Ever have one of those shoots that seems to never go as planned? Ever have fail after fail but you have to maintain your focus just for the client? This can happen with underwater sessions in a matter of minutes. When you are dealing with something as beautiful but chaotic as water, knowing you have the tools to fix the issues will help regain your sanity.
Tim Tadder is a man on a mission. One of the most prolific advertising photographer working today, his clients include the likes of New Era, Nike, Reebok, Under Armour, and a recent collaboration with the National Football League. In this video from an educational series Tadder produced in conjunction with RGG EDU, the photographer takes us through how to produce stunning underwater action images using only the natural light.
The first episode of "Blue Planet II" was aired in the U.K. this week to critical acclaim, showcasing some of the most remarkable camerawork ever seen on the seas, and even giving us a behind-the-scenes look at the huge efforts undergone in capturing this international TV event.
Photography is not only a creative outlet for the photographer, but it also can provide healing to your clients. Most boudoir sessions are sought after in order to gain confidence, many family sessions are there to capture generations for preservation, and even underwater sessions can provide a healing to clients who are in need of the surreal emotions that come with being submerged.
Shooting underwater already comes with many obstacles in terms of visibility, posing, light, and clarity. Thankfully lighting can easily be taken off this list in many cases with a few sets up from the surface. Connecting your land strobes to underwater is not as difficult as one may think.
Color balance underwater is not always an easy task. In a fresh water spring, you have the ability to capture the red spectrum a bit more than in a pool, but still not nearly as much as on land. The approach to color correcting your underwater images is not as daunting as it may seem the moment you open them up on your computer and see just blue hues. A few tips will bring back what you envisioned the moment you submerged your camera.
Photography is one of the most powerful tools used in influencing and changing perspectives. All across social media are images that move the emotion range from tugging at heartstrings to enraging the senses. So when one photographer needed to convey the message of the threats to ocean life she turned to photography.
The past few weeks here in New Jersey and New York have been pretty rainy and not so nice. With that in mind, I came across a video that really caught my attention and had me confused for a good minute or so. For a while I thought I had been out of the loop, when suddenly I realized that this was just another sort of filming "trick" to fool the eye. Relating to my last article, this "video" takes it to another level showing a city we probably all know flooded by water. For me, it was not much of a pleasant sight and if this were to really happen, I can't imagine how much we would all be affected by it.
It’s easy to think of underwater housings as a one trick pony. I mean, the name “underwater housing” suggests a very specific use. But in reality, these housings are good for protecting camera gear in all sorts of extreme conditions. So when I had the chance to shoot the Holi Festival in India, I thought it would be the perfect place to test the new underwater housing from Aquatech that was designed specifically for the Fujifilm X-T2.
Action sport photography has always been something that I have been drawn to, but I just don't have the access and opportunity to shoot it very often. So when I got the chance to shoot some wakesurfing, I Instantly jumped at the opportunity. The one thing I wanted to do going into the shoot though, was come out with something different.
I've met photographers who sold almost everything they had to travel the country in an RV, doing portrait sessions along the way. I've known people who have given up everything they know about their way of life in order to have the ability to adopt a new sense of adventure. But this guy. This guy! He left everything, started diving around the world, and became National Geographic's "Nature Photographer of the Year."
After changing careers from 12 years in the scientific field into the photography industry, I often wondered about merging the two together; science and art. I started shooting underwater photography a few years back in hopes of bringing a new light on the waters with my background. So when I came across the work of Christine Beggs and Brett Stanley I was intrigued to learn about their collaborations. They have created a way to bring critical issues of the oceans to light with their underwater art work.