is that prior to this, no human eyes have ever seen this piece of the ocean floor. I was immediately hooked by the immense beauty as soon as I saw the first creature.
In my last "Behind the Image" article I talked about looking where other photographers aren't. This week I'd like to talk about the importance of being ready for just about anything — particularly when it comes to wildlife photography, as well as how images can impact our behaviors.
Everyone's favorite aquatic marshmallow, the manatee, is having a bit of a moment. Just a couple weeks ago, Florida's warm waterways set the mood for a sizable manatee orgy, causing traffic jams on nearby roads. Rubberneckers first thought they were witnessing a whale in distress, but it was just good old fashioned sea cow polyamory.
If there is one creature I could spend the rest of my days photographing it is the California sea lion. These acrobatic pinnipeds commonly known as the “puppies of the sea” never disappoint and are by far the most playful of all marine life I have encountered.
GoPro HD HERO camera: The Ski Move from GoPro on Vimeo.
I baby my external hard drives. I always wrap them in bubble wrap when taking them from home to the coffee shop, and I even have a little mini-pelican case for longer trips. I couldn't imagine how bad it would be if it happened to get even a quick salt water splash, let alone get stuck in the sand. In this video, watch what happens when this G-Tech hard drive is thrown right into the surf of the ocean.
Have you ever thought that you need to shoot more for yourself but have no idea where to start? Photographer Pierre T. Lambert will save you time on this and offers a fun exercise that every photographer should try at least once in their lifetime: shoot underwater!
Photographer Paul Nicklen recently released a two-hundred page ebook titled "Photographing Wild: Techniques of a National Geographic Photographer." Mr. Nicklen has been taking photographs for the magazine for over twenty years now in some of the most remote places on earth. He is also one of my personal favorite photographers out there today, so buying it for myself was an easy decision to make. His underwater images are always fantastic, and just seeing all of his wildlife photos come across my social media feeds is always inspiring to me.
I recently co-hosted a Webinar on underwater and wildlife photography with my fellow Fstopper’s writer, Mike O’Leary. During that half hour general discussion a participant asked for advice on composing an image underwater. While composition underwater can be a little tricky at first, I’ve put together a short list of things to keep in the back of your mind when you are first getting started.
Circulating daily on social media we see turtles caught in plastic, beaches bathed in piles of garbage, or decaying wildlife that make hearts heavy because we can easily relate to those species. However, there is another ocean issue that does not get enough coverage but it is dissolving many of the unseen organisms every day.
Photographing underwater possess its own challenges even in clear visibility. Coming into a body of water you are unaware of the conditions can make or break you, only if you allow it to.
