I have an iPhone 6 Plus. It’s amazing. It has a backside illuminated sensor, an f/2.2 lens, and optical image stabilization. Yes, I have optical image stabilization in my phone. Would I ever use it for work? Not a chance.

Canon recently confirmed the upcoming EOS R3 mirrorless camera with some jaw-dropping specs, leaving many to wonder just where it will sit in terms of price. It looks like in addition to its aggressive features, Canon will also place it at an aggressive price that undercuts the competition.

With just a little over a day to go before the official announcement, images of the upcoming Nikon mirrorless cameras and lenses have leaked. There's a lot to see!

With many popular cameras currently in high demand but short supply, a lot of photographers and videographers are anxiously waiting for stocks to be resupplied and their cameras to arrive. Those delays may be significantly lengthened for multiple manufacturers due to a fire at a Japanese integrated components factory.

Shockwaves spread throughout the camera world this week when it was reported that Nikon would end 70 years of camera production in Japan and move manufacturing to Thailand. How do you feel about this? And how do Japanese people feel about this?

In 2025, digital single-lens reflex (DSLR) cameras are regaining popularity despite nearly a decade in the shadow of mirrorless technology. For anyone serious about improving their photography skills, this comeback matters because working with a DSLR pushes you to master essential techniques rather than relying on technology alone—plus they're cheap!

Sony’s lens line-up has grown significantly over the last couple of years with various third-party manufacturers stepping up to fill gaps or offer more affordable versions. However, one lens remains missing from Sony’s line-up and it’s even stranger when you consider that, from the outset, both Canon and Nikon created versions for their new mirrorless cameras.

Tonight Nikon will announce announced the "revolutionary" Nikon DF Camera. By "revolutionary" I mean that they have taken a full frame sensor from a current digital DSLR and put it into a non-ergonomic retro body and removed many features, including video. Are we excited about this camera because of the photography we will be able to capture with it or are we excited because we will look trendy and fashionable holding it?

Fifty years since the radical Olympus OM-1 SLR first appeared, the new OM System OM-1 is announced. It looks like another giant leap forward for photography.

I will use any camera, as long as it's beautiful.

A well-made camera that can make great pictures and only costs $10 sounds too good to be true, right? Here's why you need to add a point and shoot to your camera bag.

According to rumors, Nikon’s next Z-mount camera will feature retro styling with a choice of three different looks. For a manufacturer whose mirrorless cameras have often been overshadowed by releases from Sony and Canon, rediscovering a feature that makes a product distinctive could be a smart move from Nikon.

Nikon and Canon have both introduced mirrorless bodies using new mounts, and the industry is at a crossroads. The new lenses that were introduced lack any promise or justification for their existence, and are more expensive while offering less useful features than past generations.

The Canon EOS R8 is a relatively affordable entry point into Canon's full frame mirrorless system, making it an intriguing option for a wide variety of users, whether as a main or backup body. This great video review takes a look at the camera and the performance and image quality you can expect from it in practice.

Recently, rumors emerged saying that the Canon EOS R6 Mark II's release was imminent. That story continues, and it seems that in addition to the new camera next month, we will also see a mirrorless version of one of Canon's most legendary lessons.

So you upgraded to a DSLR to take your photography to the next level and you now feel a strong urge to step into the big bad world of professional photography. You have the kit lenses, but you know they won’t cut it. Let me introduce you to the must-have kit lens of professional photographers.

Before anything else, this is the one lens every Sony mirrorless shooter should own. And no, it’s not part of their premium and pricey G Master line.

There is a quiet rise of small, pocketable cameras when it comes to popularity. In this video, James Popsys gives his thoughts on the little Ricoh after spending some time shooting with it. So, if you're in the market for one, take a look.

We all know that Nikon and Canon are fueling up for a big battle for the mirrorless wars, with Nikon firing the first salvo in the form of the Z6 and Z7. But it just does not interest me.

The holy trinity of lenses — usually 16-35mm, 24-70mm, and 70-200mm — has been a staple for decades, but it is beginning to be tested. This lens is a convention breaker and Nigel Danson believes every photographer should own one.

Often you get one lens included when buying a camera. But what if you want another one, which one do you need to buy? This article may be of help when choosing the best lenses for your photography.

Apple’s Thunderbolt Display was discontinued in 2016, and we haven’t seen anything quite like it since.

For some, the “magic” of film, medium format especially, or the benefit of full frame digital is all hype. Is it really just hype or can you tell a difference?

If you are interested in landscape photography, you might think that the first lens you should pick up is an ultra-wide angle zoom. Those can certainly be useful tools, but there might be a better first lens. This excellent video will show you a potentially better choice.

Mirrorless… the one design to rule them all. The master of the full frame is undoubtedly Sony, however has it inadvertently introduced a short-lived shelf life with some in-built obsolescence?

Since 2012, many have considered the Canon 5D Mark III to be the proverbial workhorse of the photography industry. It's a great all-around camera. It's not perfect, though. It's also three-and-a-half years old. In the meantime, manufacturers like Sony and Fujifilm have vaulted ahead in the innovation game. This is Canon's chance to take back the spotlight.

I recently had the opportunity to completely replace my camera system. I chose the Canon EOS R and Canon lenses/flashes. If you had asked me a couple of days ago, Canon would have been my last option. This article is about what changed my mind.

There is one thing that constantly keeps cropping up in both my own work, and in the work of others I see around me. I've worked with more and more photographers and videographers lately who just shoot with a single zoom for most of what they do. So many people I see seem to be producing strong work with one decent zoom. This post asks a very simple question that keeps bouncing around in my head. "Just how many lenses do we actually need?".

We’ve all been there, stuck with bad light and fresh out of ideas. I may spend up to an hour pre-lighting before a model or subject steps onto set, I work out the kinks and make sure everything is how it should be. But, despite my best efforts to make it right, every now and then I run out of time and have to wing it. We all have our “go to” lighting scenarios, but when you’re standing in unknown territory, keep the following tips in mind and you just might make it through the storm.