Wide angle lenses are favorites for real estate, landscape, and underwater photographers. The AF-S Nikkor 16-35mm proves to be versatile in wide angle focal lengths with a maximum aperture of 4.0 allowing consistent illumination. Curious how it would perform below the surface, it tagged along in a recent shoot.
Over the years, I’ve acquired an interesting array of “tools” that I use for setting up and maintaining my underwater camera housing. I wish I had known earlier about some of the items I travel with, as they have made my life quite a bit easier.
I never tire of creating over-under water images, a technique advanced and popularized by National Geographic photographer David Doubilet. The over-under or half and half image provides a window into two very different worlds in a single frame, and if done well can be a powerful tool in fostering a greater appreciation for the other 71 percent of our planet.
Creating new jaw-dropping images or video can be daunting when it seems as if everything has already been done. During a recent scroll through an underwater photography forum the mouths of many underwater photographers hit the floor with a poetic dance underwater using prisms to tell the story.
Underwater housing manufacturer, Nauticam, has introduced an underwater housing for the lightweight and compact Sony RX100 VI.
Few people have had the chance to look a wild orca in the eye underwater, and even fewer have had the opportunity to document an orca hunting on video.
As with land-based photography, patience and planning can go a long way underwater. And while some aspects of topside image composition are the same below the surface, there are other elements at play underwater that you should keep in mind when composing your shots.
There are moments when you browse the web and come across photos that make you stop and think. The surreal and captivating "Underwater Realm" project of Anuar Patjane Floriuk does exactly that.
There is a tremendous amount of magic hiding just below the surface of our lakes, rivers, and seas that has yet to be documented. And while underwater photography certainly has a few barriers to entry, if approached in a pragmatic way the initial shift can be quite simple. Let’s dive in.
Circulating daily on social media we see turtles caught in plastic, beaches bathed in piles of garbage, or decaying wildlife that make hearts heavy because we can easily relate to those species. However, there is another ocean issue that does not get enough coverage but it is dissolving many of the unseen organisms every day.
Taking risks is the joy in what creative minds live for. Creating something different and unique keeps the photographer from feeling as if this is just another job. When I came across an underwater portrait photographer's recent work it made me stop for a moment, which is extremely rare these days.
Finding the right underwater lighting system can be tricky if you do not understand how light is absorbed. The same concepts on land can be applied, but with a few extra steps. Testing out new lights can be eye opening if you are tired of using a four-strobe setup which can be a workout on its own.
This remarkable film presents the work of ocean photographer Ben Thouard who spent a year photographing from inside waves as they crashed into the reefs and shores of the island of Tahiti.
You have been dreaming of shooting underwater for a while, but waterproof housing is too expensive, none seem to fit your huge rig, or you can’t find one with which you can trigger your strobes. Then check out this trick.
Underwater photography has become extremely popular with the increase of mermaid models. Getting the shot for a breathtaking underwater image is not as tricky as you may think.
Have you ever thought that you need to shoot more for yourself but have no idea where to start? Photographer Pierre T. Lambert will save you time on this and offers a fun exercise that every photographer should try at least once in their lifetime: shoot underwater!
"We know more about the surface of Mars and the Moon combined than we do of our own ocean floor." A startling truth, but Ved Chirayath is looking to change that.
In a saturated market of incoming photographers each holiday or tax season, it is easy to get discouraged when you are trying to get paid clients in the door. When we think of photography sessions we generally tend to lean on the idea of photographing only people in portraits.
Ever have one of those shoots that seems to never go as planned? Ever have fail after fail but you have to maintain your focus just for the client? This can happen with underwater sessions in a matter of minutes. When you are dealing with something as beautiful but chaotic as water, knowing you have the tools to fix the issues will help regain your sanity.
The winners of National Geographic’s 2017 Nature Photographer of the Year have been announced. This year, Jayaprakash Joghee Bojan comes away with the grand prize for his wildlife photo, “Face to Face in a River in Borneo.”
The first episode of "Blue Planet II" was aired in the U.K. this week to critical acclaim, showcasing some of the most remarkable camerawork ever seen on the seas, and even giving us a behind-the-scenes look at the huge efforts undergone in capturing this international TV event.
Scuba Diving magazine just released the winners of their 13th annual underwater photography competition. This year’s “Through Your Lens” contest features incredible images taken over this past year from photographers throughout the world.
Photography is not only a creative outlet for the photographer, but it also can provide healing to your clients. Most boudoir sessions are sought after in order to gain confidence, many family sessions are there to capture generations for preservation, and even underwater sessions can provide a healing to clients who are in need of the surreal emotions that come with being submerged.
Shooting underwater already comes with many obstacles in terms of visibility, posing, light, and clarity. Thankfully lighting can easily be taken off this list in many cases with a few sets up from the surface. Connecting your land strobes to underwater is not as difficult as one may think.
Color balance underwater is not always an easy task. In a fresh water spring, you have the ability to capture the red spectrum a bit more than in a pool, but still not nearly as much as on land. The approach to color correcting your underwater images is not as daunting as it may seem the moment you open them up on your computer and see just blue hues.
Photography is one of the most powerful tools used in influencing and changing perspectives. All across social media are images that move the emotion range from tugging at heartstrings to enraging the senses. So when one photographer needed to convey the message of the threats to ocean life she turned to photography.
The past few weeks here in New Jersey and New York have been pretty rainy and not so nice. With that in mind, I came across a video that really caught my attention and had me confused for a good minute or so. For a while I thought I had been out of the loop, when suddenly I realized that this was just another sort of filming "trick" to fool the eye.
