Until now, mirrorless bodies have been more of a side project for Canon, with the company declining to compete on the level of Sony and Fuji. However, today, Canon has announced the EOS M5 and EF-M 18-150mm f/3.5-6.3 IS STM lens, which represent its first serious attempt at an upper level mirrorless option.
For Sony E-mount and micro four thirds (MFT) users looking for wide and fast lenses, look no further. Venus Optics has released two new lenses to help assuage your needs. Their new 15mm f/2 E-mount is the world's fastest E-mount rectilinear lens with a 110-degree field of view, and a fast wide open f/2 aperture promises to be an extremely fast and sharp lens. The 7.5mm f/2 is the widest rectilinear lens ever designed for MFT cameras, lending itself to extremely wide fields of view and wide aperture use for everything from cameras to drones.
After owning the DJI Osmo for about six months, I’ve come to realize how handy it can be when filming certain things. Usually a steady shot requires a huge gimbal or rig but with the Osmo it becomes simple and doable with just one hand. For me it is ideal for real estate and other little side projects I do, however it isn’t much of an everyday camera. DJI now introduces the Osmo Mobile, the Osmo handle with gimbal that can hold your smartphone.
Earlier today, DxOMark released their evaluation of the Canon 5D Mark IV, concluding that it has made notable strides in sensor performance. Anecdotally speaking, I can corroborate their results based on my time with Canon's latest generation of bodies. For years, many have bemoaned the company's sensors as lacking in dynamic range and being generations behind those of Nikon and Sony, but it seems now that they have essentially caught up to their rivals. However, for the everyday work of photographers, the story is a bit more complicated.
In the United States, you might know them better as Rokinon. Samyang Global, the Korean optics manufacturer, has announced two new lenses that may come as a bit of a surprise. While they have been producing quality manual lenses for a variety of mounts, they haven't done much that the mainstream manufacturers haven't already in terms of focal length, aperture, or cinema capability, though their price points have always been far more reasonable. With these new releases however, that has changed.
If you're curious to see what a brand new Canon 5D Mark IV looks like on the inside, here is you chance. LensRentals has already done one of their popular teardown articles on the new camera, and taken one apart before most people who preordered it even received it yet. This post obviously won't help your photography in anyway, but it sure is interesting and fun!
Some things are too good to be true. But every now and again, the world offers you an opportunity to feel like you got the lucky ticket for two on an all-expenses paid vacation to Disneyland. This isn’t quite that good, but I don’t know many people who would say, “No,” to a free iPhone, let alone one that can make you money. Here’s how you can have cash left over after upgrading to an iPhone 7…
Meyer Optik has been on a mission since last year to reintroduce some of its classic lenses to the new digital age. The manufacturer has been using Kickstarter to revive several lenses from their Trioplan line, notably the 100mm f/2.8 and the 50mm f/2.9. After finding incredible success Meyer Optik has decided to relaunch another line, the Primoplan, starting with the 58mm f/1.9.
Expanding upon the high-end manual focus line of Milvus lenses for DSLR cameras, today Zeiss announced they are adding three new additions. These new lenses — a 15mm f/2.8, 18mm f/2.8, and 135mm f/2 — will feature the same solid optical quality housed within a beautiful barrel design that the Milvus line is known for. Created for both high-resolution photography and videography, the new lenses will begin shipping at the end of October.
Continuing their approach of creating high-value products that people can’t seem to get enough of, Sigma has introduced a whole new line of CINE lenses specifically designed for cinematographers. The new lenses come in three different categories: the High Speed Zoom Line, the FF Zoom Line, and the FF High Speed Prime Line. In total, eight new CINE lenses have been announced and we have all the details right here from the announcement.
In an industry where product differentiation is tough because everyone has to meet similar standards, G-Technology continues to show that it can innovate on top of simply promising higher-quality products. Through partnerships with companies that creatives work with every day (such as RED Camera and Atomos), G-Technology continues to help filmmakers and photographers at every step of the creative process from capture to delivery.