When you are especially particular about your adjustments and want your dodging and burning to utilize the maximum amount of image data possible, nothing beats Raw Smart Objects for the task. This is also ideal when you're making significant changes to exposure, whether it's for dodging and burning or other adjustments. In the end, more data almost always amounts to smoother, better looking changes.
Going pro or full time in photography is often a daunting task. A lot of us are making the jump from another career rather than straight from university. This offers a particular set of challenges. Chances are that you have a mortgage or rent, loans, credit cards, children, cars, bills, a cat and dog, and a host of expenses that you have to keep on top of. The risk is high, but so is the reward.
A couple of weeks ago, I reviewed ACDSee's latest photo editing software release and even said it could replace Adobe products in many ways for Windows users. It was only wise to back that statement up with two complementary articles, this one being the first, showing to Adobe users how they could switch from Lightroom to ACDSee. In today’s write-up, I’ll concentrate on bringing files from previous Lightroom catalogs into ACDSee and also on how to manage your pictures in ACDSee Ultimate 2018.
A few months ago we released "Where Art Meets Architecture 3" with Mike Kelley, a photography tutorial that covers photographing hotels and resorts as well as the business of high-end architectural photography. For the past few months, we have also been releasing a behind-the-scenes series on the creation of this tutorial. Today we are finally releasing episode 8 which is also the final episode of this series.
A few months back, I was getting the feeling that I needed to start traveling to see more of the beautiful world we live in. At the time it was just a thought until my buddy Tom Harmon called me up and asked if I'd want to go out to Oregon with him. Of course I had to take him up on the offer and I was excited to leave New Jersey for once. I knew that if we were going to be in Oregon for just three days, we'd better plan a hell of a trip to fit in all the spots we wanted to go see. Finally, it was the night before the trip and we had finalized the locations we were going to go. With everything planned out, we were ready to get out to Oregon for some droning.
Color has always been an Achilles' heel for me. When I first started in this industry, I was always looking for the magic answer: a specific Photoshop action, or a Lightroom preset, or a plug-in that did some kind of magic that created the color that I had wanted. Boy was I barking up the wrong tree.
Twice a year Professional Photographers of America hosts a learning opportunity for any photographer, whether they are a PPA member of not. PPA calls these Super One Days and they are available throughout the country and held by local photographers that give their time and expertise to a diversified set of subjects in many local communities. The options for classes range from different aspects of the business of photography, to shooting many different types of imagery, to post-processing, and even creating with prints and products in mind. The diversity of options available and that it’s many times a local photographer offering a class makes these educational opportunities worthwhile.
It was supposed to be a quick trip in Mexico to cover the Lucha Libre World Cup for Pro Wrestling Illustrated magazine. But Photographer Jerry Villagrana, based in Detroit, eventually spent the next 15 months in the country shooting Mexican wrestling both for major promotions in 18,000 seat arenas as well as local neighborhood areas with dirt floors. Here is his story.
A few months ago, Fstoppers reviewed a variety of gimbals and we picked our favorite one for the Panasonic GH5. Just after we published our comparison, the Moza Air 3 Axis Gimbal was released and they decided to send us one. The Zhiyun-Tech Crane is still amazing, but the Moza Air is now our favorite gimbal.
How many of you have old memory cards, USB sticks, or even hard drives lay around doing nothing? Of those that answered yes, how many of you still haven't worked out a decent backup strategy for your images? Here's a quick and free solution to securely encrypt that unused storage so when a disaster strikes your most important work isn't lost forever.
The concept of a portrait lens has always baffled me. When I first started out in photography, reading the Internet and listening to other photographers would have led me to believe that I needed something around the 85mm or 135mm focal lengths if I wanted to photograph a person. Anything else wouldn’t work. Well, that simply isn’t true, is it? Any lens can be used as a portrait lens. In fact, the moment you photograph the likeness of a person with it, it becomes a portrait lens. So why not experiment using different lenses in your portraiture?
A freelance lifestyle is a goal that many aspire towards in photography and videography. It’s a goal I achieved this time exactly one year ago. After a brief honeymoon period, I quickly learned some important lessons that I’d like to share with those who look to be making the leap across the great divide.
In Part 1 of this series, I explained the basics of how Lightroom works, the best way to import your photos, and the different options you have when culling your images. In Part 2, I want to show you the essentials of the Develop module. This module is the area of Lightroom where you can color correct, crop, straighten, sharpen, and perform several other adjustments as well.