Gear

Mirrorless lenses allow you to experience the fun of supertelephoto focal lengths without the often stratospheric prices, but they generally come with a few compromises as well. Nonetheless, depending on your needs and budget, they can be a decent alternative. One such option is the Tokina SZ SUPER TELE 500mm f/8 Reflex, and this excellent video review takes a look at the lens and the sort of performance and image quality you can expect from it in practice.

The Nikon Z 9 has put Nikon back into competition with Sony and Canon in the upper echelon of the full frame mirrorless market, offering a no-compromises design at a competitive price. When combined with the NIKKOR Z 100-400mm f/4.5-5.6 VR S lens, it offers a highly capable option for anyone needing top-of-the-line performance for things like sports or bird photography, and this excellent video review takes a look at the performance and image quality you can except from them.

A lot of new lenses are amazing. Although the quality of the predecessors was already good, the new generations are even better. But with the amazing quality comes a size, weight, and prize. You should ask yourself if these are the lenses you need.

There have been a few digital cameras that have been landmarks in the industry, whether as major technological steps forward or impressive performers. One such groundbreaking camera was the Canon 5D Mark II, and this neat video takes a look at the camera and how you can still use it for great shots even 14 years after it was released.

Video is more prevalent than ever, and along with the expectation of high-quality production and editing, clients expect top-notch audio to match. The Rode Wireless GO II has been a popular choice for some time, but the DJI Mic has recently challenged it and offers some compelling features and smart design choices that make it a great alternative. This excellent video review takes a look at both options to help you choose which is right for your work.

Shooting on location can be a stressful time. So, what are some of the questions I ask myself before heading out into the wild?

Sigma has finally arrived on the Fujifilm X mount, and it has photographers excited at the prospect of using the company's popular lenses that are well known for providing excellent image quality at impressively competitive prices. One such example is the affordable 30mm f/1.4 DC DN Contemporary, and this fantastic video review compares it to the XF 33mm f/1.4 R LM WR to see which provides better performance and image quality.

DJI's Action 2 is a tiny action camera meant to be placed in a variety of challenging environments and still come away with compelling footage, making it potentially quite the fun sidekick. This great video review takes a look at the camera after six months of usage, including how it holds up and the kind of performance and quality you can expect from it.

For most photographers, the idea of a (relatively) fast lens covering everything from 35mm to 150mm is a dream come true. Does the Tamron lens live up to the dream?

It's taken me years to figure out the myriad reasons why my photos weren't always as sharp as I expected. You can cut out all of that learning time by watching this one video that sums it all up.

It's no secret that everyone is buzzing about the Sony a1 and the Nikon Z 9. Both are beautiful mirrorless cameras that have a lot of great features to offer. But, which one should you pick?

I upgraded my camera to the Canon EOS R5 last year and have since been shooting with my adapter ring and the EF lenses. If this sounds like jargon to you: let me catch you up to speed. Canon launched its first mirrorless camera in 2018, and the mount on the mirrorless cameras is different than the ones of the previous DSLRs. As a workaround, you can use an adapter ring to shoot with your older EF lenses on the new mirrorless cameras.

With Nikon and Canon starting to push quite hard in the professional mirrorless realm in the last few years, we have seen a resurgence of the development of professional supertelephoto lenses. Most such lenses have long been near the top of image quality and autofocus performance, so a lot of the focus has been on reducing weight and size while maintaining that performance and image quality. The Nikon NIKKOR Z 800mm f/6.3 VR S lens is the latest in that trend, and this great video takes a first look at what we can expect from it.

A small, affordable prime lens with a relatively wide focal length can be tremendously useful (as long as it has the image quality to back it up), and at just $256 and 5.5 oz (155 g), the Nikon NIKKOR Z 28mm f/2.8 lens certainly fits the bill. This great video review takes a look at the lens and the sort of sharpness and performance you can expect from it in real-world usage.

