When they first brought their mirrorless line to the masses, Nikon took a pretty conservative approach when it came to lens design, opting mostly for affordable primes and workhorse zooms. Now that they have filled in a lot of those gaps, the time has come for more extreme designs, and it looks like we might see two of those next week.

It's been nearly two years since the people at Lume Cube launched their Kickstarter to bring their vision of an incredibly powerful and portable light to the photography community. For the last few weeks, I've had the pleasure to test these bad boys out in the wild and see what all the hype is about.

We all know what our favorite cameras are, but which brands have the numbers to back them up? We spoke to LensRentals, B&H, and 500px about what they saw over the year.

Medium-format cameras have long been known for their excellent image quality and incredible ability when it comes to rendering colors. Phase One's latest camera, the IQ3 100MP Trichromatic, takes this a step further and you can now get extremely accurate and effective colors, straight out of the camera. To learn more about the Trichromatic and how it compares to the "standard" 100MP back from Phase One, check out my previous article. The main issue with medium-format cameras such as these is that they cost significantly more than what most of us would like to pay. What if we could attain that level of quality without needing to spend anywhere as close?

Over the last several months, the Fstoppers team was able to link up with Clay Cook, an acclaimed editorial and portrait fashion photographer, to produce a comprehensive tutorial teaching his photography techniques. If you want to learn more about the full tutorial and what it offers, check out the store page. One of the key elements of Clay's work is the variety of gear he has used throughout his career. Included in the tutorial, and now available here on Fstoppers, is a peek into the equipment he uses to craft his stunning images.

If you still shoot with DSLRs, you might have encountered issues (particularly when you have shot at wide apertures) with your focus missing by just a little bit. If you have experienced this frustration, you might benefit from an autofocus microadjustment, and this excellent video tutorial will show you exactly how it is done.

Pentax launched a new "brand vision" recently in preparation for its upcoming product release, going as far as to develop an extensive webpage and supporting video to promote its DSLR cameras. Here are 10 reasons why their camera strategy is in disarray.

Fujifilm’s introduction of the X-Pro3 has continued their trend of quirky design choices, but has also raised the question of whether bucking the trend is actually making for a better experience for photographers.

If you're a photographer or videographer you probably already have some sort of external storage. As your workload ramps up, it may become more convenient to house all of your files on and work from an external device like a NAS box (network attached storage). They can have practically unlimited storage, your data is redundant, they are able to be accessed by multiple computers at once, and now they are faster than ever.

Until 18 months ago, affordable 35mm primes for the Sony system were like hen’s teeth. Last year, Sony finally plugged the gaping void in its lens lineup, and now, a new contender has appeared: the lightweight, affordable AF 35mm f/1.8 from Samyang/Rokinon — appealing to full frame and APS-C shooters alike.

CP+ 2023 recently wrapped up, and at it, the photo world was able to glimpse some of the most exciting cameras and lenses yet to come from some of the world's biggest manufacturers. Here is some of what you can expect next from Fujifilm.

While researching and deciding on what camera or lens to buy next, there can be a lot of banter, back and forth, and noise on opinions on what camera or lens is right for you. It is possible that some websites, influencers, or average Joe’s can hold slanted biases that may play a role in your purchasing decision, and we don’t want that. So what if I told you that there was a more objective resource to help aid your purchasing decisions? Well, I have a site to share with you: DxOMark.

Finding the perfect camera system is not that easy. Before you make a large and long-lasting investment, you should do proper research and critically analyze your own needs. Step by step, you will get closer to the best possible system for yourself.

Portable drives are getting better and faster all the time, while the cost of high-capacity drives has finally started to come down. Yet, new technologies always develop faster than the leading brands can get products to market. That's where DIY solutions shine.

What could possibly go wrong with a $350 camera that claims to do it all? Kaiman Wong takes it out for a spin and shows us just how much compromise must be made to get that price down.

After 27 years, Canon finally released a new 135mm lens. Instead of a new EF lens, it’s an RF lens, obviously. How does this expensive lens perform, and is it worth the upgrade if you’re still using the old but trustworthy EF version?

In this comparison, you probably can't tell the difference between identical images taken on a medium format and APS-C camera. But that doesn't mean that medium format cameras are a waste of money. As with most questions like this in photography, it really depends on what type of images you make and what you plan to do with them.

With rapidly developing technology and new releases happening often, you can find a lot of good deals on used cameras. Today I'll introduce you to one that might just be the best your money can buy.

The Fujifilm X-H2S is the latest entry in the company's respected X Series line of mirrorless cameras, and it brings along a wide range of new features and improved capabilities. This excellent video review takes a look at the new camera and the sort of performance and image quality you can expect from it in real-world usage.

Supertelephoto lenses are a love/hate relationship for a lot of photographers: they showcase some of the best optical engineering companies have to offer, but carrying them around is quite a workout. Canon is seeking to cut that weight with its supertelephoto lenses in development.

Astrophotography is a tricky business, even if you happen to live in the Namib desert. However, if you don't live in such a remote location, you'll likely have struggled with light pollution. In recent years, we have seen a number of filters designed to help with this problem. But do they work?

Kickstarter has allowed the photography community to share and create incredible ideas. We all know the success stories. What about the underdogs, though?

Photography might well be the most gear-intensive pastime on the planet, which means that while there is some incredible gear available for purchase, there are also plenty of duds to waste your money on. Are these some of the worst photography purchases you've seen?

Lens designs have been pushed to some pretty extreme lengths in the past decade or so, with full frame options like 50mm f/0.95 or 28-70mm f/2 becoming standard fare. However, the most extreme consumer lens design ever made might be from several decades ago. So crazy is the design that only one copy was ever made, and this fascinating video takes a look at what you can do with it.

The Sony a7S series of cameras is strange. They're described as stills cameras; however, most customers seem to use them for their video features. At best, they're an odd compromise that doesn't fit anywhere properly. For this reason, I'd like to discuss why Sony should get rid of this line completely or at the least, revamp the series.

Panasonic has launched the Lumix S1R II. After sitting through the media briefing, I wondered if I had been daydreaming. On paper, the Lumix S1R II is possibly the best hybrid camera on the market. The specs are simply incredible. Potentially, it’s a creator’s dream come true. Let’s take a look at why.

After a long wait, Nikon’s fast primes for its Z mount are starting to appear and fans now have a choice between the 50mm f/1.8 S and the brand new 50mm f/1.2 S. How good is this meaty f/1.2 beast, and which of these lenses is the right choice for you?

The jump from 26 to 40 megapixels in the Fujifilm X100VI sparked debate about whether the lens could keep up. This video tackles that question head-on, comparing the X100V and X100VI lenses to see how well they resolve detail and handle the demands of a high-resolution sensor.