I stumbled across this video today. I was trying to figure out if this was magic, but it does seem like the Swellpro Drone is actually waterproof. This is exciting news for me; I think I can finally convince Lee Morris to let me fly a drone.
It’s easy to think of underwater housings as a one trick pony. I mean, the name “underwater housing” suggests a very specific use. But in reality, these housings are good for protecting camera gear in all sorts of extreme conditions.
Action sport photography has always been something that I have been drawn to, but I just don't have the access and opportunity to shoot it very often. So when I got the chance to shoot some wakesurfing, I Instantly jumped at the opportunity. The one thing I wanted to do going into the shoot though, was come out with something different.
I've met photographers who sold almost everything they had to travel the country in an RV, doing portrait sessions along the way. I've known people who have given up everything they know about their way of life in order to have the ability to adopt a new sense of adventure. But this guy. This guy!
After changing careers from 12 years in the scientific field into the photography industry, I often wondered about merging the two together; science and art. I started shooting underwater photography a few years back in hopes of bringing a new light on the waters with my background.
As large as the photography community is in a whole, it seems small and intimate when a crisis attacks one of our own. We have seen photographers unite and rally when another is hit with tragedy. However the way one couple decided to deal with the crisis themselves leads to a whole new way of thinking for personal projects and photography shoots.
Photographer Paul Nicklen recently released a two-hundred page ebook titled "Photographing Wild: Techniques of a National Geographic Photographer." Mr. Nicklen has been taking photographs for the magazine for over twenty years now in some of the most remote places on earth.
GoPro has brilliantly teased us with its careful, controlled releases of Karma drone videos. Today, they've launched the new Karma alongside a pair of Hero5 cameras that are as wonderful to see as the Karma itself. Advanced stabilization looks impressive in the videos (see the mountain biking scene at 1:53), but something to note is how cinematic the image quality now looks.
Often, I get asked how a shot was done underwater due to the objects that are with the client. Recently, I started using GoPros to obtain behind the scenes footage to help better explain positioning and lighting on various sessions. "The Archer" was one image that caused most people to ask: "Did she really shoot the arrow at you?"
As I was perusing Reddit today, I came across this amazing photograph, said to be taken in 1899. The one thing that is both frustrating and beautiful about Reddit is many times, there is no additional information, which means I had to do a little research about the photograph and find out who the photographer was.
Lighting on land can be daunting when a photographer is first starting out in their business. Understanding the angles, the intensity, and the direction comes from education and experience. So when I started working with illuminating subjects beneath the water's surface, it felt like a whole new game.
Photographers Kristina Sherk and Chris Crumley have been a dynamic pair for years with their underwater photography. Crumley's shots of Sherk's mermaid modeling have gone viral around the world. However, Sherk decided to take on a new endeavor and create her own underwater art.
Macro photography make the unseen visible. It gives our eyes that extra zoom to get in close and see the detail we usually just take for granted. From the eyes of a fly to the droplet on a leaf, you most likely have seen some great macro photography. These macro lenses are generally of superb glass which gives sharp images that contain a lot of detail.
Going from A-list celebrity headshots in Hollywood to swimming with sharks in South Africa in 72 hours, photographer Michael Muller seems to balance his commercial work with his personal work quite well. In this behind-the-scenes video, we get to come along with Muller as he attempts to capture a great white shark breaching the water — while being lit by strobes.
Underwater photography is becoming more popular as technology progresses. The use of an underwater housing dates back to the mid-1800s when William Thompson was utilizing a watertight box over his camera to photograph seaweed near Weymouth, England. Since then, underwater photographs have become an incredible way to explore and understand the life under the surface.
It takes a brave soul to be a cave diver. It's a dangerous extreme sport, but the hidden beauty it uncovers is almost otherworldly. This gorgeous video, shot in Yucatan, showcases all that beauty.
Nearly 300 years ago, the infamous Pirate Blackbeard's flagship, the Queen Anne's Revenge (QAR), sank off the coast of North Carolina near Beaufort Inlet. A private salvage firm, Intersal, found a cluster of cannons and other artifacts in late 1996 on the seabed near the inlet. State archeologists later confirmed it was the wreckage of the QAR.
Underwater housings are infamous for being just about as expensive as the body they’re meant to house. They do an important job — that is, they keep your camera from complete ruin in the water, and they do it reliably (what other way is there when it comes to oceanic saltwater?).
Before the digital accessibility of today's water resistant action cameras, there was the 35mm format wonder, The Nikonos Calypso. Many are familiar with this analog, water photography staple. Generations of photographers grew up cutting their teeth for surf photography wielding these water tight beauties.
Photography, at face value, is already a difficult combination of capturing a scene as it unfolds and manipulating a tedious balance of exposure, aperture, and ISO to illuminate an image that does true life justice. When you add any additional element to the equation, the entire process can be thrown off.
"We all have the ability to be creators of hope," notes Conservation Photographer Thomas Peschak. Take ten minutes to explore the world of a man whose work embodies that every day.
Those of us who have looked into underwater photography have all experienced the same sticker shock when it comes to underwater housings. Often well above $1,000, these housings can be more expensive than the cameras we're putting into them. Plus, for the most part, we have to get a new housing if we get a new camera.
The Oscars are coming up this Sunday, February 28th. There are two categories that we photographers care about most: Visual Effects and Cinematography. Do you know which films are nominated and have you watched all eight of them? Don't worry; I've got you covered.
First, let's start with Visual Effects. The five movies that are nominated are: