This is the first episode in photographer Tommy Reynolds new YouTube series entitled "A Portrait of..." featuring his wonderful and warm friend, Holly-Ann Dennis.
Recently I went to New York City to do a week of headshots. As many of you know, part of my cinematic style involves shooting outdoors, but flying from Los Angeles to New York City to put this on meant I couldn’t rely on the weather. Figuring out how to translate the look and feel of my style indoors was the only way to make it a success. As I’ve had many questions about how to make this look happen inside for those that can’t always be outside, I decided to share my own experience with you.
Almost four years ago I began a new journey in my photography career. At the time I was still bartending part-time and concentrating on building the headshot side of my business, when hospitality photography came and slapped me upside the head. As it goes with most other good things, it all started over a few drinks with a friend, and has spiraled into a full second stream of income from photography.
In a dramatic scene from "Interstellar," the space crew was nearly overcome by a massive wave on a distant planet. Take a look behind the scenes to see the filmmakers and actor Wes Bentley discuss the lighting and composite work required to produce this daunting visual effect.
Russian President Vladimir Putin was named Time Magazine's Person of the Year in 2007. Photographer Platon was selected to take his portrait for the cover, an image which has now gained far more reach and notoriety than just the magazine's cover. Here, he talks about his experience photographing one of the most powerful people in the world.
The guys over PHLEARN have a lot of cool content, and this is their most recent. The original idea for this photo shoot was inspired by childhood, drawing on references from stories such as “Where the Wild Things Are” by Maurice Sendak and the classic comic strip “Calvin and Hobbes." The result is a playful look at the imagination of a child.
Shooting action sports can be overwhelming and strenuous if you lack the proper knowledge before going out to shoot. Whether you want to shoot motocross, mountain biking, snowboarding, ect.... for the most part all of the same rules apply. Once you start to master these rules your portfolio will benefit from it. Since I get a lot of questions about my action shots I though I would break it down for you guys.
Over time, you'll likely see your lens develop a couple specks of dust inside the lens. This isn't uncommon, and 99% of the time, won’t affect your image quality at all. However, for the neat freaks out there, it'll become a big issue for you, and you'll want to send your lens in for cleaning. Lens Rentals shows us how they do it.
Do you feel at a certain point, after making a long run of photoshoots, that you're hitting a wall with your creative side? Or have you "lost your touch" so to speak? This is also known as "Creative Burnout." As creatives, we've all been there before. At one point we all plateau and need to find a way to break the "funk" to get back of the swing of things. So how do we overcome this?
James Cameron graces this months cover of National Geographic for good reason. Not long ago, Cameron took his solo manned submarine Deepsea Challenge, to depths no other human has traveled into Challenger Deep.
In the behind the scenes video, we get to see photographer Marco Grob working through pre-production with the team, how the shoot came together in a couple of hours and the tracking down a huge tank (apparently from America's Next Top Model) for the shoot.
As photographers, we all have our strengths and weaknesses. But there’s one disadvantage that almost every photographer has in common.
So I have seen quite a bit of caricature portraits and fell in love with them. I decided to try my hand at doing a few and kind of fell into a new little series with them. Everyone who has seen them has asked if I could shoot them or their families in this style. This little tutorial will show you how I go about doing these shots.
As a headshot and portrait photographer, I'm always looking to streamline my process and create consistent results for my clients. With that in mind I want to share with you my "bread and butter," super-simple setup I've been using for the last two years.
As one of the writers here at Fstoppers I do quite a bit of scouring the internet trying to find the best 'behind the scenes' videos to share with our readers. Sadly much of what I see lacks content, rather it is most commonly just a music video of a photographer on a shoot. Fortunately, this video by Simeon Quarrie documenting his shoot in Italy is quite the opposite. Packed with great information and lots of tips this video is worth checking out. Read on to see a lighting diagram and some of the photos from the shoot.
It's hard to keep up with Casey Neistat's daily vlogs, but today's stands out in particular for its special ingenuity and because it's Halloween. Thanks to a little creativity with an electric skateboard, some red cloth, and an Aladdin costume, New York City has Neistat and his buddy, Jesse Wellens, to thank for a truly epic Aladdin and Magic Carpet sighting. Go behind the scenes and see how they filmed it.
I always wanted to shoot the portraits of a classic Bharatanatyam dancer, but by adding a modern touch to the 2000-year-old traditional dance form. Here is how we created dramatic dancer portraits with a little technique and lots of imagination.
