Great photographers need to be excellent problems solvers that can rig up anything. Getting lights into tight spots or building new sets in tight quarters are just a few examples of what a photographer is faced with on a daily basis. When you are running a team of people, working with clients on set, or doing a test shoot by yourself, you will always have a new idea or inspiration that challenges you to light something differently. The Master Clamp is the tool to help you rig it up and not look like a fool in the process.
The state of California is simply unmatched when it comes to beautiful, picturesque imagery in the United States. As the birthplace and home of timelapse photographer Hal Bergman, it was his goal to compile as much of the visual wonders California has to offer in to a tight four-minutes time. His newest video, aptly titled “California,” combines four years of filming in to a marvelous treat for the eyes that any citizen of the world can appreciate. Beyond the video, Hal also speaks to Fstoppers about the behind-the-scenes work and equipment used in the making.
Among the biggest complaints about the Sony α7 line is the lack of glass available for the new FE mount. So far they've done a good job producing two semi-fast standard primes (a 35mm f/2.0 and a 55mm f/1.8), and two slow-ish pro-zooms (a 24-70 f/4.0 and a 70-200 f/4.0). Yesterday, Sony Japan released a teaser image for a 16-35mm FE lens. The 16-35mm would round out the "Holy Trinity" of FE lenses, making the α7 line an even more appealing option to people who rely on those focal-lengths — though it would be nice to see them make some f/2.8 zooms, too.
As a commercial photographer, I specialize in product, food, and architecture. One of the products we've been shooting a lot of lately is jewelry, specifically jewelry for catalog use. In my opinion, jewelry is one of the hardest things to photograph, and many photographers don't know where to start. Whenever we're tasked with photographing shiny, reflective, spherical objects, our studio sounds like a group of sailors on leave with all the profanity flying around (often times strung together to make complete sentences).
A lot of my work is on the road, which is why I spent a long time looking for the best mobile storage options before eventually landing on the WD My Passport Pro and the LaCie Rugged SSD. But when I'm not on the road, I'm at my desk editing a wide range of video. It's here that I realized I needed not only a reliable backup, but also a powerful and fast working drive to burn through edits. What I found was the G-Speed Studio, and I love it.
I live in constant fear of either accidently formatting a card or having data corruption of information before I get back to my main workstation. Because of this somewhat totally rational fear, I tend to back up cards on location during or right after shoots. To fill this remote backup need, I tested the LaCie Rugged 500GB SSD which offers USB 3 and Thunderbolt 2 speeds in a tiny package.
Sometimes we have the luxury of being at an entire game or tournament or match to get action shots of athletes performing their best. Yet occasionally, if we're like Brett Wilhelm, we are asked to cover the World of X Games Cam Zink Mammoth Flip that only happens once and lasts all of a few seconds. Under that kind of pressure with no "redos," Wilhelm takes us through a refreshingly in-depth BTS video that covers everything from basic composition to gear and how one man can cover three cameras.
With the rise of smartphones and lack of expandable storage locally, many manufactors have been creating storage solutions with options to access over a wireless network connection. While this isn't anything new, it appears as Western Digital is releasing a one-step solution for photographers needing to backup SD cards on location.
Case Logic has been making bags, tablet sleeves and accessory holders for quite some time, but this was my first time reviewing, and using, a dedicated camera bag from the company. The Luminosity DSLR Split Backpack is a hearty, sturdy bag with a few neat compartments and a unique design that is aimed toward either the professional photographer or pro-sumer who needs to protect their gear while on the go. When considering this bag, know that protection was at the forefront.
A new line of manual-focus lenses, designated with the Loxia title, have been announced by Zeiss. The initial compact lenses to be released later this year, a 50mm f/2 and a 35mm f/2, are crafted specifically for Sony’s E-mount full-frame α7 cameras. Christophe Casenave, product manager at Zeiss, says there is “growing desire for a digital manual-focus experience” on Sony Alpha 7/7R/7S cameras and that the Loxia line is “ready to exceed those expectations.”
Pictured above are the two lenses currently available from Moment that I stumbled across while browsing Kickstarter and immediately knew I had to have. The 60mm Tele and 18mm Wide are small enough to fit in the palm of your hand, while maintaining the sturdiness and incredible optics of products ten times their size. The following are my first impressions after they landed on my porch.
Though we have no confirmations that the price drops are permenant, we can probably assume them to last a long time if not forever. Canon has cut prices from $1000 on the higher-end lenses to $50 on the more affordable glass across their product line. In all, there are 26 lenses discounted as of today.
If music and EDM photography is your dream job, this next interview is just for you. The fourth session in the Fstoppers series over at the TogTools Podcast is finally up, and it's a very unique and interesting one. This week's guest is Fstoppers Staff Writer Rebecca Britt who is an amazing commercial and EDM photographer based in Texas. Aside from being with Fstoppers for a very long time, Rebecca is also a team member at Retouching Academy and runs the largest collective of EDM photographers on social media. In this interview, Rebecca shares her own story and gives a lot of useful tips on how to be a successful music/commercial photographer.