If there is one thing photographers are obsessed with it is lens bokeh. Even if you shoot landscapes or interiors at f/22, your mouth will surely drop the second someone pulls out a fast f/1.2 lens from their bag. One of the most sought after ultra-fast primes in the Nikon lineup is their manual focus 50mm f/1.2 lens. Can this 35-year-old design compete or even beat Nikon's newest 50mm f/1.4 lens in a studio setting? Today we find out.

When it comes to taking images of couples, one of the biggest struggles photographers deal with is posing. Since posing can make or break and good image, these five tips can take your posing to next level.

Portraiture is by far one of the most popular genres among photographers, both amateur and professional, and that tends to generate a lot of myths and misconceptions that can be harmful to your progress. This fantastic video discusses five common misconceptions about portrait photography and the truth about the genre.

It's easy to start blaming your equipment when your images aren't perfectly sharp, but nine times out of ten, it's user error. Here are seven reasons why your photos might not be blurrier than they ought to be.

One of the most hated aspects of editing in Photoshop is making selections for masks, composites, and localized edits. The more difficult the selection, the more disliked it is, but there may be an easier way you aren't using.

When you think of lighting, you might think of splitting things between either natural light or artificial lights, but strobes can be a great way to balance out an exposure with varying levels of ambient light. This excellent video will show you how you can use a strobe or even just its modeling light to create great golden hour or nighttime portraits.

It's pretty crazy to think just a small change of focal length can drastically distort your subject's face. In this behind the scenes video , Jay P. Morgan of The Slanted Lens goes into detail to show us each change and how it effected the model's appearance. Maybe you're interested in buying a fixed lens or maybe you're interested in gaining tips on portrait and headshot photography - either way this video is definitely worth checking out.

Being a commercial photographer means being able to deliver no matter what the conditions are and pushing the boundaries for the client. In this video, as you’ll see, French photographer Philippe Echaroux was given the challenge to go even further and create stunning portraits using only an iPhone, a flashlight, and a Big Mac box. Yes, you read that last item correctly! If you’re wondering how he did it, be sure to watch the full video.

Learning to find the perfect light is something that takes time and experience. But what do you do when the perfect light isn't there? Shooting in hard sunlight isn't always the most flattering or ideal situation. Don't settle for less than ideal results, bad light doesn't have to mean bad images. In this tutorial you'll learn how to defeat hard light by scrimming and lighting to completely reset your lighting conditions and take control of your shoot.

How to light a portrait and determine the proper exposure settings are things that can be objectively codified, and in that sense, they can be a bit easier to learn. On the other hand, posing tends to be a bit more nebulous and is something a lot of photographers tend to struggle with when they are learning how to photograph portraits. If you want to improve your posing, check out this fantastic video tutorial that will show you five excellent tips sure to make your portraits better.

The arts — very much including photography — under the umbrella of expression and free speech can explore the boundaries of what is acceptable. Often these boundaries are harmless and prompt little more than a debate regarding the meta of the relevant discipline. Occasionally, however, the debate is darker in nature as the boundary being pushed is one of moral significance. The photographer and director David Hamilton was somewhat of a permanent resident of such debate and his suspected suicide recently has brought a number of questions to fruition.

"Collabs" are the new currency between aspirant photographers and content-pressured models. Both parties are looking for scroll-stopping images to gain attention as they rise up in their respective industries. What happens when the images don't measure up to the expectations? Are models expecting too much from growing photographers who are shooting for free, or are photographers hyping up their skills and not delivering?

Lightroom has enjoyed dominance in its area for over a decade and has been the go-to raw processor and catalog tool for many photographers. However, rivals have been creeping up and improving gradually, with Capture One 20 now being considered by many to be better in some regards.

FUJIFILM just sent over their $6,000 200mm f/2 lens. I was planning to shoot a sporting event with it, but I decided to do something a little different.

If you have ever wondered how to pose your subject for headshots but are stumped at the first hurdle or perhaps you're photographing someone who is not used to being in front of the camera, then these handy techniques will improve your outdoor portraits.

I’m always intrigued by those photographers who shoot self portraits, particularly when they bring something new to the mix. Chino Otsuka used her camera and some skillful Photoshop work to not only carry out a self portrait series, but to transport herself back in time, into photographs featuring her younger self - sometimes from almost three decades in to her past. The results are both thought provoking and mesmerizing.

Paris-based French Photographer Dani Olivier has spent eight years refining a process for creating incredibly mesmerizing images by projecting intricate patterns of light onto nude models.

Learn how to change colors selectively in photos in only two minutes using a tool in Lightroom Classic.

Are you prepared to handle a session where the natural lighting conditions are difficult and there is no shade to turn to? Here are three techniques you can use to get beautiful photos in harsh conditions.

Keeping a fair amount of texture seems to be an issue for a lot of photographers and retouchers. No matter what technique they use to clean the skin of a model, I often hear people trying to find a solution to get a more natural and visible texture. Here is one for you!

Newcomers to photography may have heard that 50mm or 85mm lenses are the right choice for portraiture. But did you know even as wide as 35mm can be used in the right situations? Take a look at how these three focal lengths compare and when to use them in this helpful video.

They say you never really know what goes on behind closed doors. This photography series, though, is shedding light on one of the most taboo sexual trends there is: BDSM. Here, one photographer shoots his subjects in both their everyday clothes, and their BDSM style.

I spent a few weeks testing the new Viltrox 75mm f/1.2 lens for Fujifilm, and in the accompanying article and video, I share my thoughts on one of the most exciting third party lenses on the market today.

Knowing how to light, pose, and shoot a good portrait is only half the battle; you also need to be able to edit your images to produce a fully finished and compelling final product. If you are new to portraiture and looking to improve your work, check out this fantastic video tutorial that will show you a full image edit, including retouching, dodging and burning, color grading, and more.

In a collection of street photos, one Russian photographer has documented his local city in a cinematic, surreal manner.

Getting started in photography is expensive. Sometimes frustratingly so. This expense tends to compound a bit if one has to pay professional models to build a portfolio. Fortunately, you don’t. Models also need to build a portfolio, so collaborating with photographers to create images becomes extremely valuable. TFP (time for print, or time for portfolio) has becomes a keystone of the beauty/fashion/glamor world.

It has happened to all of us a million times: After wrapping up a creative photo shoot and go through some of the images in post, we typically find a few photos in there that are "meh" at best and you most likely pass over or discard. Well, photographer and retoucher Glyn Dewis once again shares an awesome Photoshop / Lightroom tutorial on how he turned one of his throwaway photos into a killer shot. Check out the final image and information below.