Most street photography is shot at around 24mm or 35mm, but, of course, there is no reason you can't shoot it at longer focal lengths — even much longer if you so desire. This fun video follows a street photographer as he roams around Chicago, shooting at 200mm and showing just how different the photos look with such a distinctive focal length.

When it comes to Sony's a7 series of camera, both the a7C and a7 IV are the most generalist options, offering the best balance of photo and video features at reasonable prices. So, if you are looking for an all-around option, which of the two is the best? This great video comparison takes a look at the two cameras to help you decide which is right for you.

50mm (equivalent) lenses are rather versatile, able to cover a range of situations. Fujifilm shooters have quite a few options available to them at that focal length, and this excellent video comparison takes a look at three of them: the Fujifilm XC 35mm f/2, XF 35mm f/1.4 R, and the XF 33mm f/1.4 R LM WR.

LiteGear has announced the Auroris, a turnkey solution for overhead lighting.

Shift lenses provide crucial solutions to problems faced by architectural and real estate photographers, and until recently, options have been extremely limited. Let’s take a look at this new shift lens option from Laowa.

We often get quite caught up in the headline-grabbing specs of cameras — things like sensor resolution, burst speed, autofocus, and more. However, one thing you will not find on a spec sheet but that can have a huge impact on your quality of life is a camera's handling. Which cameras have been the best? This neat video discusses five top choices.

All of the major camera companies have released some incredible cameras in the last few years, but many of us do not need top-shelf features and would rather opt to save thousands of dollars by buying a more generalist option. Such cameras have come quite a way and can handle most demands, and this great video review takes a look at two of the best options, the Canon EOS R6 and the Sony a7 IV.

When Aputure released the LS 600d Pro, it took the market by storm and signaled an era of high-power LED coming. But when the LS 600X Pro came out, it took the D version and made it greater. I’ve been using the 600X Pro for the past month, and here are some of my thoughts on it.

There are many staple lenses in portrait photography that are recommended to beginners and professionals alike. However, there is something of an unsung hero lurking in a different genre entirely that could complement your gear arsenal perfectly.

When it comes to portraiture, the wide-aperture 85mm lens has been the classic choice for years, but zoom lenses have come along quite a bit in the past decade, and with their impressive image quality, you might prefer the versatility of having a variety of focal lengths at your disposal. If you are wondering whether to use an 85mm or 70-200mm lens for your portrait work, check out this excellent video tutorial that will show you the pros and cons of each.

Ultra-wide angle zoom lenses with wide maximum apertures are popular for a variety of uses, ranging from astrophotography to weddings and events work. For Sony shooters looking for professional-level options, there is the FE 12-24mm f/2.8 GM, and this excellent video review takes a look at the lens and the sort of performance and image quality you can expect from it in usage.

HEX has been on a tear lately, releasing plenty of functional bags with some meaningful limited editions. The HEX Back Loader DSLR Backpack V2 continues the trend with a useful and stylish package that’s just about perfect for shooters with DSLR or mirrorless cameras.

Fujifilm makes some pretty impressive lenses, and in between their well-established X Series and the respected GFX medium format line, photographers have a lot of choices when it comes to narrow depth of field and bokeh. This great video compares an option from each line, the GF 80mm f/1.7 R WR lens and the XF 50mm f/1.0 R WR.

The latest camera from the ONE R is getting an upgrade, adding some needed features.

I picked up a Fujifilm X-T4 about five months ago to use primarily as a backup camera and for street photography, video, and family use. Although I shoot with a Canon system in my studio, I fell in love with Fuji’s cameras years ago when I acquired an X-Pro1 and a few X lenses. In this article, I offer a friendly critique and some suggestions for Fuji to improve an already great camera system.

Leica is a legendary brand, well known for a very specific camera experience and a desirable, unique look to their images. Fujifilm has made significant strides in the past decade, though, and their X-Pro series offers an experience similar to a rangefinder with a variety of interesting advanced and hybrid features. So, is Leica worth its significantly higher price? This great video review compares the Leica M11 to the Fujifilm X-Pro3 to find out.