Fujifilm’s introduction of the X-Pro3 has continued their trend of quirky design choices, but has also raised the question of whether bucking the trend is actually making for a better experience for photographers.

Tempers flared, rights were infringed, and violence ensued. Videographer Shawn Thomas exchanged heated words with NYPD Officer Efrain Rojas resulting in a unwarranted beatdown and arrest. The 10 minute clip depicts how quickly the controversy escalated over a simple camera phone, which apparently cost Thomas a bloodied lip from the police officer.

One of the reasons I love art is that is it the most effective way not only to entertain us, but to help us reflect on life itself. A well-placed verse or a well-timed press of the shutter can connect the world in ways that a thousand politicians simply can’t.

As a young, rebellious teenager in love with music and films, I discovered my love of photography when I was handed an old Olympus film camera and I have since fallen deeply in love with the art of photography. Years went by as I experimented with different ways of shooting and discovering new ideas I wanted to pursue in this medium until I finished school and needed to think seriously about what I wanted to do in life. The choice was easy: either become a musician or a photographer.

The Sony a7S series of cameras is strange. They're described as stills cameras; however, most customers seem to use them for their video features. At best, they're an odd compromise that doesn't fit anywhere properly. For this reason, I'd like to discuss why Sony should get rid of this line completely or at the least, revamp the series.

Diving into the archives reveals a compelling truth: older digital cameras, often dismissed in the race for megapixels and modern features, hold a lot of value for today's photographers. Here's why you shouldn't overlook them.

Today I attended Microsoft's press event in NYC. I assume that they wanted me there because I am one of the few photographers who doesn't currently use Apple computers. I was excited to see the new Surface Pro 4, but I wasn't prepared to see a Macbook Pro and iPad Pro killer.

Finally, it seems Instagram has pushed past its original 640x640 image resolution and made way in almost doubling that to 1080x1080 this week. First noticed a few days ago when posting over the July 4th weekend my iPhone 6 Plus had not left my images soft when hitting the 'share' button but rather closely maintained its original image quality. It took me a few days and some digging in the source code but I had noticed my photos breaking a much larger resolution by surprise.

Given that finding a Fuji X100VI is ultra rare and the Leica Q3 is reserved only for those with very deep pockets, surely there’s a gap in the market. None of the big three manufacturers seems interested, but why not?

About this time last year, the Sigma 85mm 1.4 Art series lens was released and I went ahead and decided to pull the trigger and invest in the new glass. I had heard great things about other entries in the art lineup and understandably Sigma's new 85mm focal length was getting a solid amount of hype. For the past year, I have been shooting exclusively with Sigma's 85mm. It's been the only lens in my camera bag and the only lens I've used for a straight year. What follows are my impressions after a solid year of use; what I like about the lens and what I don't like.

According to Wikipedia lifestyle photography is "a style of portrait / people photography which aims to capture and document real-life events, situations, or milestones in an artistic manner and the art of the everyday." Photographers every day are advertising sessions as lifestyle photography, but in reality, are totally missing the mark.

A little over a year ago, I got to live out one of my worst nightmares. I had a day where the personification of my anxiety sprouted legs and ambled right into the middle of a wedding ceremony that I was photographing. Mr. Anxiety-Incarnate snuck into a church, and like a biblical plague, snuck right back out and took something precious with him. Never to be seen again was $12,000 worth of gear that was stored in my roller bag. That’s right, I lived out the photographer’s terrifying dream equivalent to showing up to a high school class naked.

Last year, I spoke to a number of leading industry professionals and collated 29 of their combined unpopular opinions. This year, so that people can put a face to the opinion, I'm going to give 10 of my own.

Canon’s new RF 85mm f/1.2 L has been officially announced, along with a hefty price tag. Considering the specifications and market this lens will compete in, is the price fair?

During the past decade, the world economy has experienced steady, gradual expansion. But what goes up must come down, and the question photographers are wise to consider is: "how will the next recession affect me?"

The buzz around Canon's announcements has been electric and, frankly, invigorating. But before you dive into that riptide of gear acquisition syndrome, you need to ask some hard questions.

