We've previewed this very special filter before, and now come back with results from testing it in the field. The STC's Astro-Multispectra Filter blocks out artificial light of our modern world in the form of light pollution and increases contrast to reveal faint deep-sky objects. While available for Canon too, Taiwanese STC brings an exclusive filter to Nikon full-frame to capture wide-angle shots of the night sky.
The majority of the readers of this article who shoot video probably use still lenses. You might ask yourself why you may need different lenses for video while your existing photography ones work just fine. In this article I'd like to show you certain features of the cinema glass that you probably always wanted subconsciously. Maybe after reading this you'll start saving up the money for one.
We've all been there. You were hired for a run-and-gun shoot only to find the location has terrible lighting. Or your shoot is running later into the evening and the sun is going down fast, without any lighting to plug in. The ISO gets cranked up, and your exposure is saved at the expense of adding unwanted noise to your image. This is where noise reduction software becomes useful, and a new product from Red Giant has changed the way it approaches this task with Denoiser III.
Most of the new portable flash units released in the past few years have been 200-600Ws strobes. Not many manufacturers decided to bet on powerful packs. They seem to focus heavily on HS, HSS, TTL, or simply lighter units instead. However, there are photographers who require power and Elinchrom listened to them. The ELB 1200 is not without reminding us of the aging Ranger RX, but they only share the power output, the brand name, and very few features. The Elinchrom ELB 1200 is a new product in itself and one that action photographers will love without a doubt.
Mainland China-based Godox Photo Equipment (also sold under FlashPoint in the United States) announced the latest in their series of challengers to the dominant flash makers, the Wistro Pocket Flash AD200. As with the other units in the series, the AD360 and AD600, the AD200 offers stable color temperature across all power levels and fast recycle times. It packs 200 Ws of power, which makes it significantly more powerful than any unit in its size or price range. Perhaps the most interesting feature, however, is the dual flash heads (more on that after the jump).
This week I was invited to the head office of Rotolight in Pinewood Studios, London to check out one of their flagship products, the Rotolight Neo. This is an LED light that can mount to your camera or can be used off camera using boompoles or light stands. This constant light source that can run off six AA batteries claims to be industry leading in areas such as brightness and color accuracy. But at $399.99, is it a worthy investment?
Earlier this week Sony announced that they will be debuting the world's fastest SD cards with amazing read and write speeds of 300 MB/s and 299 MB/s, respectively. Not only do the new SF-G series cards claim to be the fastest currently on the market, they are also backed by Sony’s File Rescue software which is a simple data recovery software that you can use free of charge.
Photography has come a long way since my 35mm high school days. We've seen it go from film, to prohibitively expensive, low-resolution digital, to stunning high-res cameras in every phone. But the method of viewing digital images has been limited to print and computer screens. Since my very first Canon 5D I've been on the hunt for a digital picture frame that could display images with the same brilliance as print.
One of my goals for this year is to start working on videos again. A few of the projects I have in mind require a microphone to help capture better audio, since we know the built-in mics are not really that great. Jay P. Morgan's latest video from The Slanted Lens hits the web and couldn’t come at a better time for me.
Prism photography isn’t exactly a new thing. In fact, many photographers have been taking advantage of the unique, light bending properties of glass and clear resins to add an artistic flare to their images for some time now. The issue previously had been finding a prism that would work for you and fit neatly into your kit. Fractal Filters has recently released their latest set of prisms designed specifically for photographers that meet the need for convenient photo-prisms.
Developing your own film might be the cheaper (and more amusing) way to go, but with all the preparation and lab space required, that simply hasn't always the best option. Ars-Imago's Lab-Box hopes to solve these problems in a small, light-proof container that enables you to develop your own film at home or even while traveling – yes, it's that easy and compact. The best part: it's not all that expensive, either.
Today is the day that Sigma fills out its Art-series lens lineup to offer what could easily be considered everything you'd really need since its most recent release of the 85mm f/1.4 Art. Four new full-frame lenses cover the gamut from an ultra-wide, ultra-fast 14mm f/1.8 Art, a similarly fast 135mm f/1.8 Art portrait lens, to the wedding photographer's favorite 24-70mm f/2.8 Art and sports shooter's 100-400mm f/5-6.3 Contemporary "compact" super-zoom. If you've been waiting for that next Sigma lens, odds are it's one of these.
How did technology make "Planet Earth" so much more cinematic? If we go back to how it was done back in the day and compare it to the technology we have today, it's quite a leap. Back in the day 35mm was the broadcast standard. The 35mm cameras were bulky and heavy, they were perfect for studio and not for the shots that they needed. In the filming circles and the BBC insiders saw 16mm film as being for amateurs. But, thanks to David Attenborough first taking his 16mm camera out to shoot abroad and coming back with footage of animals never filmed before, it changed opinions. This made the program that later became one of the best wildlife documentaries of all time.