Check yourself Lytro, Google's new Lens Blur mode is coming through! Today the Google Research blog introduced a new mode in the Google Camera app that allows Android phone and tablet users to take photos and change the focus after the photo is taken. By changing the depth-of-field slider, you can simulate different aperture sizes, to achieve bokeh effects ranging from subtle to surreal. According to the blog post the new image is rendered instantly, allowing you to see your changes in real time. Click more to see examples of this new mode that could be a serious game-changer for phone photography.
In his physical prime, Bruce Jenner and his Olympic success made him a household name. With the start of his step-daughters' show, "Keeping Up with the Kardashians," Jenner's name became familiar to a much younger audience. Today, however, we can begin our goodbyes to the Olympic legend and welcome Caitlyn Jenner, who will be introduced to the world within Vanity Fair's coming issue (due June 9) with the front cover tagline, "Call me Caitlyn."
As portrait photographers, we dream of great models, great light, and a great location. Well, this shoot quite comfortably has all three in abundance and required a helicopter to get there.
Have you ever tried to remove an object from a photo, but just couldn't get it to look right, whether it be because of the lighting, color, or actual selection? This tutorial provides a handful of tips for perfectly removing objects in Photoshop.
I've always been a big fan of Dave Hill's photography and creative vision. If you're familiar with his earlier commercial work, you probably know him for his progressive digital and composite techniques. Well, in recent years, Hill has been growing and changing as an artist and he's been exploring different techniques and mediums (not just super rad composites) and shooting a lot more automotive ads. Here is an example of a great Jeep Wrangler ad campaign he captured with — Gasp! — 645, 6x7, and 35 film.
Looking on photography groups and forums, you'll quickly find a reoccurring problem among photographers. No Call, No Shows. It’s going to happen regardless of your location and the seriousness of the industry, and security deposits sometimes scare clients away all together. So how do you counteract this and ensure that your talent and team are timely, and even show up?
Who doesn't like a little artsy nudity now and again? The guys at PHLEARN certainly aren't against it in their latest tutorial that teaches one of the many methods for this type of photography.
Last spring, I met a group of 4 cyclists planning a 35 day epic adventure from coast to coast across the US. Their goal was to cycle over 100 miles a day, resting only one day a week, in order to raise awareness and funds for the poor and needy in Burundi, Africa. I decided it would be awesome to tag along and film their journey.
When National Geographic calls and asks you to take on a project that involves capturing one of the most photographed places on the planet, how do you come away with something new or unique? Six photographers took on this challenge and shared their stories and images in this short video.
This year my family and I escaped the cold of NYC and went to South Florida to celebrate the holidays. I was so glad to be heading to some warm weather, and I planned some shoots that wouldn't be typical of the winter weather up North. I had never shot underwater before, so I wanted to challenge myself and try it out. I contacted BorrowLenses to see if they had an Aquatech housing that I could
Larry Busacca of Getty Images was given a very limited time and cramped space to create some of the most memorable images from the Sundance Film Festival. The video showcases Busacca in action, blowing through group shots, pairings, and solos without missing a beat. With some of the most well known faces in Hollywood no less.
About a year and a half ago, I was walking on a local beach and realized that for a few weeks of the year, the sun would set in a perfect line of sight down the beach. I thought it might be a fun photographic challenge to create a super telephoto picture with a body builder "holding" the sun in an Atlas style pose. In my mind, the entire scene would be lit rather than have a typical sun silhouette image. Little did I realize how much work I was getting myself into.
Let’s be honest, there are a lot of advantages to using speed lights. They are light, portable and they run on batteries. Speed light modifiers that accompany them are also usually quite light and portable as well. But speed lights do have their draw backs and they can be a real pain to use when you encounter issues, such as a painfully slow recycle time between flashes and a lot less power then you need on a bright sunny day. If you have a love hate relationship with speed lights then this article might just have a solution for you.
One of the reasons I love working for a magazine is that it forces me to be a Jack of all trades. While Automotive Photography and Portraits are my focus, Product Photography, Event Photography, Documentary Photography and any other discipline you can think up will also present itself from time to time and I'll have to adapt. The image above is the perfect example of the daily challenges I face as the Photo Director of RIDES Magazine, we needed something high speed and I had a day to teach myself how to do it. Here's how I did it.