Most landscape photographers argue that scouting locations ahead of time creates the best final product. I beg to differ.

Once in a while, despite our due diligence and training, we all end up in circumstances where we must handle a difficult situation. As a model with a wide range of experience, I have a large network of professional photographer friends and have seen first-hand how unprofessional my fellow models can be. Here are a few ways to handle a variety of sticky situations without compromising your reputation as a respectable industry professional.

Whether you shoot with Canon gear or not, the release of the RF 600mm and 800mm f/11 lenses have generated quite some buzz. This review gives you a great look at the lenses and the image quality they produce. I think you'll be impressed.

Do you remember Adobe's Creative Suite or CS? Yes, it was that family of Adobe applications that served creatives well for quite a long time. We used to buy perpetual licenses for applications from the Creative Suite, which felt like you really owned something. You paid and it was yours. Well, Adobe says you can't do that anymore.

Being busy doesn't mean being profitable. Working on all kinds of projects doesn't lead to a successful photography career. This article is not the usual "Five quick steps to become a wealthy photographer." To be honest, it's a slow process, but if you understand its principles it will guide you on the journey to success.

Images are extremely easy to copy, repost, and republish on the Internet and as photographers we have an inherent interest to not let that happen without our permission. We work hard to create our photographs, investing time and money into our projects. But with a few simple clicks or the help of apps, people can take images and do almost whatever they want with them without many technical restrictions.

Lensbaby has always been an enigma to me, and I've never been quite sure what niche they're meant to fill. Perhaps you can help me.

Unless you are buying an older digital camera, most of the ones on the market today are all over 10 megapixels which is large enough for the casual shooter. Even most cell phones come in at over 12 megapixels. Some people do get hung up on the number of megapixels the camera has to determine quality while having more available is great, it doesn’t necessarily mean it’s the most important thing you should be looking for in a camera. What is more important than megapixels?

"I'm a natural light photographer. I don't shoot with artificial lights. I don't like the look of strobe-lit portraits." That's fine, but why are your post-processed images look so unnatural?

Helped by great design, marketing, and a superb product to boot, Syrp’s motorized time-lapse aid, the Genie, became incredibly popular with photographers. As the product that launched the company on Kickstarter three years ago, it was a premium offering, though. And sometimes, it’s useful to have something fantastic in a “light” version. Enter the Genie Mini.

Earlier today, DxOMark released their evaluation of the Canon 5D Mark IV, concluding that it has made notable strides in sensor performance. Anecdotally speaking, I can corroborate their results based on my time with Canon's latest generation of bodies. For years, many have bemoaned the company's sensors as lacking in dynamic range and being generations behind those of Nikon and Sony, but it seems now that they have essentially caught up to their rivals. However, for the everyday work of photographers, the story is a bit more complicated.

Leica has always tried to maintain a balance between their reverence for the past and their willingness to embrace the future through innovative camera releases that shoot black and white only or cameras that don’t have a rear LCD. I believe their next flagship release, expected to be unveiled on January 13, 2022, will take the bold step of removing all buttons, dials, and switches from the back of the camera in favor of a touchscreen-only interface.

If what we read on the internet is to be believed (and who doesn’t believe everything they read on the Internet?) film is definitely not dead. But for a debate which has been raging for well over a decade, I can’t help but wonder whether the wrong question is being posed. Is it not photography itself, rather than film, which has been dying a slow death in front of our very eyes?

If you've found yourself wondering how you can go about using hashtags on Instagram for tagging your work, here's how I go about it. Spoiler alert: I don't overthink it, and I keep it as simple as possible.

I was recently involved in a conversation via Facebook that centered around new camera gear and becoming a better photographer. The saying generally goes: “It’s not about the camera gear at all.” While I generally agree with this way of thinking, it’s not always accurate.

The Google Pixel line pushed the limits of what a phone’s camera could do, but the Pixel 5 looks like just a refinement, not a leap forward. The rumored specs for the iPhone 12 are similarly boring, particularly for regular photography. Is this setting the stage for real cameras to rise like a phoenix?