Photography is not only a creative outlet for the photographer, but it also can provide healing to your clients. Most boudoir sessions are sought after in order to gain confidence, many family sessions are there to capture generations for preservation, and even underwater sessions can provide a healing to clients who are in need of the surreal emotions that come with being submerged.
Shooting underwater already comes with many obstacles in terms of visibility, posing, light, and clarity. Thankfully lighting can easily be taken off this list in many cases with a few sets up from the surface. Connecting your land strobes to underwater is not as difficult as one may think.
Color balance underwater is not always an easy task. In a fresh water spring, you have the ability to capture the red spectrum a bit more than in a pool, but still not nearly as much as on land. The approach to color correcting your underwater images is not as daunting as it may seem the moment you open them up on your computer and see just blue hues. A few tips will bring back what you envisioned the moment you submerged your camera.
Photography is one of the most powerful tools used in influencing and changing perspectives. All across social media are images that move the emotion range from tugging at heartstrings to enraging the senses. So when one photographer needed to convey the message of the threats to ocean life she turned to photography.
The past few weeks here in New Jersey and New York have been pretty rainy and not so nice. With that in mind, I came across a video that really caught my attention and had me confused for a good minute or so. For a while I thought I had been out of the loop, when suddenly I realized that this was just another sort of filming "trick" to fool the eye. Relating to my last article, this "video" takes it to another level showing a city we probably all know flooded by water. For me, it was not much of a pleasant sight and if this were to really happen, I can't imagine how much we would all be affected by it.
It’s easy to think of underwater housings as a one trick pony. I mean, the name “underwater housing” suggests a very specific use. But in reality, these housings are good for protecting camera gear in all sorts of extreme conditions. So when I had the chance to shoot the Holi Festival in India, I thought it would be the perfect place to test the new underwater housing from Aquatech that was designed specifically for the Fujifilm X-T2.
Action sport photography has always been something that I have been drawn to, but I just don't have the access and opportunity to shoot it very often. So when I got the chance to shoot some wakesurfing, I Instantly jumped at the opportunity. The one thing I wanted to do going into the shoot though, was come out with something different.
I've met photographers who sold almost everything they had to travel the country in an RV, doing portrait sessions along the way. I've known people who have given up everything they know about their way of life in order to have the ability to adopt a new sense of adventure. But this guy. This guy! He left everything, started diving around the world, and became National Geographic's "Nature Photographer of the Year."
After changing careers from 12 years in the scientific field into the photography industry, I often wondered about merging the two together; science and art. I started shooting underwater photography a few years back in hopes of bringing a new light on the waters with my background. So when I came across the work of Christine Beggs and Brett Stanley I was intrigued to learn about their collaborations. They have created a way to bring critical issues of the oceans to light with their underwater art work.
As large as the photography community is in a whole, it seems small and intimate when a crisis attacks one of our own. We have seen photographers unite and rally when another is hit with tragedy. However the way one couple decided to deal with the crisis themselves leads to a whole new way of thinking for personal projects and photography shoots.
Photographer Paul Nicklen recently released a two-hundred page ebook titled "Photographing Wild: Techniques of a National Geographic Photographer." Mr. Nicklen has been taking photographs for the magazine for over twenty years now in some of the most remote places on earth. He is also one of my personal favorite photographers out there today, so buying it for myself was an easy decision to make. His underwater images are always fantastic, and just seeing all of his wildlife photos come across my social media feeds is always inspiring to me.
GoPro has brilliantly teased us with its careful, controlled releases of Karma drone videos. Today, they've launched the new Karma alongside a pair of Hero5 cameras that are as wonderful to see as the Karma itself. Advanced stabilization looks impressive in the videos (see the mountain biking scene at 1:53), but something to note is how cinematic the image quality now looks. It won't be as easy to tell GoPro footage from other high-quality cameras. And about that Karma: does $799, remote, backpack case, and gimbal handgrip included get you excited?
Often, I get asked how a shot was done underwater due to the objects that are with the client. Recently, I started using GoPros to obtain behind the scenes footage to help better explain positioning and lighting on various sessions. "The Archer" was one image that caused most people to ask: "Did she really shoot the arrow at you?"