For the last week, I have been testing what I believe are the best speedlights on the market, and each one is sold in a variant for Sony, Nikon, and Canon.
The Fujifilm X100 series of mirrorless cameras has long been popular for both its image quality and for the shooting experience it provides. If you have never used one and are curious about what it is like, check out this excellent video review that discusses just why it is such a fun camera to work with.
When it comes to camera brands most appreciated by photographers for their colors, Fujifilm and Canon generally get top nods. Which of those two do you prefer? Try out this blind comparison test to see if your preference is really as strong as you think!
A dock for your computer can really level up your home workspace and make it even more efficient and productive. I look at the new Razer USB-C Dock and how it has performed under heavy usage for the past month. Can it improve your home workspace?
Both the Fujifilm X100V and Leica Q2 are advanced fixed prime lens cameras, and they each offer a range of great features and excellent image quality. Which one is right for your work? This great video review takes a look at both.
Photographers certainly love their bokeh, and not all bokeh is the same, as different lenses can have vastly different character. This neat video shows the kind of crazy bokeh you can get when you put a less common lens on your camera.
In short, no it is not. But a few minor dealbreakers are all that stand between leaving this camera on the shelf, and making it best digital camera in its class.
After nearly a month of capturing video, stills, and timelapse media with the Panasonic GH4, I laughed, I cried, and I almost threw it off a mountain. At times it was a joy to shoot with, and other times it wouldn’t even power on with a full battery. I’ll give you a complete, unbiased rundown in my full review, complete with video samples.
One of the most common questions photographers have is “should I upgrade my camera?” It’s right up there with “what lens I should buy” and “can I take selfies with this?” (That last one isn’t actually a common question.)
A couple weeks ago, we saw Canon begin to discontinue DSLR lenses for its EF mount, indicating its ongoing transition and commitment to mirrorless cameras and lenses. The transition is continuing, as the company has discontinued more EF lenses, including two rather popular models.
Tamron just announced a new ultra-telephoto lens with a massive zoom range: the 150-500mm f//5-6.7 Di III VC VXD for Sony full frame cameras.
I’ve waffled and flip-flopped on Apple’s computational imaging claims in its new iPhone 12 series, and so, to finally put my curiosity to rest, I decided to pit what’s (to me) the most compelling iPhone, the iPhone 12 Mini, against my previous favorite phone photography standard-bearer, the Google Pixel 3a.
When you're first starting out in photography, the veritable plethora of pieces of equipment and specs lists can certainly be a bit overwhelming. Of all the options, you should absolutely consider picking up one of these lenses, however.
Nikon’s second wave of mirrorless full frame cameras are about to hit the shelves and many will be asking whether the Japanese manufacturer has made changes to the autofocus system. Wedding photographer Taylor Jackson has put a pre-production model to the test.
When it comes to choosing a system, opting for the sensor size that’s going to work best for you can be a bit of a conundrum. This short video looks at why one professional photographer thinks full frame is the best option when it comes to shooting stills.
Like many other photographers and filmmakers today, we need batteries for many of our gear and accessories. Many devices today come with their own rechargeable battery but there are still many gadgets and accessories we use that still can take the standard AA or AAA batteries. Keeping many on hand can be a pain in itself, so I tend to keep a set of traditional non-rechargeable batteries as a backup with many rechargeable ones as the main source for these items that need them. What happens with the rechargeable ones will not recharge anymore?
After several years of Sony having its run of the mirrorless world, Canon and Nikon finally announced their full-frame mirrorless cameras. The initial sentiment may not be brilliant for both Canon and Nikon; however, I think Canon has done something absolutely incredible.
Sigma's Art series of lenses features some of the most highly regarded options in the industry, offering impressive image quality at prices that often significantly undercut those of first-party options. The 105mm f/1.4 DG HSM Art is the longest focal length in the lineup with an f/1.4 maximum aperture, making it an intriguing option for portrait and wedding shooters. This great video review takes a look at the lens and the sort of performance and image quality you can expect from it in practice.
The debate between prime and zoom lenses is a common one. Prime lenses offer fixed focal lengths and are prized for sharpness and contrast, while zoom lenses provide versatility and convenience at the expense of some image quality. The real question is: how noticeable is the difference in real-world use?
Just the other day, Canon announced the 16-35mm f/4L IS lens. The general announcement was left with confusion, anger, annoyance and felt an awful lot like when Canon announced the unnecessary 24-70mm f/4 IS back in 2012. Between these announcements and others much like it, as well as general quietness on announcing an updated 50mm lens, we have to ask...What’s the problem, Canon?
2020 could be the year of the flagships as Nikon has just confirmed that a high-end mirrorless version of the D5 is in the pipeline. So will it be dubbed the Z 8 or the Z 9, and does that have implications for the release of the much-discussed successor to the D5?
Canon makes a lot of fantastic portrait lenses that fit a wide range of needs, aesthetic preferences, price ranges, and more. Four of their best are the RF 85mm f/1.2 L USM, RF 100mm f/2.8 L Macro IS USM, EF 135mm f/2L USM, and RF 70-200mm f/2.8 L IS USM, and this excellent video comparison takes a look at all four to help you decide which is right for you.
Every genre has different optimal gear setups, which is why it is important to sit down with your camera and take the time to adjust its settings to fit your subject matter and workflow. This helpful video tutorial features an experienced landscape photographer discussing seven camera settings you should turn off to make your workflow more efficient and to improve that quality of your images.
Sony is gearing up for a couple of announcements this week and the rumor sites seem fairly confident that the standout piece of news will be a sports-oriented, APS-C version of the Sony a9.
Canon has created some very innovative and impressive lenses for the RF mount, with optics like the Canon RF 28-70mm f/2L USM pushing the boundaries of lens design and offering photographers new creative opportunities. It seems Canon is showing no signs of stopping, with several further patents for new mirrorless lenses emerging.
First, I have to give a huge thank you to Adorama and Canon for inviting me to come play with the highly rumored 5D Mark IV. I'm completely blown away that they asked, and truthfully, I'd be lying if I didn't do a few skips at the thought of getting in on the new toy ahead of time.
One week from today I’ll be on the other side of the world, shooting a personal project that’s been years in the making. On the one hand, I have to be prepared for all kinds of situations. On the other, I can’t bring a suitcase. What do I bring… what do I leave behind… and can I get away with only one shirt?
GoPro’s latest action cam caused a little bit of a stir when it was released last year, bringing an insane level of digital stabilization to 4K footage. DJI then shook things up by launching its mooted GoPro killer, the DJI Osmo Action. How do they compare, and which one should you buy?
The 1 Series and 5 Series are Canon's most important professional bodies, representing their flagship and workhorse cameras, respectively. As such, many users are eagerly awaiting more information on the upcoming EOS R1 and EOS R5 Mark II cameras, and we now know a bit more.
Full frame is generally considered the standard professional sensor size of choice, with some landscape photographers even now opting for medium format, particularly with the recent reinvention of the format. But of course, the bigger the sensor, the bigger the camera, the heavier the lenses, and the more expensive the kit. So, does a landscape photographer really need full frame?
Don't let anyone tell you gear doesn't matter. It does. It might not be the only thing that goes into getting good images, but it's certainly a big factor. But not all the gear you need has to be bodies and lenses. Here, learn about five purchases you can make to transform your landscape photography overnight.
