So I am going through some of the slow-mo HD camera options that are on the market right now for an adventure I will be taking soon, and I stumbled upon the new GoPro HD Hero2. On their site they have one of the illest trailers I have ever seen for a camera, and I had to watch it several times. This isn't an ad for the camera and I am not saying that this is the one I will buy, but man what else compares? With that said, watch this trailer, it really is rad to see what kind of punch that tiny package can deliver! (that's what she said)
As we have said many times before, we are huge fans of the crew at StillMotion for their wedding work. In this video, the team steps outside of their standard job to shoot for Shedd Aquarium. They decided to film most of the project on the new Red Epic so that they could shoot at variable frame rates up to 300fps. In the video below, they take us behind the scenes of the creation of this project. Check out the full post to see the reel from the shoot.
TheUnderwaterRealm.com is a blog that is following the production of an independent film that will take place completely underwater. Each week the guys and gals are releasing a BTSV which shows exactly what they have been working on. If you are interested in movie production, I highly suggest checking out their website. In the video below the team is forced to build an underwater Kino Flo lighting system. This video is 1 of 29 so there is a lot more quality content to be seen.
The team over at [Framed] has created another great BTSV, this time with underwater fashion photographer Mallory Morrison. Mallory, a dancer for 23 years, uses her history in the field to help direct her models under the water. I've attempted underwater photography like this before, and it is so much harder than it looks. Check out the video below to see a master at work.
You feel butterflies in your stomach, adrenalin in your viens and joy in your heart. As a photographer this means you either just fell in love OR you just got, "the shot". Marc Montocchio of Occhioinc.com sent me his video of how he fell in love... no wait, of how he got the shot, shown below. Come to think of it, he does seem pretty obsessed with marlin so it's hard to tell either way. And for all you gear heads who want to know what camera Marc uses and how he got the cover shot for the Feburary 2011 of Marlin Magazine, read the full post.
Lately there has been a trend of showing super slow motion videos slowed beyond the native frames per second the original footage was shot on. We love the results of Twixter but nothing can compare to seeing the real thing especially when combined with an extreme sport. The BBC has a great DVD on the South Pacific which features some amazing underwater slomo camera work of waves crashin, and this short surfing clip was the highlight for me. Rudi Diesel shot this on a Typhoon HD4 which at the time could do 500fps at 7 seconds or 1000fps at 3.5 seconds. If you enjoy this segment, check out a longer clip from the documentary in the second clip below.
Yesterday I got an email from one of the Red Bull brand managers inviting me out to 2010 Illume Photo Exhibit here in Charleston, South Carolina. Illume is a traveling exhibit where dozens of images from the world's best action and extreme sports photographers are displayed on huge 6'x6' backlit panels. I have to say it was one of the most interesting photo displays I have ever seen, and the winning photos are nothing short of spectacular. The next stop on the tour is Miami, Florida but you can check out the images and future tour dates at Red Bull Illume Online. Also, check out this BTS video we posted last year of one of the winning images.
Lee and I are wrapping up our trip to WPPI in Las Vegas which is basically the largest wedding convention in the US. So today after meeting with tons of wedding professionals we thought it might be fun to showcase an underwater bridal shoot. Jonathan Ryan is a wedding photographer in Canterbury, England and in this video he is using a few strobes, a Nikon D3, and our favorite Ewa-Marine underwater housing to take some unique bridals underwater. It's pretty interesting to see how Jonathan syncs his strobes underwater since radio transmitters are pretty much useless around water.
One of my favorite things about Charleston, SC is being close to the ocean. I love being in and around the water, and although I'm not very good at it, I do enjoy wakeboarding. Charleston has become a pretty big hub for sports like kiteboarding and wakeboarding over the last few years, and this city is not short on talented athletes. I took an interest in wakeboard photography a couple years ago, and I always enjoyed shooting images from extreme angles. Although I've gotten some cool images, I never felt like I really had much control over my images with just daylight. I've tried to bring strobes outside to create something "different" but even those shots have been done a million times. I decided I wanted a way to shoot a rider flying through the air with interesting, studio quality lighting and this is what I came up with....click the full post for the full story.
Bruce Dale is a veteran commercial and advertising photographer who has also taken some amazing nature and photo journalistic images over the years too. He's worked for National Geographic as well as the White House and companies like Nikon, Southwest Airlines, Caterpillar, and Acura. Finding success in so many fields of photography is not an easy task and that's why I love this career recap video that shows over 30 years of BAD photos. It moves pretty quick, but Bruce does take some time to explain a few of his most memorable images. I always enjoy watching videos from true professionals like Bruce since they really have 'been there, done that' which is not always true of the younger breed of photographers we have today. I hope you enjoy this weekend video and be sure to check out Bruce Dale's website too.
What if you could shoot 1080p video for just $300 with a camera that was waterproof, basically indestructible, and so small and light it could be mounted anywhere? What if that camera could also shoot 60fps for amazing slow motion? This camera is the GoPro HD and we own 2 of them. Watch this video and then check out the previous post. I'm not saying that the GoPro is better than a pro film camera, but it does bring up an interesting debate. Which style of video do you like more and why?
Even if you have never shot pictures underwater before, I bet it has crossed your mind. I know I've tried it a few times and failed miserably. Luckily there are talented guys out there like Cal Mero who are masters at shooting below the surface. Check out his latest BTSV which is packed full of priceless underwater shooting tips. Do you want more info on shooting underwater? Check out DivePhotoGuide.com
UPDATE: Rich Tully works directly with Clark Little and just sent us this much better video. Click the full post for the original video posted: One thing I love about running a website like Fstoppers is that I am introduced to all sorts of photography I would never have come across on my own. Such is the case with professional wave photographer Clark Little (you must check out his website). I owe a thanks to my dad who first told me about Clark's work and now we have a video that shows what it is like to be directly in contact with a huge wave crashing over you. If Clark comes across this post, we'd love to see a formal behind the scenes made with interviews and some information about how your approach to 'wave photography' has evolved. Perhaps Fstoppers needs to head out to Hawaii this spring!
As a commercial wedding photographer, I know very little about how to take compelling underwater images. Luckily underwater photographer Brian Skerry and National Geographic have shared this short BTS video on what it's like diving with fish and swimming over coral reefs. I think it's interesting how simple but necessary the lighting setup is for this field of photography; most of us "land photographer" probably take for granted the complex lighting setups we can easily construct. Most of us also don't bring "backup gear" to our shoots because we expect our gear to break! Hopefully we will see more videos like this from other underwater photographers.