Recent Gear Articles

Is This the Most Versatile Lens You Can Own?

It used to be that lens design was generally a tradeoff between convenience and excelling at a specialized purpose. However, in recent years, we have seen some absolutely remarkable lenses that upend the traditional defining factors that characterize prime and zoom lenses. One such lens is Tamron 35-150mm f/2-2.8 Di III VXD, and this excellent video review takes a look at the sort of performance and image quality you can expect from it in practice.

More Info on the Canon EOS R1 Flagship Mirrorless Camera Emerges

With all the excitement about the Nikon Z 9 and how it compares to cameras like the Canon EOS R3 and Sony a1, it can be easy to forget that Canon actually still has another high-level camera coming, the flagship EOS R1. A bit more info has emerged on the camera, including an expected release date.

We Review Nikon’s Z 105mm Macro: Did Nikon Make the Safe Choice?

Announced back in June, Nikon’s first macro lenses for the Z mount appeared to be typical successors to their F mount predecessors, covering 50mm and 100mm focal lengths. The Z 105mm, as before, is a more premium choice, offering a few more features and a more choice designation. I’ve finally gotten my hands on one, and after some thorough testing, I’m ready to share my thoughts on this recent entry to the Z lineup. Whether you’re a macro specialist or Z photographer, you’ll want to check out this review.

A Review of the Versatile Canon RF 14-35mm f/4L IS USM Lens

A wide angle zoom lens is one of the most versatile out there, useful for a wide variety of scenarios in both photo and video work. For those who do not need the extra-wide aperture of an f/2.8 lens, an f/4 version can save a lot of bulk and money. Canon's RF 14-35mm f/4L IS USM lens features a wider focal length than most such zooms and adds image stabilization, and this great video review takes a look at the performance and image quality you can expect from it in practice.

Comparing the Westcott and Godox 400 Ws Strobes

One of the biggest problems with comparing lighting systems is that there are endless variables to compare. If you are looking for a good strobe for studio or outdoor work, this video has a lot of information to give you a concise look at which one might be best for you.

Should You Use Teleconverters Instead of Longer Lenses or Cropping?

Long telephoto lenses can be some of the most expensive out there, and when you need multiple focal lengths, the cost can quickly become prohibitive. Teleconverters offer a way to get more reach from lenses you already own, but they also come with drawbacks you should be aware of. This excellent, in-depth video discusses teleconverters, their pros and cons, and when they are appropriate to use.

How Good Is the Retro Nikon Z fc Mirrorless Camera?

Nikon's Z fc mirrorless camera sees the company make a throwback to their film cameras of yesteryear, dropping some of their most modern technology in a body that looks like it stepped out of the 1980s. The camera offers a small and lightweight design and affordable price in tandem with its unique design, making it an interesting option for a variety of applications, and this excellent video review takes a look at the image quality and performance you can expect from it.

Is the Sony a7R IV One of the Best Stills Cameras Available?

The Sony a7R IV is the highest resolution full frame camera ever made, and it brings with it a range of advanced features from Sony's other camera lines, making it a versatile option for everything from portraiture to landscape photography and more. This great video review takes a long-term look at the a7R IVA and how it holds up for photo and video work in a range of scenarios.

Every Focal Length in One Lens: A Review of the Tamron 18-300mm f/3.5-6.3 Di III-A VC VXD

Superzoom lenses are traditionally not known for their image quality, but in recent years, some serious strides have been made by manufacturers, and certain models can now produce good photos while providing remarkable levels of convenience, allowing you to cover every conceivable focal length with only one device. This great video review takes a look at such a lens, the Tamron 18-300mm f/3.5-6.3 Di III-A VC VXD.

Being Bold and the Promise of the Nikon Z 9

Nikon has finally officially announced their new flagship mirrorless camera, the Z 9. The long-rumored specs are now confirmed, and the promise of the system has exceeded expectations.

Our DJI Action 2 Review: Good but Not Great

For the last week, I've been playing with the new DJI's completely reimagined modular action camera system, the Action 2. Aspects of this new system are ingenious, but it is far from perfect.

A Review of the New Nikon Z 9 Mirrorless Camera

Nikon's Z 9 is finally here, and it looks like the competition for most powerful full frame mirrorless camera is a three-horse race again. How does the new camera perform? This great video review takes a look.

Do You Need the MacBook Pro M1 Max or M1 Pro for Your Work?

Apple's latest MacBook Pros are here, and while they brought with them a bevy of new features and the return of some that many creatives have missed, the headline features are the newest iterations of Apple's in-house processors, the M1 Max and M1 Pro, which promise top-level performance and remarkably long battery life. Now that you have multiple options for a processor, which is right for your work? This helpful video will give you a first inkling.

Nikon Z 9 Video Leak Reveals Some Potential Dealbreakers for Pros

Nikon India accidentally posted the release video for the Nikon Z 9 flagship just a bit early, and while they were quick to remove it, photographer and YouTuber Tony Northrup was able to get his hands on it and do a deep dive into the uphill battle against Sony and Canon that the camera will face.

Is the DSLR Dead?

As more mirrorless camera lines are announced from the biggest manufacturers in the world, does the DSLR run risk of being put on the sidelines indefinitely?

Which of These Remarkable Portrait Lenses Is the Best?

Fujifilm's GFX series of medium format cameras and lenses has brought some incredible image quality and capabilities to photographers at prices that significantly undercut traditional medium format costs. Both the GF 80mm f/1.7 R WR and GF 110mm f/2 R LM WR lenses offer extremely wide apertures for medium format lenses, making them intriguing choices for portrait photographers. So, which is right for you? This great video compares the two and the sort of performance and image quality they offer to help you choose.

Is This Lens a Game-Changer for Sony APS-C Cameras?

With the arrival of the Sony a7C, some wondered whether Sony might be pondering bringing its APS-C line of cameras to an end. However, the new 18-50mm f/2.8 lens from Sigma suggests that the weight and price advantages offered by the smaller format have just breathed fresh life into Sony's crop-sensor cameras.