Freelance videomaker and visual artist Julianna Thomas did something unique recently: she shot an entire series of black and white subjects, but in color. As a response to one of her greatest pet peeves, Thomas created "Black & White In Color" as a "personal response to treating black and white as an editing afterthought."
It's a photo so ubiquitous that if you type "iceberg photo" into Google, it's the first two image results. And the sixth. And the tenth. Ralph Clevenger's iconic photo of an iceberg's tip peeking out from the water while the substantial body of it remains below has graced countless publications, from full-page magazine advertisements commissioned by major corporations to the ever-famous "Imagination" motivational poster. It's a photo that is so famous that it's been copied, stolen, manipulated, parodied, and imitated an innumerable number of times over its nearly twenty-year existence. It's even made rounds on the internet as a hoax that Snopes picked up.
Earlier in the week, we shared Michael Dyrlands, HAZMAT Surfing photo series. To recap, HAZMAT Surfing is a photo series that gives a futuristic look at what surfing could be like twenty to twenty-five years down the road and spreads awareness of our oceans contamination. Dyrland came up with the idea after he was unable to enter the water on a trip to LA because of ten billion gallons of run off that had polluted the ocean after an evening of heavy rain. Dyrland has now released a video version of HAZMAT Surfing, which continues to spread awareness of the contamination of our oceans.
When I first looked at placing my camera into the water I noticed that there was a lot of different options. The most practical and safe method was the big and very expensive dive housings that are used for scuba diving. The cheapest, most dangerous option was the little plastic zip lock bag-type housings that can be found on eBay for $100. I wanted something that would not break the bank, but would also be safe enough that I could put in an expensive DSLR plus a lens, and trust it would be safe. These stipulations are what brought me to the Outex underwater housing.
Just last week, GoPro announced a new a camera in their ever-expanding lineup of action-POV cameras. The new camera is called the HERO4 Session, and as Doug Sonders posted last week, it's smaller and lighter than the previous series of HERO cameras. In this video review, WIRED's Brent Rose takes the Session out on several different adventures, comparing it to the HERO4 Silver along the way.
Rob Hammer knows all about stories, adventure, and experience. He is a San Diego-based commercial shooter. He has worked for many clients such as Nike, Adidas, Foot Locker, and Under Armour. If you have a chance to follow his Instagram feed, you'll probably find images of him backpacking in a foreign country, photographing old barbershops in the Midwest, or hiking up a mountain with his friends enjoying a cold beer. He lives the life that he photographs. I believe that shooting what you love will ensure you to always have a steady stream of good clients. But when you are photographing your own lifestyle, the possibilities are endless.
Yesterday was World Oceans Day (it's okay if you missed it; you can make up for it today) and to celebrate, Google released an amazing new feature powered by its popular Street View technology: Street View Oceans. Working with a number of scientists and researchers, Google mapped well over 50 unique experiences around the world with GPS data to give the public access to the amazing life under the sea as well as to help track its growth and/or recession for scientific study.
I baby my external hard drives. I always wrap them in bubble wrap when taking them from home to the coffee shop, and I even have a little mini-pelican case for longer trips. I couldn't imagine how bad it would be if it happened to get even a quick salt water splash, let alone get stuck in the sand. In this video, watch what happens when this G-Tech hard drive is thrown right into the surf of the ocean.
Ray Collins lives in the Australian town of Bulli, a sleepy, drab mining town south of Sydney. The punishing work a mile underground left Collins with a broken body and busted knees, so it was time for a career change. Purchasing a camera with his severance, Collins decided to tackle a new perspective to underwater photography. The cleansing salt water which had originally washed off the dust of a long day in the mine was now his new office. In a short seven years, Collins made the change from "subterranean" to "submariner" and hasn't looked back. His story is perhaps testament in chasing your passion no matter how seemingly absurd it may be.
Morgan Maassen is a blossoming surf photographer with many notable photography achievements under his belt at the ripe and youthful age of 24 years old. Already nailing covers for some of the industry's most recognizable magazines, Maassen has made a name for himself and his unique photographic style in the surfing world. Maassen's work often borders the line between an ethereal, dreamlike universe and a sharp contrasted reality of life on the water. Fstoppers had an opportunity to sit down with Maassen and ask him a few questions about how he got to where he is, what inspires him, and how he approaches underwater photography on a daily basis.
YouTubers The Slow Mo Guys have produced some really fun and lovely footage over the past couple years. Whether they're filming paint on a speaker, a fire breather, or firing a pistol underwater at 27,000 FPS, these guys know how to create some beautiful and beautifully hilarious videos. This time they've shot ink being dropped in water at 1,000 FPS, in luscious 4K, and have ended up with some pretty amazing results.
As a photographer, my skill set is constantly put to the test. In most cases, I’m handed an idea on a slab of wood and the mission is to hand that idea translated to a tangible artifact back to my client on a silver platter. It’s never an easy process, but it’s a part of my job.
Willow Creek is what Sven Dreesbach calls a “proof of concept and workflow” for an eventual surf film he’d like to make – but, as it stands, it’s a short film that achieves a lot in its own right. Shot with an iPhone 5s and color-graded using Davinci Resolve, Dreesbach produced a very moving piece of cinema that has an erie but mystical vibe to it - thanks in part to the Ry X track Shortline accompanying the film. Sven was gracious enough to talk with Fstoppers a bit about the hows and whys behind crafting this stunning short film.