I recently co-hosted a Webinar on underwater and wildlife photography with my fellow Fstopper’s writer, Mike O’Leary. During that half hour general discussion a participant asked for advice on composing an image underwater. While composition underwater can be a little tricky at first, I’ve put together a short list of things to keep in the back of your mind when you are first getting started.
Photographing whale sharks tends to be a top bucket list item for many underwater image-makers, and for good reason. The largest fish in the sea, whale sharks offer uniquely special photo opportunities. For those of you who have yet to photograph one of these gentle giants, I’ve put together a few tips to keep in mind for that first encounter.
In my last "Behind the Image" article I talked about looking where other photographers aren't. This week I'd like to talk about the importance of being ready for just about anything — particularly when it comes to wildlife photography, as well as how images can impact our behaviors.
Once in awhile, a story teller is able to capture something of what it means to be a photographer. Between the Lines is a short film showcasing beautiful cinematography and scenery. It is artfully and masterfully crafted and is possibly the most inspirational 13 minutes you will watch this year.
Everyone's favorite aquatic marshmallow, the manatee, is having a bit of a moment. Just a couple weeks ago, Florida's warm waterways set the mood for a sizable manatee orgy, causing traffic jams on nearby roads. Rubberneckers first thought they were witnessing a whale in distress, but it was just good old fashioned sea cow polyamory.
It has been some time since Adobe last released a new control to Lightroom, and as such, I was very keen to try out their latest addition — the “Texture” slider. Since a good majority of my work is underwater, I was of course interested in what value it could add to underwater images. As I have quickly learned, this new feature is a great tool for underwater photographers — particularly those who struggle with backscatter in their images.