Olympus recently announced the sale of their camera division, bringing an end to the storied company's history, at least in the iteration that we know. Does that mean the end of micro four thirds along with it?
Since the days of film, medium format has been far from reach for many photographers. Even working professionals can have trouble justifying the high price point of these systems: when used, they can be $8,000-10,000. Medium format film bodies, while cheap now, were always several thousand away from even the most exorbitantly priced 35mm bodies. Factor in the inconvenient size of just about every medium format camera ever, and it's easy to put the idea of working with these monsters far from mind.
Perhaps no camera brand generates stronger opinions than Leica, with some photographers absolutely swearing by the equipment and experience and others seeing it as overpriced niche gear. Just like any other brand, there are good and bad aspects of using Leica cameras and lenses. This interesting video essay examines the company's lines as they stand in 2022, what they are doing right, and what could be improved.
In late 2015 the luxury camera company Leica released the Leica SL (Type 601) a full-frame mirrorless camera that came packed with top of the line features ready to compete with Canon and Nikon’s flagship DSLRs. Roughly two years later, and with several new advancements in camera offerings, how does the Leica perform? Can it still compete with other flagship models?
Since its release, the Nikon D750 has been praised as one of the best full frame cameras that money can buy. It has features that outperform cameras that are twice the price. One of the little frustrating elements of this camera though, that I still see being discussed to this day, is the finicky hot shoe.
The Fujifilm GFX 100S takes the company's flagship medium format monster and shrinks both its size and price almost by half with very little sacrifice of features. With this and the company's other GFX cameras, we are now seeing medium format prices well into the realm of full frame. What does that mean for the future of photography?
Venus Optics makes some of the most fascinating lenses in the world, and they are showing no signs of stopping, as their latest lens is an absolute show-stopper, as it is the world's first full frame 9mm rectilinear (non-fisheye) lens. What is it like shooting with it? Check out this fantastic review to see.
Canon has pushed into some new territories with the RF mount, and they are showing no signs of stopping, with some especially interesting lenses now being tested.
We've all heard of renowned portrait photographer Zack Arias - not only is he a great shooter, but he's got a reputation for making some bold claims. Make no mistake that the Fuji X100S is a great little camera. Small, compact, feature-packed and with great image quality, you've probably heard quite a bit about it lately. But just HOW good is it? Zack Arias says that it's so good, in fact, that the DSLR is dead. Check out the video and let us
The Sony a7C is here, and it offers full-frame performance in a very compact and portable body. If you are interested in the a7C, check out this great video review.
Have you seen what's on the horizon for Canon in 2021? Wow. After a number of comparatively lackluster years, Canon roared back to life in 2020 with the announcement of a few new cameras and a bunch of new lenses. However, there's a glaring issue that needs to be urgently addressed or it will all be rather meaningless.
Megapixels alone don’t determine the quality of your camera’s images. For most people, the number of megapixels in a camera is often viewed as the ultimate measure of quality. But this thinking misses the bigger picture—there’s more to it than just the number of pixels.
When it comes to the kind of camera a wildlife photographer might choose, Canon's EOS RP is probably pretty far down the list. Nonetheless, with a sub-$1,000 price and the ability to take both Canon's new RF lenses and the existing library of EF lenses, it could be a great option for a lot of photographers on a budget. This excellent video will show you what you can expect when shooting with the EOS RP in the wilderness.
Shooting with two cameras seems to be a growing trend in the wedding industry. When I first started shooting, I saw people doing this and I just didn’t see the point. I figured I could always change lenses, and then I would be good to go. Once I gave it try I completely fell in love. Here is my “how and why” I shoot with two cameras.
Fujifilm cameras have been popular for decades, but in the past few years, they have released bodies that are fully in vogue and thus difficult to find. Are they worth the hype? Should you buy a Fujifilm camera in 2023?
Having the right gear for the job is essential in being able to handle the barrage of lighting scenarios that a wedding photographer will encounter on each outing. I, like many others, am constantly thinking about the next piece of gear. What lens, what camera, or what lighting system will allow me to take higher quality images and provide a better experience to my client? This led me to think, what do I really need to shoot a wedding? I mean in reality, to walk out my door and provide my bride with the images she expects, what are the bare essentials I really need?
For the longest time, I've been using a 17" Macbook Pro for tethering. The big screen is great. Everything else, however, was a nightmare. I recently saw some colleagues of mine raving about a new product called the CamRanger, which allows you to tether to your Android device (April 2013), iPad or iPhone to your camera and had to try it out, as any solution that would resolve my near-daily tethering headaches would be fantastic.
If you're in the market for two of Canon's most popular and highest quality zoom lenses, now is a great time to pick them up.
Canon’s hot new full-frame cameras, the EOS R5 and EOS R6, are finally falling into the hands of reviewers, and customers are starting to get an idea of how the various features perform. Just how good is the eye autofocus, and has Canon overtaken Sony?
While these two cameras are different in a whole host of ways, they have similar strengths insofar as they're both concerned with high resolution and for pixel peepers, it's an interesting comparison. However, what's more interesting — to me at least — is a real-world, artistic comparison; which produces more pleasing results?
The zoom range of 24-105mm is perhaps one of the most versatile options available. Typically, lenses within this range maintain a constant f/4 aperture throughout. While this is adequate, having an aperture one stop larger would be ideal. Now we have the Canon RF 24-105mm f/2.8L IS USM.
Edelkrone is the king of reinvention, from the Pocket Slider to their tabletop dolly. Sometimes, they’re also very good at charging top dollar for useless rubbish.
For most modern photographers, the thought of shooting a vintage prime instead of a new autofocus lens is a non-starter. If this applies to you, do you think you could tell the difference in a blind comparison? I would be willing to bet not.
Superzoom lenses promise versatility and convenience. But is one lens enough to handle everything? The trade-offs between flexibility and image quality make this an interesting question, especially when you’re not shooting in professional environments.
Have you ever wanted to shoot with a medium format camera, but you can't justify the cost? Well, you're not alone. The question is, what would the cheapest medium format on eBay be like?
When it comes to budget-friendly 35mm film cameras, the Canon AE-1 and Pentax K1000 often top recommendations. However, these options can be surprisingly expensive, especially for beginners. If you’re looking for an affordable alternative that doesn’t compromise on quality, the Praktica MTL5B is a compelling choice.
Canon's pro body cameras have a number of ways to fine tune the autofocus system, however much of it is behind a few button presses, switches, or menus. This is how to set up direct button access to multiple autofocus modes.
By now, you’ve probably started a small collection of miscellaneous things you always carry with your photography gear when out shooting. To up your game and be prepared for the scenarios you haven’t thought of yet, check out this exhaustive list of stuff you need in your camera bag.
Umbrellas have been a staple light modifier for decades. But if you’ve ever wondered why there are so many types, or how the light quality from your strobe is affected by the size, lining, fabric or shape of the umbrella, then this post is for you.
Fujifilm's X100 series of cameras have won the hearts of photographers the world over. As a second body on client shoots or a walk-around camera with excellent image quality for travel or recreation, there are not many cameras out there that can take its place. On the fifth iteration of the camera, the X100V, Fujifilm made some major changes to the camera, but are they enough to make it a worthwhile upgrade from previous models?
